quotes by Patrick O'Brian
(showing 1- 14 of 14)
"‘No man born of woman has ever understood spoken Portuguese.’"
— Patrick O'Brian (Blue at the Mizzen (Book 20))
— Patrick O'Brian (Blue at the Mizzen (Book 20))
"‘Touch and away, Jack?’ asked Stephen. ‘Touch and away? Do you not recall that I have important business there? Enquiries of the very first interest?’
‘To do with our enterprise? To do with this voyage?’
‘Perhaps not quite directly.’"
— Patrick O'Brian (Blue at the Mizzen (Book 20))
‘To do with our enterprise? To do with this voyage?’
‘Perhaps not quite directly.’"
— Patrick O'Brian (Blue at the Mizzen (Book 20))
"Stephen had been put to sleep in his usual room, far from children and noise, away in that corner of the house which looked down to the orchard and the bowling-green, and in spite of his long absence it was so familiar to him that when he woke at about three he made his way to the window almost as quickly as if dawn had already broken, opened it and walked out onto the balcony. The moon had set: there was barely a star to be seen. The still air was delightfully fresh with falling dew, and a late nightingale, in an indifferent voice, was uttering a routine jug-jug far down in Jack's plantations; closer at hand and more agreeable by far, nightjars churred in the orchard, two of them, or perhaps three, the sound rising and falling, intertwining so that the source could not be made out for sure. There were few birds that he preferred to nightjars, but it was not they that had brought him out of bed: he stood leaning on the balcony rail and presently Jack Aubrey, in a summer-house by the bowling-green, began again, playing very gently in the darkness, improvising wholly for himself, dreaming away on his violin with a mastery that Stephen had never heard equalled, though they had played together for years and years.
Like many other sailors Jack Aubrey had long dreamed of lying in his warm bed all night long; yet although he could now do so with a clear conscience he often rose at unChristian hours, particularly if he were moved by strong emotion, and crept from his bedroom in a watch-coat, to walk about the house or into the stables or to pace the bowling-green. Sometimes he took his fiddle with him. He was in fact a better player than Stephen, and now that he was using his precious Guarnieri rather than a robust sea-going fiddle the difference was still more evident: but the Guarnieri did not account for the whole of it, nor anything like. Jack certainly concealed his excellence when they were playing together, keeping to Stephen's mediocre level: this had become perfectly clear when Stephen's hands were at last recovered from the thumb-screws and other implements applied by French counter-intelligence officers in Minorca; but on reflexion Stephen thought it had been the case much earlier, since quite apart from his delicacy at that period, Jack hated showing away.
Now, in the warm night, there was no one to be comforted, kept in countenance, no one could scorn him for virtuosity, and he could let himself go entirely; and as the grave and subtle music wound on and on, Stephen once more contemplated on the apparent contradiction between the big, cheerful, florid sea-officer whom most people liked on sight but who would have never been described as subtle or capable of subtlety by any one of them (except perhaps his surviving opponents in battle) and the intricate, reflective music he was now creating. So utterly unlike his limited vocabulary in words, at times verging upon the inarticulate.
'My hands have now regained the moderate ability they possessed before I was captured,' observed Maturin, 'but his have gone on to a point I never thought he could reach: his hands and his mind. I am amazed. In his own way he is the secret man of the world.'"
— Patrick O'Brian (The Commodore (Book 17))
Like many other sailors Jack Aubrey had long dreamed of lying in his warm bed all night long; yet although he could now do so with a clear conscience he often rose at unChristian hours, particularly if he were moved by strong emotion, and crept from his bedroom in a watch-coat, to walk about the house or into the stables or to pace the bowling-green. Sometimes he took his fiddle with him. He was in fact a better player than Stephen, and now that he was using his precious Guarnieri rather than a robust sea-going fiddle the difference was still more evident: but the Guarnieri did not account for the whole of it, nor anything like. Jack certainly concealed his excellence when they were playing together, keeping to Stephen's mediocre level: this had become perfectly clear when Stephen's hands were at last recovered from the thumb-screws and other implements applied by French counter-intelligence officers in Minorca; but on reflexion Stephen thought it had been the case much earlier, since quite apart from his delicacy at that period, Jack hated showing away.
Now, in the warm night, there was no one to be comforted, kept in countenance, no one could scorn him for virtuosity, and he could let himself go entirely; and as the grave and subtle music wound on and on, Stephen once more contemplated on the apparent contradiction between the big, cheerful, florid sea-officer whom most people liked on sight but who would have never been described as subtle or capable of subtlety by any one of them (except perhaps his surviving opponents in battle) and the intricate, reflective music he was now creating. So utterly unlike his limited vocabulary in words, at times verging upon the inarticulate.
'My hands have now regained the moderate ability they possessed before I was captured,' observed Maturin, 'but his have gone on to a point I never thought he could reach: his hands and his mind. I am amazed. In his own way he is the secret man of the world.'"
— Patrick O'Brian (The Commodore (Book 17))
tags:
jack-aubrey,
music
2 people liked it
"But the tale or narrative set in the past may have its particular time-free value; and the candid reader will not misunderstand me, will not suppose that I intend any preposterous comparison, when I observe that Homer was farther removed in time from Troy than I am from the Napoleonic wars; yet he spoke to the Greeks for 2,000 years and more."
— Patrick O'Brian
— Patrick O'Brian
"But you know as well as I, patriotism is a word; and one that generally comes to mean either my country, right or wrong, which is infamous, or my country is always right, which is imbecile."
— Patrick O'Brian
— Patrick O'Brian
"We understood one another better before ever I opened my mouth"
— Patrick O'Brian
— Patrick O'Brian
"They were looking after themselves, living with rigid economy; and there was no greater proof of their friendship than the way their harmony withstood their very grave differences in domestic behaviour. In Jack's opinion Stephen was little better than a slut: his papers, odd bits of dry, garlic'd bread, his razors and small-clothes lay on and about his private table in a miserable squalor; and from the appearance of the grizzled wig that was now acting as a tea-cosy for his milk-saucepan, it was clear that he had breakfasted on marmalade.
Jack took off his coat, covered his waistcoat and breeches with an apron, and carried the dishes into the scullery. 'My plate and saucer will serve again,' said Stephen. 'I have blown upon them. I do wish, Jack,' he cried, 'that you would leave that milk-saucepan alone. It is perfectly clean. What more sanitary, what more wholesome, than scalded milk?'"
— Patrick O'Brian (Post Captain (Book 2))
Jack took off his coat, covered his waistcoat and breeches with an apron, and carried the dishes into the scullery. 'My plate and saucer will serve again,' said Stephen. 'I have blown upon them. I do wish, Jack,' he cried, 'that you would leave that milk-saucepan alone. It is perfectly clean. What more sanitary, what more wholesome, than scalded milk?'"
— Patrick O'Brian (Post Captain (Book 2))
"‘It’s all along of the unicorn’s horn – it’s all along of the glorious hand. Huzzay, three times huzzay for the doctor!’
Lord, how they cheered their surgeon! It was he who had brought the narwhal’s tusk aboard: and the severed hand, the Hand of Glory, was his property: both symbolized (and practically guaranteed) immense good fortune, virility, safety from poison or any disease you chose to name: and both had proved their worth."
— Patrick O'Brian (Blue at the Mizzen (Book 20))
Lord, how they cheered their surgeon! It was he who had brought the narwhal’s tusk aboard: and the severed hand, the Hand of Glory, was his property: both symbolized (and practically guaranteed) immense good fortune, virility, safety from poison or any disease you chose to name: and both had proved their worth."
— Patrick O'Brian (Blue at the Mizzen (Book 20))
"He reflected on his hitherto reflection that soldiers and sailors were, upon the whole, quite different creatures. ‘And perhaps they are, too: yet perhaps drink, in very large quantities, may make the difference less evident.’"
— Patrick O'Brian (Blue at the Mizzen (Book 20))
— Patrick O'Brian (Blue at the Mizzen (Book 20))
"‘Go and see whether the Doctor is about,’ said Jack, ‘and if he is, ask him to look in, when he has a moment.’
‘Which he is in the fish-market, turning over some old-fashioned lobsters. No. I tell a lie. That is him, falling down the companion-way and cursing in foreign.’"
— Patrick O'Brian (Blue at the Mizzen (Book 20))
‘Which he is in the fish-market, turning over some old-fashioned lobsters. No. I tell a lie. That is him, falling down the companion-way and cursing in foreign.’"
— Patrick O'Brian (Blue at the Mizzen (Book 20))
"For a moment Jack felt the strongest inclination to snatch up his little gilt chair and beat the white-faced man down with it..."
— Patrick O'Brian (Master and Commander (Book 1))
— Patrick O'Brian (Master and Commander (Book 1))
"‘To tell the truth, sir, I believe I had rather sit in the shelter for a while. The cabbage seems to have turned my inward parts to water.’
‘Nonsense,’ said Stephen, ‘it is the most wholesome cabbage I have ever come across in the whole of my career. I hope, Mr. Herapath, that you are not going to join in the silly weak womanish unphilosophical mewling and puling about the cabbage. So it is a little yellow in certain lights, so it is a little sharp, so it smells a little strange: so much the better, say I. At least that will stop the insensate Phaeacian hogs from abusing it, as they abuse the brute creation, stuffing themselves with flesh until what little brain they have is drowned in fat. A virtuous esculent! Even its boldest detractors, ready to make the most hellish declarations and to swear through a nine-inch plank that the cabbage makes them fart and rumble, cannot deny that it cured their purpurae. Let them rumble till the heavens shake and resound again; let them fart fire and brimstone, the Gomorrhans, I will not have a single case of scurvy on my hands, the sea-surgeon’s shame, while there is a cabbage to be culled.’ (p. 289)
"
— Patrick O'Brian (Desolation Island (Book 5))
‘Nonsense,’ said Stephen, ‘it is the most wholesome cabbage I have ever come across in the whole of my career. I hope, Mr. Herapath, that you are not going to join in the silly weak womanish unphilosophical mewling and puling about the cabbage. So it is a little yellow in certain lights, so it is a little sharp, so it smells a little strange: so much the better, say I. At least that will stop the insensate Phaeacian hogs from abusing it, as they abuse the brute creation, stuffing themselves with flesh until what little brain they have is drowned in fat. A virtuous esculent! Even its boldest detractors, ready to make the most hellish declarations and to swear through a nine-inch plank that the cabbage makes them fart and rumble, cannot deny that it cured their purpurae. Let them rumble till the heavens shake and resound again; let them fart fire and brimstone, the Gomorrhans, I will not have a single case of scurvy on my hands, the sea-surgeon’s shame, while there is a cabbage to be culled.’ (p. 289)
"
— Patrick O'Brian (Desolation Island (Book 5))