Mark Strand
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Quotes
Mark Strand quotes (showing 1-20 of 20)
“Ink runs from the corners of my mouth.
There is no happiness like mine.
I have been eating poetry.”
― Mark Strand, Reasons For Moving; Poems
There is no happiness like mine.
I have been eating poetry.”
― Mark Strand, Reasons For Moving; Poems
“When I walk
I part the air
and always
the air moves in
to fill the spaces
where my body's been.”
― Mark Strand, Selected Poems
I part the air
and always
the air moves in
to fill the spaces
where my body's been.”
― Mark Strand, Selected Poems
“We are reading the story of our lives
As though we were in it
As though we had written it.”
― Mark Strand
As though we were in it
As though we had written it.”
― Mark Strand
“No voice comes from outer space, from the folds of dust and carpets of wind to tell us that this is the way it was meant to happen, that if only we knew how long the ruins would last we would never complain.”
― Mark Strand, Blizzard of One
― Mark Strand, Blizzard of One
“Sometimes he did not know if he slept or just thought about sleep.”
― Mark Strand
― Mark Strand
“Even this late it happens
the coming of love, the coming of light.
You wake and the candles are lit as if by themselves,
stars gather, dreams pour into your pillows,
sending up warm bouquets of air.
Even this late the bones of the body shine
and tomorrow’s dust flares into breath.”
― Mark Strand
the coming of love, the coming of light.
You wake and the candles are lit as if by themselves,
stars gather, dreams pour into your pillows,
sending up warm bouquets of air.
Even this late the bones of the body shine
and tomorrow’s dust flares into breath.”
― Mark Strand
“It came to my house.
It sat on my shoulders.
Your shadow is yours. I told it so. I said it was yours.
I have carried it with me too long. I give it back.”
― Mark Strand
It sat on my shoulders.
Your shadow is yours. I told it so. I said it was yours.
I have carried it with me too long. I give it back.”
― Mark Strand
“In a field
I am the absence
of field.
This is
always the case.
Wherever I am
I am what is missing.”
― Mark Strand, New Selected Poems
I am the absence
of field.
This is
always the case.
Wherever I am
I am what is missing.”
― Mark Strand, New Selected Poems
“...In another time,
What cannot be seen will define us, and we shall be prompted
To say that language is error, and all things are wronged
By representation. The self, we shall say, can never be
Seen with a disguise, and never be seen without one.”
― Mark Strand, The Story of Our Lives, with the Monument and the Late Hour
What cannot be seen will define us, and we shall be prompted
To say that language is error, and all things are wronged
By representation. The self, we shall say, can never be
Seen with a disguise, and never be seen without one.”
― Mark Strand, The Story of Our Lives, with the Monument and the Late Hour
“These wrinkles are nothing
These gray hairs are nothing,
This stomach which sags
with old food, these bruised
and swollen ankles,
my darkening brain,
they are nothing.
I am thei same boy
my mother used to kiss.”
― Mark Strand
These gray hairs are nothing,
This stomach which sags
with old food, these bruised
and swollen ankles,
my darkening brain,
they are nothing.
I am thei same boy
my mother used to kiss.”
― Mark Strand
“One clear night while the others slept, I climbed
the stairs to the roof of the house and under a sky
strewn with stars I gazed at the sea, at the spread of it,
the rolling crests of it raked by the wind, becoming
like bits of lace tossed in the air. I stood in the long
whispering night, waiting for something, a sign, the approach
of a distant light, and I imagined you coming closer,
the dark waves of your hair mingling with the sea,
and the dark became desire, and desire the arriving light.
The nearness, the momentary warmth of you as I stood
on that lonely height watching the slow swells of the sea
break on the shore and turn briefly into glass and disappear...
Why did I believe you would come out of nowhere? Why with all
that the world offers would you come only because I was here?”
― Mark Strand
the stairs to the roof of the house and under a sky
strewn with stars I gazed at the sea, at the spread of it,
the rolling crests of it raked by the wind, becoming
like bits of lace tossed in the air. I stood in the long
whispering night, waiting for something, a sign, the approach
of a distant light, and I imagined you coming closer,
the dark waves of your hair mingling with the sea,
and the dark became desire, and desire the arriving light.
The nearness, the momentary warmth of you as I stood
on that lonely height watching the slow swells of the sea
break on the shore and turn briefly into glass and disappear...
Why did I believe you would come out of nowhere? Why with all
that the world offers would you come only because I was here?”
― Mark Strand
“Those hours given over to basking in the glow of an imagined
future, of being carried away in streams of promise by a love or
a passion so strong that one felt altered forever and convinced
that even the smallest particle of the surrounding world was
charged with purpose of impossible grandeur; ah, yes, and
one would look up into the trees and be thrilled by the wind-
loosened river of pale, gold foliage cascading down and by the
high, melodious singing of countless birds; those moments, so
many and so long ago, still come back, but briefly, like fireflies
in the perfumed heat of summer night.”
― Mark Strand, Almost Invisible: Poems
future, of being carried away in streams of promise by a love or
a passion so strong that one felt altered forever and convinced
that even the smallest particle of the surrounding world was
charged with purpose of impossible grandeur; ah, yes, and
one would look up into the trees and be thrilled by the wind-
loosened river of pale, gold foliage cascading down and by the
high, melodious singing of countless birds; those moments, so
many and so long ago, still come back, but briefly, like fireflies
in the perfumed heat of summer night.”
― Mark Strand, Almost Invisible: Poems
“The ultimate self-effacement
is not the pretense of the minimal,
but the jocular considerations of the maximal
in the manner of Wallace Stevens.”
― Mark Strand
is not the pretense of the minimal,
but the jocular considerations of the maximal
in the manner of Wallace Stevens.”
― Mark Strand
“How those fires burned that are no longer, how the weather worsened, how the shadow of the seagull vanished without a trace. Was it the end of a season, the end of a life? Was it so long ago it seems it might never have been? What is it in us that lives in the past and longs for the future, or lives in the future and longs for the past? (from "No Words Can Describe It")”
― Mark Strand
― Mark Strand
“From the shadow of domes in the city of domes,
A snowflake, a blizzard of one, weightless, entered your room
And made its way to the arm of the chair where you, looking up
From your book, saw it the moment it landed. That's all
There was to it.”
― Mark Strand, Blizzard of One
A snowflake, a blizzard of one, weightless, entered your room
And made its way to the arm of the chair where you, looking up
From your book, saw it the moment it landed. That's all
There was to it.”
― Mark Strand, Blizzard of One
“I is for immortality, which for some poets is a necessary compensation. Presumably miserable in this life, they will be remembered when the rest of us are long forgotten. None of them asks about the quality of that remembrance--what it will be like to crouch in the dim hallways of somebody's mind until the moment of recollection occurs, or to be lifted off suddenly and forever into the pastures of obscurity. Most poets know better than to concern themselves with such things. They know the chances are better than good that their poems will die when they do and never be heard of again, that they'll be replaced by poems sporting a new look in a language more current. They also know that even if individual poems die, though in some cases slowly, poetry will continue: that its subjects, it constant themes, are less liable to change than fashions in language, and that this is where an alternate, less lustrous immortality might be. We all know that a poem can influence other poems, remain alive in them, just as previous poems are alive in it. Could we not say, therefore, that individual poems succeed most by encouraging revisions of themselves and inducing their own erasure? Yes, but is this immortality, or simply a purposeful way of being dead?”
― Mark Strand, The Weather of Words: Poetic Inventions
― Mark Strand, The Weather of Words: Poetic Inventions
“We are resing the story of our lives
As though we were in it
As though we had written it.”
― Mark Strand
As though we were in it
As though we had written it.”
― Mark Strand




