"Happiness is not a possession to be prized, it is a quality of thought, a state of mind."
— Daphne du Maurier

"Last night I dreamt I went to Manderley again."
— Daphne du Maurier (Rebecca)

"I suppose sooner or later in the life of everyone comes a moment of trial. We all of us have our particular devil who rides us and torments us, and we must give battle in the end."
— Daphne du Maurier (Rebecca)

"I am glad it cannot happen twice, the fever of first love. For it is a fever, and a burden, too, whatever the poets may say."
— Daphne du Maurier (Rebecca)

"I wanted to go on sitting there, not talking, not listening to the others, keeping the moment precious for all time, because we were peaceful all of us, we were content and drowsy even as the bee who droned above our heads. In a little while it would be different, there would come tomorrow, and the next day and another year. And we would be changed perhaps, never sitting qite like this again. Some of us would go away, or suffer, or die, the future stretched away in front of us, unknown, unseen, not perhaps what we wanted, not what we planned. This moment was safe though, this could not be touched. Here we sat together, Maxim and I, hand-in-hand, and the past and the future mattered not at all. This was secure, this funny little fragment of time he would never remember, never think about again…For them it was just after lunch, quarter-past-three on a haphazard afternoon, like any hour, like any day. They did not want to hold it close, imprisoned and secure, as I did. They were not afraid."
— Daphne du Maurier

"We can never go back again, that much is certain. The past is still close to us. The things we have tried to forget and put behind us would stir again, and that sense of fear, of furtive unrest, struggling at length to blind unreasoning panic - now mercifully stilled, thank God - might in some manner unforeseen become a living companion as it had before."
— Daphne du Maurier (Rebecca)

"Writers should be read, but neither seen nor heard."
— Daphne du Maurier

"Either you go to America with Mrs. Van Hopper or you come home to Manderley with me."
"Do you mean you want a secretary or something?"
"No, I'm asking you to marry me, you little fool."
— Daphne du Maurier (Rebecca)

"I wish I were a woman of 36, dressed in black satin with a string of pearls!"
— Daphne du Maurier (Rebecca)

"They were all fitting into place, the jig-saw pieces. The odd strained shapes that I had tried to piece together with my fumbling fingers and they had never fitted. Frank's odd manner when I spoke about Rebecca. Beatrice and her rather diffident negative attitude. The silence that I had always taken for sympathy and regret was a silence born of shame and embarrassment. It seemed incredible to me now that I had never understood. I wondered how many people there were in the world who suffered, and continued to suffer, because they could not break out from their own web of shyness and reserve, and in their blindness and folly built up a great wall in front of them that hid the truth. This was what I had done. I had built up false pictures in my mind and sat before them. I had never had the courage to demand the truth. Had I made one step forward out of my own shyness Maxim would have told these things four months, five months ago."
— Daphne du Maurier (Rebecca)

"The child destined to be a writer is vulnerable to every wind that blows. Now warm, now chill, next joyous, then despairing, the essence of his nature is to escape the atmosphere about him, no matter how stable, even loving. No ties, no binding chains, save those he forges for himself. Or so he thinks. But escape can be delusion, and what he is running from is not the enclosing world and its inhabitants, but his own inadequate self that fears to meet the demands which life makes upon it. Therefore create. Act God. Fashion men and women as Prometheus fashioned them from clay, and, by doing this, work out the unconscious strife within and be reconciled. While in others, imbued with a desire to mold, to instruct, to spread a message that will inspire the reader and so change his world, though the motive may be humane and even noble--many great works have done just this--the source is the same dissatisfaction, a yearning to escape."
— Daphne du Maurier (The Loving Spirit)

"'Come and see us if you feel like it,' she said. 'I always expect people to ask themselves. Life is too short to send out invitations.'"
— Daphne du Maurier (Rebecca)

"We know one another. This is the present. There is no past and no future. Here I am washing my hands, and the cracked mirror shows me to myself, suspended as it were, in time; this is me, this moment will not pass.

And then I open the door and go to the dining-room, where he is sitting waiting for me at a table, and I think how in that moment I have aged, and passed on, how I have advanced one step towards an unknown destiny.

We smile, we choose our lunch, we speak of this and that, but - I say to myself-I am not she who left him five minutes ago. She has stayed behind. I am another woman, older, more mature…"
— Daphne du Maurier

"Happiness is not a pocession to be prized. It is a quality of thought, a state of mind. "
— Daphne du Maurier

"He belonged to a walled city of the fifteenth century, a city of narrow, cobbled streets, and thin spires, where the inhabitants wore pointed shoes and worsted hose. His face was arresting, sensitive, medieval in some strange inexplicable way, and I was reminded of a portrait seen in a gallery I had forgotten where, of a certain Gentleman Unknown. Could one but rob him of his English tweeds, and put him in black, with lace at his throat and wrists, he would stare down at us in our new world from a long distant past—a past where men walked cloaked at night, and stood in the shadow of old doorways, a past of narrow stairways and dim dungeons, a past of whispers in the dark, of shimmering rapier blades, of silent, exquisite courtesy."
— Daphne du Maurier (Rebecca)

"Sometimes it’s a sort of indulgence to think the worst of ourselves. We say, ‘Now I have reached the bottom of the pit, now I can fall no further,’ and it is almost a pleasure to wallow in the darkness. The trouble is, it’s not true. There is no end to the evil in ourselves, just as there is no end to the good. It’s a matter of choice. We struggle to climb, or we struggle to fall. The thing is to discover which way we’re going."
— Daphne du Maurier

"I am glad it cannot happen twice, the fever of first love. For it is a fever, and a burden, too, whatever the poets may say. They are not brave, the days when we are twenty-one. They are full of little cowardices, little fears without foundation, and one is so easily bruised, so swiftly wounded, one falls to the first barbed word. To-day, wrapped in the complacent armour of approaching middle age, the infinitesimal pricks of day by day brush one but lightly and are soon forgotten, but then--how a careless word would linger, becoming a fiery stigma, and how a look, a glance over a shoulder, branded themselves as things eternal. A denial heralded the thrice crowing of a cock, and an insincerity was like the kiss of Judas. The adult mind can lie with untroubled conscience and a gay composure, but in those days even a small deception scoured the tongue, lashing one against the stake itself."
— Daphne du Maurier (Rebecca)

"A familiar name on its own, however, does not carry its bearer far unless the talent is there, and the will to work."
— Daphne du Maurier (The "Rebecca" Notebook: And Other Memories)

"We can see the film stars of yesterday in yesterday’s films, hear the voices of poest and singers on a record, keep the plays of dead dramatists upon our bookshelves, but the actor who holds his audience captive for one brief moment upon a lighted stage vanishes forever when the curtain falls. "
— Daphne du Maurier (The "Rebecca" Notebook: And Other Memories)

"...but I should say that kindliness, and sincerity, and if I may say so--modesty--are worth far more to a man, to a husband, than all the wit and beauty in the world."
— Daphne du Maurier

"Because I want to; because I must; because now and forever more this is where I belong to be."
— Daphne du Maurier (Jamaica Inn)

"'He stole horses' you'll say to yourself, 'and he didn't care for women; and but for my pride I'd have been with him now."
— Daphne du Maurier (Jamaica Inn)

"We can never go back again, that much is certain. The past is still too close to us. The things we have tried to forget and put behind us would stir again, and that sense of fear, of furtive unrest, struggling at length to blind unreasoning panic-now mercifully stilled, thank God-might in some manner unforeseen become a living companion, as it had been before."
— Daphne du Maurier

"Living as we don in an age of noise and bluster, success is now measured accordingly. We must all be seen, and heard, and on the air."
— Daphne du Maurier (The "Rebecca" Notebook: And Other Memories)

"If there’s one thing that makes a man sick, it’s to have his ale poured out of an ugly hand."
— Daphne du Maurier (Jamaica Inn)

"Dead men tell no tales, Mary."
— Daphne du Maurier (Jamaica Inn)

"...the routine of life goes on, whatever happens, we do the same things, go through the little performance of eating, sleeping, washing. No crisis can break through the crust of habit."
— Daphne du Maurier (Rebecca)

"He had the face of one who walks in his sleep, and for a wild moment the idea came to me that perhaps he was not normal, not altogether sane. There were people who had trances, I had surely heard of them, and they followed strange laws of which we could know nothing, they obeyed the tangled orders of their own sub-conscious minds. Perhaps he was one of them, and here we were within six feet of death."
— Daphne du Maurier (Rebecca)

"Last night I dreamt I went to Manderley again."
— Daphne du Maurier (Rebecca.)

"So you see, when war comes to one’s village, one’s doorstep, it isn’t tragic and impersonal any longer. It is just an excuse to vomit private hatred. That is why I am not a great patriot."
— Daphne du Maurier (The Scapegoat)

""Dead men tell no tales, Mary""
— Daphne du Maurier (Jamaica Inn)

""He was like someone sleeping who woke suddenly and found the world...all the beauty of it, and the sadness too. The hunger and the thirst. Everything he had never thought about or known was there before him, and magnified into one person who by chance, or fate--call it what you will--happened to be me." "
— Daphne du Maurier (My Cousin Rachel)