Ian McEwan > Quotes

“A person is, among all else, a material thing, easily torn and not easily mended.”
― Ian McEwan, Atonement

“It wasn't only wickedness and scheming that made people unhappy, it was confusion and misunderstanding; above all, it was the failure to grasp the simple truth that other people are as real as you.”
― Ian McEwan, Atonement

“This is how the entire course of a life can be changed: by doing nothing.”
― Ian McEwan, On Chesil Beach

“Was everyone else really as alive as she was?...If the answer was yes, then the world, the social world, was unbearably complicated, with two billion voices, and everyone's thoughts striving in equal importance and everyone's claim on life as intense, and everyone thinking they were unique, when no one was.”
― Ian McEwan, Atonement

“When its gone, you'll know what a gift love was. you'll suffer like this. So go back and fight to keep it.”
― Ian McEwan, Enduring Love

“The cost of oblivious daydreaming was always this moment of return, the realignment with what had been before and now seemed a little worse. ”
― Ian McEwan, Atonement

“...falling in love could be achieved in a single word—a glance.”
― Ian McEwan, Atonement

“A story was a form of telepathy. By means of inking symbols onto a page, she was able to send thoughts and feelings from her mind to her reader's. It was a magical process, so commonplace that no one stopped to wonder at it.”
― Ian McEwan, Atonement

“And though you think the world is at your feet, it can rise up and tread on you.”
― Ian McEwan, Atonement

“Wasn't writing a kind of soaring, an achievable form of flight, of fancy, of the imagination?”
― Ian McEwan, Atonement

“Find you, love you, marry you, and live without shame.”
― Ian McEwan, Atonement

“I've never had a moment's doubt. I love you. I believe in you completely. You are my dearest one. My reason for life. Cee”
― Ian McEwan, Atonement

“She lay in the dark and knew everything.”
― Ian McEwan, Atonement

“There did not have to be a moral. She need only show separate minds, as alive as her own, struggling with the idea that other minds were equally alive. It wasn't only wickedness and scheming that made people unhappy, it was confusion and misunderstanding, above all, it was the failure to grasp the simple truth that other people are as real as you. And only in a story could you enter these different minds and show how they had an equal value. That was the only moral a story need have.”
― Ian McEwan, Atonement

“The anticipation and dread he felt at seeing her was also a kind of sensual pleasure, and surrounding it, like an embrace, was a general elation--it might hurt, it was horribly inconvenient, no good might come of it, but he had found out for himself what it was to be in love, and it thrilled him.”
― Ian McEwan, Atonement

“Now and then, an inch below the water's surface, the muscles of his stomach tightened involuntarily as he recalled another detail. A drop of water on her upper arm. Wet. An embroidered flower, a simple daisy, sewn between the cups of her bra. Her breasts wide apart and small. On her back, a mole half covered by a strap. When she climbed out of the pond a glimpse of the triangular darkness her knickers were supposed to conceal. Wet. He saw it, he made himself see it again. The way her pelvic bones stretched the material clear of the skin, the deep curve of her waist, her startling whiteness. When she reached for her skirt, a carelessly raised foot revealed a patch of soil on each pad of her sweetly diminished toes. Another mole the size of a farthing on her thigh and something purplish on her calf--a strawberry mark, a scar. Not blemishes. Adornments.”
― Ian McEwan, Atonement

“It was not generally realized that what children mostly wanted was to be left alone.”
― Ian McEwan, Atonement

“You can tell a lot from a person's nails. When a life starts to unravel, they're among the first to go.”
― Ian McEwan, Saturday

“All she had needed was the certainty of his love, and his reassurance that there was no hurry when a lifetime lay ahead of them.”
― Ian McEwan, On Chesil Beach

“Finally he spoke the three simple words that no amount of bad art or bad faith can every quite cheapen. She repeated them, with exactly the same slight emphasis on the second word, as though she were the one to say them first. He had no religious belief, but it was impossible not to think of an invisible presence or witness in the room, and that these words spoken aloud were like signatures on an unseen contract.”
― Ian McEwan, Atonement

“No one knows anything, really. It's all rented, or borrowed.”
― Ian McEwan

“How can a novelist achieve atonement when, with her absolute power of deciding outcomes, she is also God? There is no one, no entity or higher form that she can appeal to, or be reconciled with, or that can forgive her. There is nothing outside her. In her imagination she has set the limits and the terms. No atonement for God, or novelists, even if they are atheists. It was always an impossible task, and that was precisely the point. The attempt was all.”
― Ian McEwan, Atonement

“Girls can wear jeans and cut their hair short and wear shirts and boots because it's okay to be a boy; for girls it's like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading.”
― Ian McEwan, The Cement Garden

“In my dreams I kiss your cunt, your sweet wet cunt. In my thoughts I make love to you all day long.”
― Ian McEwan, Atonement

“There's a taste in the air, sweet and vaguely antiseptic, that reminds him of his teenage years in these streets, and of a general state of longing, a hunger for life to begin that from this distance seems like happiness.”
― Ian McEwan, Saturday

“come back, come back to me”
― Ian McEwan, Atonement

“That love which does not build a foundation on good sense is doomed.”
― Ian McEwan, Atonement

“There are these rare moments when musicians together touch something sweeter than they've ever found before in rehearsals or performance, beyond the merely collaborative or technically proficient, when their expression becomes as easy and graceful as friendship or love. This is when they give us a glimpse of what we might be, of our best selves, and of an impossible world in which you give everything to others, but lose nothing of yourself.”
― Ian McEwan, Saturday

“It is photography itself that creates the illusion of innocence. Its ironies of frozen narrative lend to its subjects an apparent unawareness that they will change or die. It is the future they are innocent of. Fifty years on we look at them with the godly knowledge of how they turne dout after all - who they married, the date of their death - with no thought for who will one day be holding photographs of us.”
― Ian McEwan, Black Dogs

“But what really happened? The answer is simple: the lovers survive and flourish.”
― Ian McEwan, Atonement