Sara Gruen Sara Gruen > Quotes


Sara Gruen quotes (showing 1-50 of 103)

“When two people are meant to be together, they will be together. It's fate.”
Sara Gruen, Water for Elephants
“With a secret like that, at some point the secret itself becomes irrelevant. The fact that you kept it does not.”
Sara Gruen, Water for Elephants
“When you are five, you know your age down to the month. Even in your twenties, you know how old you are. I'm twenty-three you say, or maybe twenty-seven. But then in your thirties, something strange starts to happen. It is a mere hiccup at first, an instant of hesitation. How old are you? Oh, I'm--you start confidently, but then you stop. You were going to say thirty-three, but you are not. You're thirty-five. And then you're bothered, because you wonder if this is the beginning of the end. It is, of course, but it's decades before you admit it.”
Sara Gruen, Water for Elephants
“I want her to melt into me, like butter on toast. I want to absorb her and walk around for the rest of my days with her encased in my skin.

I want.”
Sara Gruen, Water for Elephants
“Keeping up the appearance of having all your marbles is hard work, but important.”
Sara Gruen, Water for Elephants
“When will people learn that just because you can make something doesn’t mean you should?”
Sara Gruen, Water for Elephants
“The more distressing the memory, the more persistent it's presence. ”
Sara Gruen, Water for Elephants
“Age is a terrible thief. Just when you're getting the hang of life, it knocks your legs out from under you and stoops your back. It makes you ache and muddies your head and silently spreads cancer throughout your spouse.”
Sara Gruen, Water for Elephants
“Life is the most spectacular show on earth ♥”
Sara Gruen, Water for Elephants
“Dear God. Not only am I unemployed and homeless, but I also have a pregnant woman, bereaved dog, elephant, and eleven horses to take care of.”
Sara Gruen, Water for Elephants
“Is where you're from the place you're leaving or where you have roots?”
Sara Gruen, Water for Elephants
“I stroke her lightly, memorizing her body. I want her to melt into me, like butter on toast. I want to absorb her and walk around for the rest of my days with her encased in my skin. I lie motionless, savoring the feeling of her body against mine. I'm afraid to breathe in case I break the spell.”
Sara Gruen, Water for Elephants
“...if you expect people to try to do things your way, you're going to have to give some hints as to what that way is.”
Sara Gruen, Water for Elephants
“ And then I laugh, because it's so ridiculous and so gorgeous and it's all I an do to not melt into a fit of giggles. So what if I'm ninety-three? So what if I'm ancient and cranky and my body's a wreck? If they're willing to accept me and my guilty conscience, why the hell shouldn't I run away with the circus?
It's like Charlie told the cop. For this old man, this IS home.”
Sara Gruen
“Although there are times I'd give anything to have her back, I'm glad she went first. Losing her was like being cleft down the middle. It was the moment it all ended for me, and I wouldn't have wanted her to go through that.”
Sara Gruen, Water for Elephants
“It's just a crazy damned life, that's all ...”
Sara Gruen, Water for Elephants
“Sometimes I think if I had to choose between an ear of corn or making love to a woman, I'd choose the corn.”
Sara Gruen, Water for Elephants
“I roll onto my side and stare out the venetian blinds at the blue sky beyond. After a few minutes I'm lulled into a sort of peace. The sky, the sky--same as it always was.”
Sara Gruen, Water for Elephants
“Being the survivor stinks.”
Sara Gruen, Water for Elephants
“Afterward, I curl around her. We lie in silence until darkness falls, and then, haltingly, she begins to talk...She speaks without need or even room for response, so I simply hold her and stroke her hair. She talks of the pain, grief, and horror of the past four years; of learning to cope with being the wife of a man so violent and unpredictable his touch made her skin crawl and of thinking, until quite recently, that she'd finally managed to do that. And then, finally, of how my appearance had forced her to realize she hadn't learned to cope at all.”
Sara Gruen, Water for Elephants
“The whole thing's illusion, [Jacob], and there's nothing wrong with that. It's what people want from us. It's what they expect.”
Sara Gruen, Water for Elephants
“Why the hell shouldn't I run away with the circus?”
Sara Gruen, Water for Elephants
“I look after those who look after me." He smacks his lips, stares at me, and adds, "I also look after those who don't." - Sara Gruen (Water for Elephants)”
Sara Gruen, Water for Elephants
“I open the orangutan's door and set a pan of fruits, vegetables, and nuts on the floor. As I close it, her long arm reaches through the bars. She points at an orange in another pan.
'That? You want that?'
She continues to point, blinking at me with close-set eyes. Her features are concave, her face a wide platter fringed with red hair. She's the most outrageous and beautiful thing I've ever seen.
'Here,' I say, handing her the orange. 'You can have it.'
She takes it and sets it on the floor. Then she reaches out again. After several seconds of serious misgivings, I hold out my hand. She wraps her long fingers around it, then lets go. She sits on her haunches and peels her orange.
I stare in amazement. She was thanking me.”
Sara Gruen, Water for Elephants
“i meant what i said, and i said what i meant.”
Sara Gruen, Water for Elephants
“What else do I have to offer? Nothing happens to me anymore. That’s the reality of getting old, and I guess that’s really the crux of the matter. I’m not ready to be old yet.”
Sara Gruen, Water for Elephants
“Afterward she lies nestled against me, her hair tickling my face. I stroke her lightly, memorizing her body. I want her to melt into me, like butter on toast. I want to absorb her and walk around for the rest of my days with her encased in my skin.”
Sara Gruen, Water for Elephants
“I used to think I preferred getting old to the alternative, but now I'm not sure. Sometimes the momotony of bingo and sing-alongs and ancient dusty people parked in teh hallway in wheelchairs makes me long for death. Particularly when I rememver that I'm one of the ancient dusty people, filed away like some worthless tchotchke.”
Sara Gruen, Water for Elephants
“Sometimes when you get older — and I’m not talking about you, I’m talking generally, because everyone ages differently — things you think on and wish on start to seem real. And then you believe them, and before you know it they’re part of your history, and if someone challenges you on them and says they’re not true — why, then you get offended because you can’t remember the first part. All you know is that you’ve been called a liar.”
Sara Gruen, Water for Elephants
“Even as your body betrays you, your mind denies it.”
Sara Gruen, Water for Elephants
“In your thirties something strange starts to happen. It’s a mere hiccup at first, an instant of hesitation. How old are you? Oh, I’m — you start confidently, but then you stop. You were going to say thirty-three, but you’re not. You’re thirty-five. And then you’re bothered, because you wonder if this is the beginning of the end. It is, of course, but it’s decades before you admit it.”
Sara Gruen, Water for Elephants
“...poking a lump of red Jello that jiggles outrageously, like a breast I once knew. ”
Sara Gruen, Water for Elephants
“I just can't. I'm married. I made my bed and now I have to lie in it.”
Sara Gruen, Water for Elephants
“How is it that everyone on this train has so much alcohol?"
"We always head to Canada at the beginning of the season," she says taking her seat again. "Their laws are much more civilized. Cheers.”
Sara Gruen, Water for Elephants
“When two people are meant to be together, they will be together. It's fate." - Jacob Jankowski, Water For Elephants”
Sara Gruen, Water for Elephants
“but it's no use. I m already on my feet. She drags me onto the dance floor, jiving and snapping her fingers. When we're surrounded by other couples she turns to me. I take a deep breath and then take her in my arms. We wait a couple beats and then we're off, floating around the dance floor in a swirling sea of people. She's light as air--doesn't miss a step, and that's a feat considering how clumsy I am. And it's not as though I don't know how to dance, because I do. I don't know what the hell is wrong with me. I'm sure as hell not drunk.”
Sara Gruen, Water for Elephants
“I had my whole life planned.. I knew exactly where it was taking me..”
Sara Gruen, Water for Elephants
“Now, go shovel some shit.”
Sara Gruen, Water for Elephants
“Life goes on with fragile normalcy.”
Sara Gruen
“I reach for the napkin, and as I do I catch sight of my hands. They are knobby and crooked, thin-skinned, and—like my ruined face—covered with liver spots.

My face. I push the porridge aside and open my vanity mirror. I should know better by now, but somehow I still expect to see myself. Instead, I find an Appalachian apple doll, withered and spotty, with dewlaps and bags and long floppy ears. A few strands of white hair spring absurdly from its spotted skull.

I try to brush the hairs flat with my hand and freeze at the sight of my old hand on my old head. I lean close and open my eyes very wide, trying to see beyond the sagging flesh.

It's no good. Even when I look straight into the milky blue eyes, I can't find myself anymore. When did I stop being me?”
Sara Gruen, Water for Elephants
“When I first submerged my feet into frigid water, they hurt so badly I yanked them out again. I persisted, dunking them for longer and longer periods, until the cold finally blistered.”
Sara Gruen, Water for Elephants
“Then I lie down on the horse blanket and drift into a dream about Marlena that will probably cost me my soul.”
Sara Gruen, Water for Elephants
“Bathing is even more embarrassing, because I have to strip down to my birthday suit in front of a nurse. Now, there are some things that never die, so even though I'm in my nineties my sap sometimes rises. I can't help it. They always pretend not to notice. They're trained that way, I suppose, although pretending not to notice is almost worse than noticing. It means they consider me nothing more than a harmless old man sporting a harmless old penis that still gets uppity once in a while. Although if one of them took it seriously and tried to do something about it, the shock would probably kill me.”
Sara Gruen, Water for Elephants
“I scan the room. Catherine is writing quickly, her light brown hair falling over her face. She is left-handed, and because she writes in pencil her left arm is silver from wrist to elbow.”
Sara Gruen, Water for Elephants
“Age is terrible thief. Just when you're getting the hang of life, it knocks your legs out from under you and stoops your back”
Sara Gruen, Water for Elephants
“He stares at me, and then leans back in his chair. "He's ill, Jacob."
I say nothing.
"He's a paragon schnitzophonic."
"He's what?!"
"Paragon schnitzophonic," repeats Uncle Al.
"You mean paranoid schizophrenic?"
"Sure. Whatever. But the bottom line is he's mad as a hatter...”
Sara Gruen, Water for Elephants
“My father felt it was his duty to continue to treat animals long after he stopped getting paid. He couldn't stand by and watch a horse colic or a cow labor with a breech calf even though it meant personal ruin. The parallel is undeniable. There is no question I am the only thing standing between these animals and the business practices of August and Uncle Al, and what my father would do - what my father would want me to do - is look after them, and I am filled with that absolute and unwavering conviction. No matter what I did last night, I cannot leave these animals. I am their shepherd, their protector. And it's more than a duty. It's a covenant with my father.”
Sara Gruen, Water for Elephants
“Life is the greatest show on earth!”
Sara Gruen, Water for Elephants
“She looks at her watch - a real one, with arms. Those digital ones came and went, thank God. When will people learn that just because you can make something doesn't mean you should?”
Sara Gruen, Water for Elephants
“My platitudes don't hold their interest and I can hardly blame them for that. My real stories are all out of date. So what if I can speak firsthand about the Spanish flu, the advent of the automobile, world wars, cold wars, guerrilla wars, and Sputnik — that's all ancient history now. But what else do I have to offer? Nothing happens to me anymore. That's the reality of getting old, and I guess that's really the crux of the matter. I'm not ready to be old yet.”
Sara Gruen, Water for Elephants

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