"You don't have to burn books to destroy a culture. Just get people to stop reading them."
— Ray Bradbury

"You must stay drunk on writing so reality cannot destroy you."
— Ray Bradbury (Zen in the Art of Writing)

"Stuff your eyes with wonder, live as if you'd drop dead in ten seconds. See the world. It's more fantastic than any dream made or paid for in factories."
— Ray Bradbury

"We are cups, constantly and quietly being filled. The trick is, knowing how to tip ourselves over and let the beautiful stuff out."
— Ray Bradbury

"If we listened to our intellect we'd never have a love affair. We'd never have a friendship. We'd never go in business because we'd be cynical: "It's gonna go wrong." Or "She's going to hurt me." Or,"I've had a couple of bad love affairs, so therefore . . ." Well, that's nonsense. You're going to miss life. You've got to jump off the cliff all the time and build your wings on the way down."
— Ray Bradbury

"You must write every single day of your life... You must lurk in libraries and climb the stacks like ladders to sniff books like perfumes and wear books like hats upon your crazy heads... may you be in love every day for the next 20,000 days. And out of that love, remake a world."
— Ray Bradbury

"... I have never listened to anyone who criticized my taste in space travel, sideshows or gorillas. When this occurs, I pack up my dinosaurs and leave the room."
— Ray Bradbury

"Why is it," he said, one time, at the subway entrance, "I feel I've known you so many years?"
"Because I like you," she said, "and I don't want anything from you."
— Ray Bradbury (Fahrenheit 451)

"Everyone must leave something behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people look at that tree or that flower you planted, you're there.

It doesn't matter what you do, he said, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away. The difference between the man who just cuts lawns and a real gardener is in the touching, he said. The lawn-cutter might just as well not have been there at all; the gardener will be there a lifetime."
— Ray Bradbury (Fahrenheit 451)

"Don't think. Thinking is the enemy of creativity. It's self-conscious and anything self-conscious is lousy. You can't "try" to do things. You simply "must" do things."
— Ray Bradbury

"We need not to be let alone. We need to be really bothered once in a while. How long is it since you were really bothered? About something important, about something real?"
— Ray Bradbury (Fahrenheit 451)

"We are an impossibility in an impossible universe."
— Ray Bradbury

"The books are to remind us what asses and fool we are. They're Caeser's praetorian guard, whispering as the parade roars down the avenue, "Remember, Caeser, thou art mortal." Most of us can't rush around, talking to everyone, know all the cities of the world, we haven't time, money or that many friends. The things you're looking for, Montag, are in the world, but the only way the average chap will ever see ninety-nine per cent of them is in a book. Don't ask for guarantees. And don't look to be saved in any one thing, person, machine, or library. Do your own bit of saving, and if you drown, at least die knowing you were headed for shore."
— Ray Bradbury (Fahrenheit 451)

"There's no use going to school unless your final destination is the library."
— Ray Bradbury

"Learning to let go should be learned before learning to get. Life should be touched, not strangled. You’ve got to relax, let it happen at times, and at others move forward with it."
— Ray Bradbury

"Do you know that books smell like nutmeg or some spice from a foreign land? I loved to smell them when I was a boy. Lord, there were a lot of lovely books once, before we let them go."
— Ray Bradbury

"I'm seventeen and I'm crazy. My uncle says the two always go together. When people ask your age, he said, always say seventeen and insane."
— Ray Bradbury (Farenheit 451)

"The good writers touch life often. The mediocre ones run a quick hand over her. The bad ones rape her and leave her for the flies."
— Ray Bradbury (Fahrenheit 451)

"There is more than one way to burn a book. And the world is full of people running about with lit matches."
— Ray Bradbury

"And when he died, I suddenly realized I wasn’t crying for him at all, but for the things he did. I cried because he would never do them again, he would never carve another piece of wood or help us raise doves and pigeons in the backyard or play the violin the way he did, or tell us jokes the way he did. He was part of us and when he died, all the actions stopped dead and there was no one to do them the way he did. He was individual. He was an important man. I’ve never gotten over his death. Often I think what wonderful carvings never came to birth because he died. How many jokes are missing from the world, and how many homing pigeons untouched by his hands? He shaped the world. He did things to the world. The world was bankrupted of ten million fine actions the night he passed on."
— Ray Bradbury (Fahrenheit 451)

"It was a pleasure to burn."
— Ray Bradbury (Fahrenheit 451)

"Some people turn sad awfully young. No special reason, it seems, but they seem almost to be born that way. They bruise easier, tire faster, cry quicker, remember longer and, as I say, get sadder younger than anyone else in the world. I know, for I'm one of them."
— Ray Bradbury (Dandelion Wine)

"If you want to write, if you want to create, you must be the most sublime fool that God ever turned out and sent rambling. You must write every single day of your life. You must read dreadful dumb books and glorious books, and let them wrestle in beautiful fights inside your head, vulgar one moment, brilliant the next. You must lurk in libraries and climb the stacks like ladders to sniff books like perfumes and wear books like hats upon your crazy heads. I wish you a wrestling match with your Creative Muse that will last a lifetime. I wish craziness and foolishness and madness upon you. May you live with hysteria, and out of it make fine stories — science fiction or otherwise. Which finally means, may you be in love every day for the next 20,000 days. And out of that love, remake a world."
— Ray Bradbury

"Your intuition knows what to write, so get out of the way."
— Ray Bradbury

"If you did not write every day, the poisons would accumulate and you would begin to die, or act crazy or both -- you must stay drunk on writing so reality cannot destroy you."
— Ray Bradbury

"A good night sleep, or a ten minute bawl, or a pint of chocolate ice cream, or all three together, is good medicine."
— Ray Bradbury (Dandelion Wine)

"If you hide your ignorance, no one will hit you and you'll never learn."
— Ray Bradbury (Fahrenheit 451)

"There must be something in books, something we can’t imagine, to make a woman stay in a burning house; there must be something there. You don’t stay for nothing."
— Ray Bradbury (Fahrenheit 451)

"The magic is only in what books say, how they stitched the patches of the universe together into one garment for us."
— Ray Bradbury

"I hate a Roman named Status Quo!" he said to me. "Stuff your eyes with wonder," he said, "live as if you'd drop dead in ten seconds. See the world. It's more fantastic than any dream made or paid for in factories. Ask no guarantees, ask for no security, there never was such an animal. And if there were, it would be related to the great sloth which hangs upside down in a tree all day every day, sleeping its life away. To hell with that," he said, "shake the tree and knock the great sloth down on his ass.""
— Ray Bradbury (Fahrenheit 451)

"First find out what your hero wants. Then just follow him."
— Ray Bradbury

"I'll hold on to the world tight some day. I've got one finger on it now; that's a beginning."
— Ray Bradbury (Fahrenheit 451)

"We're going to meet a lot of lonely people in the next week and the next month and the next year. And when they ask us what we're doing, you can say, We're remembering. That's where we'll win out in the long run. And someday we'll remember so much that we'll build the biggest goddamn steamshovel in history and dig the biggest grave of all time and shove war in it and cover it up."
— Ray Bradbury (Fahrenheit 451)

"I went to bed and woke in the middle of the night thinking I heard someone cry, thinking I myself was weeping, and I felt my face and it was dry.

Then I looked at the window and thought: Why, yes, it's just the rain, the rain, always the rain, and turned over, sadder still, and fumbled about for my dripping sleep and tried to slip it back on."
— Ray Bradbury (Green Shadows, White Whale: A Novel of Ray Bradbury's Adventures Making Moby Dick with John Huston in Ireland)

"What's the point of having a library full of books you've already read?"
— Ray Bradbury

"A stranger is shot in the street, you hardly move to help. But if, half an hour before, you spent just ten minutes with the fellow and knew a little about him and his family, you might just jump in front of his killer and try to stop it. Really knowing is good. Not knowing, or refusing to know is bad, or amoral, at least. You can’t act if you don’t know."
— Ray Bradbury (Something Wicked This Way Comes)

"Love. Fall in love and stay in love. Write only what you love, and love what you write. The word is love. You have to get up in the morning and write something you love, something to live for."
— Ray Bradbury

"First you jump off the cliff and build your wings on the way down."
— Ray Bradbury

"I have two rules in life - to hell with it, whatever it is, and get your work done."
— Ray Bradbury

"Anything you dream is fiction, and anything you accomplish is science, the whole history of mankind is nothing but science fiction. "
— Ray Bradbury

"Our civilization is flinging itself to pieces. Stand back from the centrifuge.
- Montag"
— Ray Bradbury (Fahrenheit 451)

"Half the fun of the travel is the esthetic of lostness."
— Ray Bradbury

"So few want to be rebels anymore. And out of those few, most, like myself, scare easily."
— Ray Bradbury (Fahrenheit 451)

"It was the face of spring, it was the face of summer, it was the warmness of clover breath. Pomegranate glowed in her lips, and the noon sky in her eyes. To touch her face was that always new experience of opening your window one December morning, early, and putting out your hand to the first white cool powdering of snow that had come, silently, with no announcement, in the night. And all of this, this breath-warmness and plum-tenderness was held forever in one miracle of photographic is chemistry which no clock winds could blow upon to change one hour or one second; this fine first cool white snow would never melt, but live a thousand summers."
— Ray Bradbury (Dandelion Wine)

"I ate them like salad, books were my sandwich for lunch, my tiffin and dinner and midnight munch. I tore out the pages, ate them with salt, doused them with relish, gnawed on the bindings, turned the chapters with my tongue! Books by the dozen, the score and the billion. I carried so many home I was hunchbacked for years. Philosophy, art history, politics, social science, the poem, the essay, the grandiose play, you name 'em. I ate 'em. And then...and then..." The Fire Chief's voice fades. Montag Prompts: "And then?" "Why, life happened to me." The Fire Chief shuts his eyes to remember."
— Ray Bradbury

"Oh, what strange wonderful clocks women are. They nest in Time. They make the flesh that holds fast and binds eternity. They live inside the gift, know power, accept, and need not mention it. Why speak of time when you are Time, and shape the universal moments, as they pass, into warmth and action?"
— Ray Bradbury (Something Wicked This Way Comes)

"Everyone must leave something behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people look at that tree or that flower you planted, you're there. It doesn't matter what you do, he said, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away. The difference between the man who just cuts lawns and a real gardner is in the touching, he said. The lawn cutter might as well not have been there at all; the gardner will be there a lifetime."

Granger moved his hand. "My grandfather showed me some V-2 rocket films once, fifty years ago. Have you ever seen the atom-bomb mushroom from two hundred miles up? It's a pinprick, it's nothing. With the wilderness all around it.

"My grandfather ran off the V-2 rocket film a dozen times and then hoped that someday our cities would open up more and let the green and the land and the wilderness in more, to remind people that we're allotted a little space on earth and that we survive in that wilderness that can take back what it has given, as easily as blowing its breath on us or sending the sea to tell us we are not so big. When we forget how close the wilderness is in the night, my grandpa said, someday it will come in and get us, for we will have forgotten how terrible and how real it can be. You see?" Granger turned to Montag. "Grandfather's been dead for all these years, but if you lifted my skull, by God, in the convolutions of my brain you'd find the big ridges of his thumbprint. He touched me. As I said earlier, he was a sculptor. 'I hate a Roman named Status Quo!' he said to me. 'Stuff your eyes with wonder,' he said, 'live as if you'd drop dead in ten seconds. See the world. It's more fantastic than any dream made or paid for in factories. Ask no guarantees, ask for no security, there never was such an animal. And if there were, it would be related to the great sloth which hangs upside down in a tree all day every day, sleeping its life away. To hell with that,' he said, 'shake the tree and knock the great sloth down on his ass.'"
— Ray Bradbury

"You have to know how to accept rejection and reject acceptance."
— Ray Bradbury

"There are too many of us, he thought. There are billions of us and that's too many. Nobody knows anyone. Strangers come and violate you. Strangers come and cut your heart out. Strangers come and take your blood. Good God, who were those men? I never saw them before in my life!"
— Ray Bradbury

"I still love books. Nothing a computer can do can compare to a book. You can't really put a book on the Internet. Three companies have offered to put books by me on the Net, and I said, 'If you can make something that has a nice jacket, nice paper with that nice smell, then we'll talk.' All the computer can give you is a manuscript. People don't want to read manuscripts. They want to read books. Books smell good. They look good. You can press it to your bosom. You can carry it in your pocket."
— Ray Bradbury