Jonathan Franzen > Quotes

“Depression presents itself as a realism regarding the rottenness of the world in general and the rottenness of your life in particular. But the realism is merely a mask for depression's actual essence, which is an overwhelming estrangement from humanity. The more persuaded you are of your unique access to the rottenness, the more afraid you become of engaging with the world; and the less you engage with the world, the more perfidiously happy-faced the rest of humanity seems for continuing to engage with it.”
― Jonathan Franzen, How to Be Alone: Essays

“Nice people don't necessarily fall in love with nice people.”
― Jonathan Franzen, Freedom

“How wrong to have been so negative, how wrong to have been so gloomy, how wrong to have run away from life, how wrong to have said no, again and again, instead of yes.”
― Jonathan Franzen

“But the first lesson reading teaches is how to be alone.”
― Jonathan Franzen, How to Be Alone: Essays

“It’s all circling around the same problem of personal liberties,” Walter said. “People came to this country for either money or freedom. If you don’t have money, you cling to your freedoms all the more angrily. Even if smoking kills you, even if you can’t afford to feed your kids, even if your kids are getting shot down by maniacs with assault rifles. You may be poor, but the one thing nobody can take away from you is the freedom to fuck up your life whatever way you want to.”
― Jonathan Franzen, Freedom

“The human species was given dominion over the earth and took the opportunity to exterminate other species and warm the atmosphere and generally ruin things in its own image, but it paid this price for its privileges: that the finite and specific animal body of this species contained a brain capable of conceiving the infinite and wishing to be infinite itself.”
― Jonathan Franzen, The Corrections

“This wasn't the person he'd thought he was, or would have chosen to be if he'd been free to choose, but there was something comforting and liberating about being an actual definite someone, rather than a collection of contradictory potential someones.”
― Jonathan Franzen, Freedom

“You may be poor, but the one thing nobody can take away from you is the freedom to fuck up your life whatever way you want to.”
― Jonathan Franzen, Freedom

“And when the event, the big change in your life, is simply an insight--isn't that a strange thing? That absolutely nothing changes except that you see things differently and you're less fearful and less anxious and generally stronger as a result: isn't it amazing that a completely invisible thing in your head can feel realer than anything you've experienced before? You see things more clearly and you KNOW that you're seeing them more clearly. And it comes to you that this is what it means to love life, this is all anybody who talks seriously about God is ever talking about. Moments like this.(p. 302, Sylvia to Enid on the boat)”
― Jonathan Franzen, The Corrections

“The personality susceptible to the dream of limitless freedom is a personality also prone, should the dream ever sour, to misanthropy and rage.”
― Jonathan Franzen, Freedom

“Imagine that human existence is defined by an Ache: the Ache of our not being, each of us, the center of the universe; of our desires forever outnumbering our means of satisfying them.”
― Jonathan Franzen, How to Be Alone: Essays

“And meanwhile the sad truth was that not everyone could be extraordinary, not everyone could be extremely cool; because whom would this leave to be ordinary?”
― Jonathan Franzen, The Corrections

“You're either reading a book or you're not.”
― Jonathan Franzen

“Mr. Franzen said he and Mr. Wallace, over years of letters and conversations about the ethical role of the novelist, had come to the joint conclusion that the purpose of writing fiction was “a way out of loneliness.”
(NY Times article on the memorial service of David Foster Wallace.) ”
― Jonathan Franzen

“The world was ending then, it's ending still, and I'm happy to belong to it again.”
― Jonathan Franzen, How To Be Alone

“I wanted all of her and resented other boys for wanting any part of her.”
― Jonathan Franzen, The Discomfort Zone: A Personal Journey

“So, what, you got cigarette burns, too?" Gitanes said.

Chip showed his palm, "It's nothing."

Self-inflicted. You pathetic American."

Different kind of prison" Chip said.”
― Jonathan Franzen, The Corrections

“I guess my life hasn’t always been happy, or easy, or exactly what I want. At a certain point, I just have to try not to think too much about certain things, or else they’ll break my heart.”
― Jonathan Franzen

“Every good writer I know needs to go into some deep, quiet place to do work that is fully imagined. And what the Internet brings is lots of vulgar data. It is the antithesis of the imagination. It leaves nothing to the imagination.”
― Jonathan Franzen

“He was lovable the way a child is lovable, and he was capable of returning love with a childlike purity. If love is nevertheless excluded from his work, it's because he never quite felt that he deserved to receive it. He was a lifelong prisoner on the island of himself. What looked like gentle contours from a distance were in fact sheer cliffs. Sometimes only a little of him was crazy, sometimes nearly all of him, but, as an adult, he was never entirely not crazy. What he'd seen of his id while trying to escape his island prison by way of drugs and alcohol, only to find himself even more imprisoned by addiction, seems never to have ceased to be corrosive of his belief in his lovability. Even after he got clean, even decades after his late-adolescent suicide attempt, even after his slow and heroic construction of a life for himself, he felt undeserving. And this feeling was intertwined, ultimately to the point of indistinguishability, with the thought of suicide, which was the one sure way out of his imprisonment; surer than addiction, surer than fiction, and surer, finally, than love.”
― Jonathan Franzen

“For every reader who dies today, a viewer is born, and we seem to be witnessing . . . the final tipping balance.”
― Jonathan Franzen, How To Be Alone

“There is, after all, a kind of happiness in unhappiness, if it's the right unhappiness.”
― Jonathan Franzen, Freedom

“There's a hazardous sadness to the first sounds of someone else's work in the morning; it's as if stillness experiences pain in being broken.”
― Jonathan Franzen, Freedom

“Integrity's a neutral value. Hyenas have integrity, too. They're pure hyena.”
― Jonathan Franzen, Freedom

“It's healthy to say uncle when your bone's about to break.”
― Jonathan Franzen, How to Be Alone: Essays

“It was a way of recognizing places of enchantment: people falling asleep like this.”
― Jonathan Franzen, The Corrections

“I find it a huge strain to be responsible for my tastes and be known and defined by them.”
― Jonathan Franzen, Strong Motion

“Each new thing he encountered in life impelled him in a direction that fully convinced him of its rightness, but then the next new thing loomed up and impelled him in the opposite direction, which also felt right. There was no controlling narrative: he seemed to himself a purely reactive pinball in a game whose only object was to stay alive for staying alive's sake.”
― Jonathan Franzen, Freedom

“The reason this system can’t be overthrown in this country,” Walter said, “is all about freedom. The reason the free market in Europe is tempered by socialism is that they’re not so hung up on personal liberties there. They also have lower population growth rates, despite comparable income levels. The Europans are all-around more rational, basically. And the conversation about rights in this country isn’t rational. It’s taking place on the level of emotion, and class resentments, which is why the right is so good at exploiting it.”
― Jonathan Franzen, Freedom

“The world was ending then, it’s ending still, and I’m happy to belong to it again.”
― Jonathan Franzen, How to Be Alone: Essays

“I think the iPod is the true face of Republican politics, and I’m in favor of the music industry … standing up proud and saying it out loud: We in the Chiclet-manufacturing business are not about social justice, …we’re not about a coherent set of national ideals, we’re not about wisdom. We’re about choosing what WE want to listen to and ignoring everything else…. We’re about giving ourselves a mindless feel-good treat every five minutes. …We’re about persuading ten-year-old children to spend twenty-five dollars on a cool little silicone iPod case that costs a licensed Apple Computer subsidiary thirty-nine cents to manufacture.”
― Jonathan Franzen, Freedom

“It took hours to turn the clock back 30 seconds.”
― Jonathan Franzen, Strong Motion

“At forty-five, I feel grateful almost daily to be the adult I wished I could be when I was seventeen. I work on my arm strength at the gym; I've become pretty good with tools. At the same time, almost daily, I lose battles with the seventeen-year-old who's still inside me. I eat half a box of Oreos for lunch, I binge on TV, I make sweeping moral judgments. I run around in torn jeans, I drink martinis on a Tuesday night, I stare at beer-commercial cleavage. I define as uncool any group to which I can't belong. I feel the urge to key Range Rovers and slash their tires; I pretend I'm never going to die.

You never stop waiting for the real story to start, because the only real story, in the end, is that you die.”
― Jonathan Franzen, The Discomfort Zone: A Personal History

“But nothing disturbs the feeling of specialness like the presence of other human beings feeling identically special.”
― Jonathan Franzen, Freedom

“He became another data point in the American experiment of self-government, an experiment statistically skewed from the outset, because it wasn't the people with sociable genes who fled the crowded Old World for the new continent; it was the people who didn't get along well with others.”
― Jonathan Franzen, Freedom

“Her eyes weren't blinking. There was still something almost dead in them, something very far away. She seemed to be seeing all the way through to the back of him and beyond, out into the cold space of the future in which they would both soon be dead, out into the nothingness that Lalitha and his mother and his father had already passed into, and yet she was looking straight into his eyes, and he could feel her getting warmer by the minute. And so he stopped looking at her eyes and started looking into them, returning their look before it was too late, before this connection between life and what came after life was lost, and let her see all the vileness inside him, all the hatreds of two thousand solitary nights, while the two of them were still with the void in which the sum of everything they'd ever said or done, every pain they'd inflicted, every joy they'd shared, would weigh less than the smallest feather on the wind.”
― Jonathan Franzen, Freedom

“What you discovered about yourself in raising children wasn't always agreeable or attractive.”
― Jonathan Franzen, The Corrections

“It's doubtful that anyone with an internet connection at his workplace is writing good fiction.”
― Jonathan Franzen

“He couldn't figure out if she was immensely well adjusted or seriously messed up.”
― Jonathan Franzen, The Corrections

“Without privacy there was no point in being an individual.”
― Jonathan Franzen, The Corrections

“Here was a torture that Greek inventors of the Feast and the Stone had omitted from their Hades: the Blanket of Self-Deception. A lovely warm blanket as far as it covered the soul in torment, but it never quite covered everything.”
― Jonathan Franzen, The Corrections

“I can't stomach any kind of notion that serious fiction is good for us, because I don't believe that everything that's wrong with the world has a cure.”
― Jonathan Franzen

“Remind me again what's wrong with Dave Matthews?"
"Basically everything, except technical proficiency," Walter said.
"Right."
"But maybe especially the banality of the lyrics. 'Gotta be free, so free, yeah, yeah, yeah. Can't live without my freedom, yeah yeah.' That's pretty much every song.”
― Jonathan Franzen, Freedom

“Patty knew, in her heart, that he was wrong in his impression of her. And the mistake she went to go on to make, the really big life mistake, was to go along with Walter's version of her in spite of knowing that it wasn't right. He seemed so certain of her goodness that eventually he wore her down.”
― Jonathan Franzen, Freedom

“Katz had read extensively in popular sociobiology, and his understanding of the depressive personality type and its seemingly perverse persistence in the human gene pool was that depression was successful adaptation to ceaseless pain and hardship. Pessimism, feelings of worthlessness and lack of entitlement, inability to derive satisfaction from pleasure, a tormenting awareness of the world's general crappiness: for Katz Jewish paternal forebears, who'd been driven from shtetl to shtetl by implacable anti-Semites, as for the old Angles and Saxons on his mother's side, who'd labored to grow rye and barley in the poor soils and short summers of northern Europe, feeling bad all the time and expecting the worse had been natural ways of equilibriating themselves with the lousiness of their circumstances. Few things gratified depressives, after all, more than really bad news. This obviously wasn't an optimal way to live, but it had its evolutionary advantages.”
― Jonathan Franzen, Freedom

“He wanted this someone to see how much he hurt.”
― Jonathan Franzen, The Corrections

“I admire your capacity for admiring.”
― Jonathan Franzen, Freedom

“Thank you," he said. "Welcome. Welcome especially to Mr. Coyle Mathis and the other men and women of Forster Hollow who are going to be employed at this rather strikingly energy-inefficient plant. It's a long way from Forster Hollow, isn't it?"

"So, yes, welcome," he said. "Welcome to the middle class! That's what I want to say. Although, quickly, before I go any further, I also want to say to Mr. Mathis here in the front row: I know you don't like me. And I don't like you. But, you know, back when you were refusing to have anything to do with us, I respected that. I didn't like it, but I had respect for your position. For your independence. You see, because I actually came from a place a little bit like Forster Hollow myself, before I joined the middle class. And, now you're middle-class, too, and I want to welcome you all, because it's a wonderful thing, our American middle class. It's the mainstay of economies all around the globe!"

"And now that you've got these jobs at this body-armor plant," he continued, "You're going to be able to participate in those economies. You, too, can help denude every last scrap of native habitat in Asia, Africa, and South America! You, too, can buy six-foot-wide plasma TV screens that consume unbelievable amounts of energy, even when they're not turned on! But that's OK, because that's why we threw you out of your homes in the first places, so we could strip-mine your ancestral hills and feed the coal-fired generators that are the number-one cause of global warming and other excellent things like acid rain. It's a perfect world, isn't it? It's a perfect system, because as long as you've got your six-foot-wide plasma TV, and the electricity to run it, you don't have to think about any of the ugly consequences. You can watch Survivor: Indonesia till there's no more Indonesia!"

"Just quickly, here," he continued, "because I want to keep my remarks brief. Just a few more remarks about this perfect world. I want to mention those big new eight-miles-per-gallon vehicles you're going to be able to buy and drive as much as you want, now that you've joined me as a member of the middle class. The reason this country needs so much body armor is that certain people in certain parts of the world don't want us stealing all their oil to run your vehicles. And so the more you drive your vehicles, the more secure your jobs at this body-armor plant are going to be! Isn't that perfect?"

"Just a couple more things!" Walter cried, wresting the mike from its holder and dancing away with it. "I want to welcome you all to working for one of the most corrupt and savage corporations in the world! Do you hear me? LBI doesn't give a shit about your sons and daughters bleeding in Iraq, as long as they get their thousand-percent profit! I know this for a fact! I have the facts to prove it! That's part of the perfect middle-class world you're joining! Now that you're working for LBI, you can finally make enough money to keep your kids from joining the Army and dying in LBI's broken-down trucks and shoddy body armor!"

The mike had gone dead, and Walter skittered backwards, away from the mob that was forming. "And MEANWHILE," he shouted, "WE ARE ADDING THIRTEEN MILLION HUMAN BEINGS TO THE POPULATION EVERY MONTH! THIRTEEN MILLION MORE PEOPLE TO KILL EACH OTHER IN COMPETITION OVER FINITE RESOURCES! AND WIPE OUT EVERY OTHER LIVING THING ALONG THE WAY! IT IS A PERFECT FUCKING WORLD AS LONG AS YOU DON'T COUNT EVERY OTHER SPECIES IN IT! WE ARE A CANCER ON THE PLANT! A CANCER ON THE PLANET!”
― Jonathan Franzen, Freedom

“She wondered: How could people respond to these images if images didn't secretly enjoy the same status as real things? Not that images were so powerful, but that the world was so weak. It could be read, certainly, in its weakness, as on days when the sun baked fallen apples in orchards and the valley smelled like cider, and cold nights when Jordan had driven Chadds Ford for dinner and the tires of her Chevrolet had crunched on the gravel driveway; but the world was fungible only as images. Nothing got inside the head without becoming pictures.”
― Jonathan Franzen, The Corrections

“Life, in her experience, had a kind of velvet luster. You looked at yourself from one perspective and all you saw was weirdness. Move your head a little bit, though, and everything looked reasonably normal.”
― Jonathan Franzen, The Corrections