Thomas Pynchon > Quotes

“They're in love. Fuck the war.”
― Thomas Pynchon, Gravity's Rainbow: Great Books Edition

“If they can get you asking the wrong questions, they don't have to worry about the answers.”
― Thomas Pynchon, Gravity's Rainbow

“It's been a prevalent notion. Fallen sparks. Fragments of vessels broken at the Creation. And someday, somehow, before the end, a gathering back to home. A messenger from the Kingdom, arriving at the last moment. But I tell you there is no such message, no such home -- only the millions of last moments . . . nothing more. Our history is an aggregate of last moments.”
― Thomas Pynchon, Gravity's Rainbow: Great Books Edition

“Why should things be easy to understand?”
― Thomas Pynchon

“Paranoids are not paranoid because they're paranoid, but because they keep putting themselves, fucking idiots, deliberately into paranoid situations.”
― Thomas Pynchon

“I am the twentieth century. I am the ragtime and the tango; sans-serif, clean geometry. I am the virgin's-hair whip and the cunningly detailed shackles of decadent passion. I am every lonely railway station in every capital of Europe. I am the Street, the fanciless buildings of government. the cafe-dansant, the clockwork figure, the jazz saxophone, the tourist-lady's hairpiece, the fairy's rubber breasts, the travelling clock which always tells the wrong time and chimes in different keys. I am the dead palm tree, the Negro's dancing pumps, the dried fountain after tourist season. I am all the appurtenances of night.”
― Thomas Pynchon, V.

“Every weirdo in the world is on my wavelength.”
― Thomas Pynchon

“A screaming comes across the sky.”
― Thomas Pynchon, Gravity's Rainbow: Great Books Edition

“Everybody gets told to write about what they know. The trouble with many of us is that at the earlier stages of life we think we know everything- or to put it more usefully, we are often unaware of the scope and structure of our ignorance.”
― Thomas Pynchon, Slow Learner: Early Stories: With an introduction by the author

“Dream tonight of peacock tails,
Diamond fields and spouter whales.
Ills are many, blessings few,
But dreams tonight will shelter you.

Let the vampire's creaking wing
Hide the stars while banshees sing;
Let the ghouls gorge all night long;
Dreams will keep you safe and strong.

Skeletons with poison teeth,
Risen from the world beneath,
Ogre, troll, and loup-garou,
Bloody wraith who looks like you,

Shadow on the window shade,
Harpies in a midnight raid,
Goblins seeking tender prey,
Dreams will chase them all away.

Dreams are like a magic cloak
Woven by the fairy folk,
Covering from top to toe,
Keeping you from winds and woe.

And should the Angel come this night
To fetch your soul away from light,
Cross yourself, and face the wall:
Dreams will help you not at all.”
― Thomas Pynchon

“I came," she said, "hoping you could talk me out of a fantasy."
Cherish it!" cried Hilarious, fiercely. "What else do any of you have? Hold it tightly by it's little tentacle, don't let the Freudians coax it away or the pharmacists poison it out of you. Whatever it is, hold it dear, for when you lose it you go over by that much to the others. You begin to cease to be.”
― Thomas Pynchon, The Crying of Lot 49

“Keep cool but care”
― Thomas Pynchon, V.

“The general public has long been divided into two parts; those who think that science can do anything and those who are afraid it will.”
― Thomas Pynchon, Mason and Dixon

“It all comes down, as it must, to the desires of individual men. Oh, and women too of course, bless their empty little heads.”
― Thomas Pynchon, Gravity's Rainbow

“There is no real direction here, neither lines of power nor cooperation. Decisions are never really made – at best they manage to emerge, from a chaos of peeves, whims, hallucinations and all around assholery. ”
― Thomas Pynchon, Gravity's Rainbow: Great Books Edition

“The rest of us, not chosen for enlightenment, left on the outside of Earth, at the mercy of a Gravity we have only begun to learn how to detect and measure, must go on blundering inside our front-brain faith in Kute Korrespondences, hoping that for each psi-synthetic taken from Earth's soul there is a molecule, secular, more or less ordinary and named, over here - kicking endlessly among the plastic trivia, finding in each Deeper Significance and trying to string them all together like terms of a power series hoping to zero in on the tremendous and secret Function whose name, like the permuted names of God, cannot be spoken... plastic saxophone reed sounds of unnatural timbre, shampoo bottle ego-image, Cracker Jack prize one-shot amusement, home appliance casing fairing for winds of cognition, baby bottles tranquilization, meat packages disguise of slaughter, dry-cleaning bags infant strangulation, garden hoses feeding endlessly the desert... but to bring them together, in their slick persistence and our preterition... to make sense out of, to find the meanest sharp sliver of truth in so much replication, so much waste... [Gravity's Rainbow, p. 590]”
― Thomas Pynchon

“though it is not often that death is so clearly told to fuck off.”
― Thomas Pynchon

“Shall I project a world?”
― Thomas Pynchon, The Crying of Lot 49

“Losing faith is a complicated business and takes time. There are no epiphanies, no "moments of truth." It takes much thought and concentration in the later phases, which thenselves come about through an accumulation of small accidents: examples of general injustice, misfortune falling upon the godly, prayers of one's own unanswered.”
― Thomas Pynchon, V.

“You may never get to touch the Master, but you can tickle his creatures.”
― Thomas Pynchon, Gravity's Rainbow

“Such a captive maiden, having plenty of time to think, soon realizes that her tower, its height and architecture, are like her ego only incidental: that what really keeps her where she is is magic, anonymous and malignant, visited on her from outside and for no reason at all. Having no apparatus except gut fear and female cunning to examine this formless magic, to understand how it works, how to measure its field strength, count its lines of force, she may fall back on superstition, or take up a useful hobby like embroidery, or go mad, or marry a disk jockey. If the tower is everywhere and the knight of deliverance no proof against its magic, what else?”
― Thomas Pynchon, The Crying of Lot 49

“Through the machineries of greed, pettiness, and the abuse of power, love occurs.”
― Thomas Pynchon, Gravity's Rainbow: Great Books Edition

“But with a sigh he had released her hand, while she was so lost in the fantasy that she hadn't felt it go away, as if he'd known the best moment to let go.”
― Thomas Pynchon, The Crying of Lot 49

“Some typewriters in Whitehall, in the Pentagon, killed more civilians than our little A4 could have ever hoped to.”
― Thomas Pynchon

“There is nothing so loathsome as a sentimental surrealist.”
― Thomas Pynchon, Gravity's Rainbow: Great Books Edition

“Someday she might replace whatever of her had gone away by some prosthetic device, a dress of a certain color, a phrase in a letter, another lover. ”
― Thomas Pynchon, The Crying of Lot 49

“What are the stars but points in the body of God where we insert the healing needles of our terror and longing?
--Gravity's Rainbow, V699”
― Thomas Pynchon

“It is simply wrong to begin with a theme, symbol or other abstract unifying agent, and then try to force characters and events to conform to it.”
― Thomas Pynchon, Slow Learner: Early Stories: With an introduction by the author

“Perhaps history this century, thought Eigenvalue, is rippled with gathers in its fabric such that if we are situated, as Stencil seemed to be, at the bottom of a fold, it's impossible to determine warp, woof, or pattern anywhere else. By virtue, however, of existing in one gather it is assumed there are others, compartmented off into sinuous cycles each of which had come to assume greater importance than the weave itself and destroy any continuity. Thus it is that we are charmed by the funny-looking automobiles of the '30's, the curious fashions of the '20's, the particular moral habits of our grandparents. We produce and attend musical comedies about them and are conned into a false memory, a phony nostalgia about what they were. We are accordingly lost to any sense of continuous tradition. Perhaps if we lived on a crest, things would be different. We could at least see.”
― Thomas Pynchon, V.

“All variables are independent.”
― Thomas Pynchon

“Shit now is the color white folks are afraid of. Shit is the presence of death, not some abstract-arty character with a scythe but the stiff and rotting corpse inside the whiteman’s warm and private own asshole, which is getting pretty intimate. That’s what the toilet is for. You see many brown toilets? Nope, toilet’s the color of gravestones, classical columns of mausoleums, that white emblems the very emblem of Odorless and Official death.”
― Thomas Pynchon

“Danger's over, Banana Breakfast is saved.”
― Thomas Pynchon, Gravity's Rainbow

“the one Word that rips apart the day...”
― Thomas Pynchon, Gravity's Rainbow: Great Books Edition

“I mean what they and their hired psychiatrists call delusional systems. Needless to say, ‘delusions’ are always officially defined. We do not have to worry about questions of real or unreal. They only talk out of expediency. It’s the system that matters. How the data arrange themselves inside it. Some are consistent, others fall apart. ”
― Thomas Pynchon, Gravity's Rainbow: Great Books Edition

“Darkness invades the dreams of the glassblower. Of all the unpleasantries his dreams grab in out of the night air, an extinguished light is the worst. Light in his dreams, was always hope: the basic moral hope. As the contacts break helically away, hope turns to darkness, and the glassblower wakes sharply tonight crying, Who? Who?”
― Thomas Pynchon, Gravity's Rainbow: Great Books Edition

“This spiritualist, this statistician, what are you anyway?”
― Thomas Pynchon, Gravity's Rainbow: Great Books Edition

“But a few choosing to venture deeper into the painful corridors of their affliction, found after a while that they could now grind and polish ever more exotic surfaces, hyperboloidial and even stranger, eventually including what we must term ‘imaginary’ shapes (which some preferred to term invisible).”
― Thomas Pynchon, Against the Day

“Laboring through a world every day more stultified, which expected salvation in codes and governments, ever more willing to settle for suburban narratives and diminished payoffs--what were the chances of finding anyone else seeking to transcend that, and not even particularly aware of it?”
― Thomas Pynchon, Against the Day

“But it is a curve each of them feels, unmistakably. It is the parabola. They must have guessed, once or twice -- guessed and refused to believe -- that everything, always, collectively, had been moving toward that purified shape latent in the sky, that shape of no surprise, no second chance, no return. Yet they do move forever under it, reserved for its own black-and-white bad news certainly as if it were the rainbow, and they its children. . . .”
― Thomas Pynchon, Gravity's Rainbow: Great Books Edition

“What, I should only trust good people? Man, good people get bought and sold every day. Might as well trust somebody evil once in a while, it makes no more or less sense.”
― Thomas Pynchon, Inherent Vice

“All the animals, the plants, the minerals, even other kinds of men, are being broken and reassembled every day, to preserve an elite few, who are the loudest to theorize on freedom, but the least free of all.”
― Thomas Pynchon, Gravity's Rainbow

“For a moment she'd wondered if the seal around her sockets were tight enough to allow the tears simply to go on and fill up the entire lens space and never dry. She could carry the sadness of the moment with her that way forever, see the world refracted through those tears, those specific tears, as if indices as yet unfound varied in important ways from cry to cry.”
― Thomas Pynchon, The Crying of Lot 49

“She touched the edge of its voluptuous field, knowing it would be lovely beyond dreams simply to submit to it; that not gravity's pull, laws of ballistics, feral ravening, promised more delight. She tested it, shivering: I am meant to remember. Each clue that comes is supposed to have its own clarity, its fine chances for permanence. But then she wondered if the gemlike "clues" were only some kind of compensation. To make up for her having lost the direct, epileptic Word, the cry that might abolish the night.”
― Thomas Pynchon, The Crying of Lot 49

“What goes around may come around, but it never ends up exactly the same place, you ever notice? Like a record on a turntable, all it takes is one groove's difference and the universe can be on into a whole 'nother song.”
― Thomas Pynchon, Inherent Vice

“So generation after generation of men in love with pain and passivity serve out their time in the Zone, silent, redolent of faded sperm, terrified of dying, desperately addicted to the comforts others sell them, however useless, ugly or shallow, willing to have life defined for them by men whose only talent is for death.”
― Thomas Pynchon, Gravity's Rainbow: Great Books Edition

“Pavlov was fascinated with the “ideas of the opposite”. Call it a cluster of cells, somewhere on the cortex of the brain. Helping to disintiguish pleasure from pain, light from dark, dominance from submission….but when somehow – starve them, traumatize, castrate them send them over into one of the transmarginal phases, past borders of their waking selves, past equivalent and paradoxical phases – you weaken this idea of the opposite, and here all at once is the paranoid patient, who would be master, yet now feels himself a slave…..who would be loved, but suffers his world’s indifference, and “I think”, Pavlov writing to Janet, “it is precisely the ultraparadoxical phase which is the base of the weakening of the idea of the opposite in our patients. Our madmen, , our paranoid, maniac, schizoid, morally imbecilic.
Spectro shakes his head. “You are putting response before stimulus. Not at all. Think about it. He is out there, he can feel them coming, days in advance, but it is a reflex. A reflex to something that is in the air right now, something were too coarsely put together to sense, but Slothrop can.”
― Thomas Pynchon

“As the day light left the city that night, the streetlamps were not up to anything like their usual candle-power. It was difficult to make anything out clearly. Ordinary social restraints were apt to be defective or not there at all. The screaming that went on all night, ignored as background murmur during the day, now, absent the clamor of street traffic, had taken on urgency and despair – a chorale of pain just about to pass from its realm of the invisible into something that might actually have to be dealt with. Figures which late at night appeared only in levels of grey were now seen to possess color, not the fashionable shades of daytime but blood reds, morgue yellows, and poison greens.”
― Thomas Pynchon, Against the Day

“Whenever I put the headset on now," he'd continued, "I really do understand what I find there. When those kids sing about 'She loves you,' yeah well, you know, she does, she's any number of people, all over the world, back through time, different colors, sizes, ages, shapes, distances from death, but she loves. And the 'you' is everybody. And herself. Oedipa, the human voice, you know, it's a flipping miracle." His eyes brimming, reflecting the color of beer.
"Baby," she said, helpless, knowing of nothing she could do for this, and afraid for him.
He put a little clear plastic bottle on the table between them. She stared at the pills in it, and then understood. "That's LSD?”
― Thomas Pynchon, The Crying of Lot 49

“There are stories, like maps that agree... too consistent among too many languages and histories to be only wishful thinking.... It is always a hidden place, the way into it is not obvious, the geography is as much spiritual as physical. If you should happen upon it, your strongest certainty is not that you have discovered it but returned to it. In a single great episode of light, you remember everything.”
― Thomas Pynchon, Against the Day

“It would all be done with keys on alphanumeric keyboards that stood for weightless, invisible chains of electronic presence or absence. If patterns of ones and zeroes were "like" patterns of human lives and deaths, if everything about an individual could be represented in a computer record by a long strings of ones and zeroes, then what kind of creature could be represented by a long string of lives and deaths? It would have to be up one level, at least -- an angel, a minor god, something in a UFO. It would take eight human lives and deaths just to form one character in this being's name -- its complete dossier might take up a considerable piece of history of the world. We are digits in God's computer, she not so much thought as hummed to herself to sort of a standard gospel tune, And the only thing we're good for, to be dead or to be living, is the only thing He sees. What we cry, what we contend for, in our world of toil and blood, it all lies beneath the notice of the hacker we call God."
--Vineland”
― Thomas Pynchon, Vineland