Yukio Mishima > Quotes

“True beauty is something that attacks, overpowers, robs, and finally destroys.”
― Yukio Mishima

“What transforms this world is — knowledge. Do you see what I mean? Nothing else can change anything in this world. Knowledge alone is capable of transforming the world, while at the same time leaving it exactly as it is. When you look at the world with knowledge, you realize that things are unchangeable and at the same time are constantly being transformed.”
― Yukio Mishima, The Temple of the Golden Pavilion

“Dreams, memories, the sacred--they are all alike in that they are beyond our grasp. Once we are even marginally separated from what we can touch, the object is sanctified; it acquires the beauty of the unattainable, the quality of the miraculous. Everything, really, has this quality of sacredness, but we can desecrate it at a touch. How strange man is! His touch defiles and yet he contains the source of miracles.”
― Yukio Mishima, Spring Snow

“Perfect purity is possible if you turn your life into a line of poetry written with a splash of blood.”
― Yukio Mishima, Runaway Horses

“Young people get the foolish idea that what is new for them must be new for everybody else too. No matter how unconventional they get, they're just repeating what others before them have done.”
― Yukio Mishima, After The Banquet

“Beauty is something that burns the hand when you touch it.”
― Yukio Mishima, Forbidden Colors

“Possessing by letting go of things was a secret of ownership unknown to youth.”
― Yukio Mishima

“What I wanted was to die among strangers, untroubled, beneath a cloudless sky. And yet my desire differed from the sentiments of that ancient Greek who wanted to die under the brilliant sun. What I wanted was some natural, spontaneous suicide. I wanted a death like that of a fox, not yet well versed in cunning, that walks carelessly along a mountain path and is shot by a hunter because of its own stupidity…”
― Yukio Mishima, Confessions of a Mask

“We are not wounded so deeply when betrayed by the things we hope for as when betrayed by things we try our best to despise.
In such betrayal comes the dagger in the back.”
― Yukio Mishima, Thirst for Love

“i still have no way to survive but to keep writing one line, one more line, one more line...”
― Yukio Mishima

“An ugliness unfurled in the moonlight and soft shadow and suffused the whole world. If I were an amoeba, he thought, with an infinitesimal body, I could defeat ugliness. A man isn’t tiny or giant enough to defeat anything.”
― Yukio Mishima, The Sailor Who Fell from Grace with the Sea

“Anything can become excusable when seen from the standpoint of the result”
― Yukio Mishima, The Temple of the Golden Pavilion

“if the world changed, i could not exist, and if i changed, the world could not exist”
― Yukio Mishima, The Temple of the Golden Pavilion

“Nobody even imagines how well one can lie about the state of one’s own heart.”
― Yukio Mishima, Thirst for Love

“When a captive lion steps out of his cage, he comes into a wider world than the lion who has known only the wilds. While he was in captivity, there were only two worlds for him - the world of the cage, and the world outside the cage. Now he is free. He roars. He attacks people. He eats them. Yet he is not satisfied, for there is no third world that is neither the world of the cage nor the world outside the cage.”
― Yukio Mishima, Thirst for Love

“We live in an age in which there is no heroic death.”
― Yukio Mishima

“When silence is prolonged over a certain period of time, it takes on new meaning.”
― Yukio Mishima, Thirst for Love

“Was I ignorant, then, when I was seventeen? I think not. I knew everything. A quarter-century's experience of life since then has added nothing to what I knew. The one difference is that at seventeen I had no 'realism'.”
― Yukio Mishima, Sun and Steel

“The past does not only draw us back to the past. There are certain memories of the past that have strong steel springs and, when we who live in the present touch them, they are suddenly stretched taut and then they propel us into the future.”
― Yukio Mishima, The Temple of the Golden Pavilion

“Yet how strange a thing is the beauty of music! The brief beauty that the player brings into being transforms a given period of time into pure continuance; it is certain never to be repeated; like the existence of dayflies and other such short-lived creatures, beauty is a perfect abstraction and creation of life itself. Nothing is so similar to life as music.”
― Yukio Mishima, The Temple of the Golden Pavilion

“Other people must be destroyed. In order that I might truly face the sun, the world itself must be destroyed....”
― Yukio Mishima, The Temple of the Golden Pavilion

“Real danger is nothing more than just living. Of course, living is merely the chaos of existence, but more than that it's a crazy mixed-up business of dismantling existence instant by instant to the point where the original chaos is restored, and taking strength from the uncertainty and the fear that chaos brings to re-create existence instant by instant. You won't find another job as dangerous as that. There isn't any fear in existence itself, or any uncertainty, but living creates it.”
― Yukio Mishima, The Sailor Who Fell from Grace with the Sea

“La Beauté c'est la Mort.”
― Yukio Mishima

“a samurai is a total human being, whereas a man who is completely absorbed in his technical skill has degenerated into a ‘function’, one cog in a machine.”
― Yukio Mishima

“His conviction of having no purpose in life other than to act as a distillation of poison was part of the ego of an eighteen-year-old. He had resolved that his beautiful white hands would never be soiled or calloused. He wanted to be like a pennant, dependent on each gusting wind. The only thing that seemed valid to him was to live for the emotions--gratuitous and unstable, dying only to quicken again, dwindling and flaring without direction or purpose.”
― Yukio Mishima, Spring Snow

“If we look on idly, heaven and earth will never be joined. To join heaven and earth, some decisive deed of purity is necessary. To accomplish so resolute an action, you have to stake your life, giving no thought to personal gain or loss. You have to turn into a dragon and stir up a whirlwind, tear the dark, brooding clouds asunder and soar up into the azure-blue sky. ”
― Yukio Mishima, Runaway Horses

“The instant that the blade tore open his flesh, the bright disk of the sun soared up and exploded behind his eyelids.”
― Yukio Mishima, Runaway Horses

“There's a huge seal called 'impossibility' pasted all over this world. And don't ever forget that we're the only ones who can tear it off once and for all.”
― Yukio Mishima, The Sailor Who Fell from Grace with the Sea

“Time is what matters. As time goes by, you and I will be carried inexorably into the mainstream of our period, even though we’re unaware of what it is. And later, when they say that young men in the early Taisho era thought, dressed, talked, in such and such a way, they’ll be talking about you and me. We’ll all be lumped together…. In a few decades, people will see you and the people you despise as one and the same, a single entity.”
― Yukio Mishima, Spring Snow

“I do not mean to say that I viewed those desires of mine that deviated from accepted standards as normal and orthodox; nor do I mean that I labored under the mistaken impression that my friends possessed the same desires. Surprisingly enough, I was so engrossed in tales of romance that I devoted all my elegant dreams to thoughts of love between man and maid, and to marriage, exactly as though I were a young girl who knew nothing of the world. I tossed my love for Omi onto the rubbish heap of neglected riddles, never once searching deeply for its meaning. Now when I write the word love, when I write affection, my meaning is totally different from my understanding of the words at that time. I never even dreamed that such desires as I had felt toward Omi might have a significant connection with the realities of my "life.”
― Yukio Mishima, Confessions of a Mask