"And that is how change happens. One gesture. One person. One moment at a time."
— Libba Bray (The Sweet Far Thing)

"People have a habit of inventing fictions they will believe wholeheartedly in order to ignore the truth they cannot accept."
— Libba Bray (The Sweet Far Thing)

"In each of us lie good and bad, light and dark, art and pain, choice and regret, cruelty and sacrifice. We’re each of us our own chiaroscuro, our own bit of illusion fighting to emerge into something solid, something real. We’ve got to forgive ourselves that. I must remember to forgive myself. Because there is a lot of grey to work with. No one can live in the light all the time."
— Libba Bray

""I know because I read...Your mind is not a cage. It's a garden. And it requires cultivating.""
— Libba Bray

"You can never really know someone completely. That’s why it’s the most terrifying thing in the world, really—taking someone on faith, hoping they’ll take you on faith too. It’s such a precarious balance, It’s a wonder we do it at all. And yet..

"
— Libba Bray

"Shall I tell you a story? A new and terrible one? A ghost story? Are you ready? Shall I begin? Once upon a time there were four girls. One was pretty. One was clever. One charming, and one...one was mysterious. But they were all damaged, you see. Something not right about the lot of them. Bad blood. Big dreams. Oh, I left that part out. Sorry, that should have come before. They were all dreamers, these girls. One by one, night after night, the girls came together. And they sinned. Do you know what that sin was? No one? Pippa? Ann? Their sin was that they believed. Believed they could be different. Special. They believed they could change what they were--damaged, unloved. Cast-off things. They would be alive, adored, needed. Necessary. But it wasn't true. This is a ghost story remember? A tragedy. They were misled. Betrayed by their own stupid hopes. Things couldn't be different for them, because they weren't special after all. So life took them, led them, and they went along, you see? They faded before their own eyes, till they were nothing more than living ghosts, haunting each other with what could be. With what can't be. There, now. Isn't that the scariest story you've ever heard?"
— Libba Bray (A Great and Terrible Beauty)

"I am a jumble of passions, misgivings, and wants. It seems that I am always in a state of wishing and rarely in a state of contentment."
— Libba Bray (The Sweet Far Thing)

"To those who will see, the world waits."
— Libba Bray

"What if evil doesn't really exist? What if evil is something dreamed up by man, and there is nothing to struggle against except out own limitations? The constant battle between our will, our desires, and our choices?"
— Libba Bray (Rebel Angels)

"We all do things we desperately wish we could undo. Those regrets just become part of who we are, along with everything else. To spend time trying to change that, well, it's like chasing clouds."
— Libba Bray

"Because you don't notice the light without a bit of shadow. Everything has both dark and light. You have to play with it till you get it exactly right."
— Libba Bray

"It is funny how you do not miss affection until it is given, but once it is, it can never be enough; you would drown in it if possible."
— Libba Bray (The Sweet Far Thing)

"I run after her, not really giving chase. I’m running because I can, because I must.
Because I want to see how far I can go before I have to stop.
"
— Libba Bray

""Do you ever feel that way?"
"Lonely?"
I search for the words. "Restless. As if you haven't really met yourself yet. As is you'd passed yourself once in the fog, and your heart leapt--'Ah! There I Am! I've been missing that piece!' But it happens too fast, and then that part of you disappears into the fog again. And you spend the rest of your days looking for it"
He nods, and I think he's appeasing me. I feel stupid of having said it. It's sentimental and true, and I've revealed a part of myself I shouldn't have.
"Do you know what I think?" Kartik says at last.
"What?"
"Sometimes, I think you can glimpse it in another.'"
— Libba Bray (The Sweet Far Thing)

"Power changes everything till it is difficult to say who are the heroes and who the villians."
— Libba Bray (The Sweet Far Thing)

"There are no safe choices. Only other choices. There are no safe choices

"
— Libba Bray (A Great and Terrible Beauty)

"We sit and listen and are enthralled anew, for good stories, it seems, never lose their magic."
— Libba Bray (The Sweet Far Thing)

"When I dream, I dream of him. For several nights now he’s come to me, waving from a distant shore as if he’s been waiting patiently for me to arrive. He doesn’t utter a word, but his smile says everything: I’ve missed you."
— Libba Bray (The Sweet Far Thing)

"There is an ancient tribal proverb I once heard in India. It says that before we can see properly we must first shed our tears to clear the way. "
— Libba Bray

"But we can't go back. We can only go forward."
— Libba Bray

"We're all strangers connected by what we reveal, what we share, what we take away--our stories. I guess that's what I love about books--they are thin strands of humanity that tether us to one another for a small bit of time, that make us feel less alone or even more comfortable with our aloneness, if need be."
— Libba Bray

"But aren't many gardens beautiful because they are imperfect? ...Aren't the strange, new flowers that arise by mistake or misadventure as pleasing as the well-tended and planned?"
— Libba Bray (The Sweet Far Thing)

"Do you think they missed him terribly when he fell? Did God cry over his lost angel, I wonder?"
— Libba Bray (Rebel Angels)

"You must remember, my dear lady, the most important rule of any successful illusion: First, the people must want to believe in it."
— Libba Bray (The Sweet Far Thing)

"And for a moment, I understand that I have friends on this lonely path; that sometimes your place is not something you find, but something you have when you need it."
— Libba Bray (Rebel Angels)

""And that is how change happens. One gesture. One person. One moment at a time.""
— Libba Bray (The Sweet Far Thing)

"Eve didn't choose to eat the apple. She was tempted by the serpent."
"Yes," I argue, thoughts coming out half-formed. "But...she didn't have to take a bite. She chose to."
— Libba Bray

""But...you could have whatever you wished."
"Exactly," he says, nuzzling my neck.
"But," I say, "you could turn stones to rubies or ride in a fine gentleman's carriage."
Kartik puts his hands on either side of my face. "To each his own magic," he says and kisses me again.
"
— Libba Bray

"We create the illusions we need to go on."
— Libba Bray

"The trouble with morning is that it comes well before noon."
— Libba Bray (The Sweet Far Thing)

"...reminds us that greatness lies even in the smallest of moments, in the humblest of hearts, and we shall, each of us, be called to greatness. Whether we shall rise to meet it or let it slip away is the challenge put before us all. "
— Libba Bray (The Sweet Far Thing)

"Felicity ignores us. She walks out to them, an apparition in white and blue velvet, her head held high as they stare in awe at her, the goddess. I don't know yet what power feels like. But this is surely what it looks like, and I think I'm beginning to understand why those ancient women had to hide in caves. Why our parents and suitors want us to behave properly and predictably. It's not that they want to protect us; it's that they fear us."
— Libba Bray (A Great and Terrible Beauty)

""It's knowing I'll never have what she has--a beauty so powerful it brings things to you. I fear I will always have to chase things I want. I'll always have to wonder whether I'm truly wanted or whether I've just been settled for." "
— Libba Bray

"There is much asked and only so much I think I can or should answer, and so, in this post I would like to give a few thoughts on what seemed to be the overwhelming question: “WHY?”
And here is the best answer I can give: Because.

Because sometimes, life is damned unfair.

Because sometimes, we lose people we love and it hurts deeply.

Because sometimes, as the writer, you have to put your characters in harm’s way and be willing to go there if it is the right thing for your book, even if it grieves you to do it.

Because sometimes there aren’t really answers to our questions except for what we discover, the meaning we assign them over time.

Because acceptance is yet another of life’s “here’s a side of hurt” lessons and it is never truly acceptance unless it has cost us something to arrive there.

Why, you ask? Because, I answer.

Inadequate yet true."
— Libba Bray

"I'm running because I can, because I must.
Because I want to see how far I can go before I have to stop."
— Libba Bray (A Great and Terrible Beauty)

"I wish to live for myself. I should never want to be trapped."
— Libba Bray (The Sweet Far Thing)

"But forgiveness... I'll hold on to that fragile slice of hope and keep it close, remembering that in each of us lie good and bad, light and dark, art and pain, choice and regret, cruelty and sacrifice. We're each of us our own chiaroscuro, our own bit of illusion fighting to emerge into something solid, something real. "
— Libba Bray

"No one asks how or what I am doing. They could not care less. We’re all looking glasses, we girls, existing only to reflect their images back to them as they’d like to be seen. Hollow vessels of girls to be rinsed of our own ambitions, wants, and opinions, just waiting to be filled with the cool, tepid water of gracious compliance.
A fissure forms in the vessel. I’m cracking open.
--Libba Bray"
— Libba Bray

"There are no safe choices, Miss Temple. Only other choices."
— Libba Bray (A Great and Terrible Beauty)

"Heaven's brightest and best-loved angel, who was cast out for inspiring a rebellion against God. Having lost Heaven, Lucifer and his rebel angels vowed to continue fighting here on earth."
"I don't understand why he had to fight. He was already in heaven."
"True. But he wasn't content to serve. He wanted more."
"He had all he could ask for, didn't he?" Ann asks.
"Exactly." Miss Moore states. "He had to ask. He was dependent upon someone else's whim. It's a terrible thing to have no power of one's own. To be denied."
— Libba Bray (Rebel Angels)

"Why is it that some secrets can drown you while some pull you close to others in a way you never want to lose?"
— Libba Bray

"You can never really know someone completely. That’s why it’s the most terrifying thing in the world, really—taking someone on faith, hoping they’ll take you on faith too. It’s such a precarious balance, It’s a wonder we do it at all. And yet... "
— Libba Bray

"There is a time in every life when paths are chosen, character is forged. I could have chosen a different path. But I didn’t. I failed myself."
— Libba Bray (The Sweet Far Thing)

"They would place their hands together inside the circle so that they could walk in each other's dreams. It forged a bond that could not be broken. The circle represents love in eternity. For there is no beginning and no end.
"
— Libba Bray

"(page 327) Sometimes we seek that which we are not yet ready to find."
— Libba Bray (Rebel Angels)

"What happens if your choice is misguided,
You must try to correct it
But what if it’s too late? What if you can’t?
Then you must find a way to live with it."
— Libba Bray (A Great and Terrible Beauty)

"If God has nothing better to do than punish schoolgirls for a bit of tomfoolery, then I've no use for God. "
— Libba Bray (The Sweet Far Thing)

"That's what living in their world is-a big lie. An illusion where everyone looks the other way and pretends that nothing unpleasant exists at all, no goblins of the dark, no ghosts of the soul."
— Libba Bray

"In books, the truth makes everything good and fine. The good prevail. The wicked are punished. There is happiness. But it's not like that really, is it?"
"No," I say. "I suppose it only makes everything known.
"
— Libba Bray (Rebel Angels)

"Instead, I try to adjust to the dawn, letting the tears fall where they may, beacause it is morning; it is morning and there is so much to see."
— Libba Bray (The Sweet Far Thing)