Rebecca Solnit > Quotes

“For [Jane Austen and the readers of Pride and Prejudice], as for Mr. Darcy, [Elizabeth Bennett's] solitary walks express the independence that literally takes the heroine out of the social sphere of the houses and their inhabitants, into a larger, lonelier world where she is free to think: walking articulates both physical and mental freedom.”
― Rebecca Solnit, Wanderlust: A History of Walking

“When someone doesn't show up, the people who wait sometimes tell stories about what might have happened and come to half believe the desertion, the abduction, the accident. Worry is a way to pretend that you have knowledge or control over what you don't--and it surprises me, even in myself, how much we prefer ugly scenarios to the pure unknown. Perhaps fantasy is what you fill up maps with rather than saying that they too contain the unknown.”
― Rebecca Solnit, A Field Guide to Getting Lost

“The stars we are given. The constellations we make. That is to say, stars exist in the cosmos, but constellations are the imaginary lines we draw between them, the readings we give the sky, the stories we tell.”
― Rebecca Solnit, Storming the Gates of Paradise: Landscapes for Politics

“The art is not one of forgetting but letting go. And when everything else is gone, you can be rich in loss.”
― Rebecca Solnit, A Field Guide to Getting Lost

“The desire to go home that is a desire to be whole, to know where you are, to be the point of intersection of all the lines drawn through all the stars, to be the constellation-maker and the center of the world, that center called love. To awaken from sleep, to rest from awakening, to tame the animal, to let the soul go wild, to shelter in darkness and blaze with light, to cease to speak and be perfectly understood.”
― Rebecca Solnit, Storming the Gates of Paradise: Landscapes for Politics

“In her novel Regeneration, Pat Barker writes of a doctor who 'knew only too well how often the early stages of change or cure may mimic deterioration. Cut a chrysalis open, and you will find a rotting caterpillar. What you will never find is that mythical creature, half caterpillar, half butterfly, a fit emblem of the human soul, for those whose cast of mind leads them to seek such emblems. No, the process of transformation consists almost entirely of decay.”
― Rebecca Solnit, A Field Guide to Getting Lost

“Walkers are 'practitioners of the city,' for the city is made to be walked. A city is a language, a repository of possibilities, and walking is the act of speaking that language, of selecting from those possibilities. Just as language limits what can be said, architecture limits where one can walk, but the walker invents other ways to go.”
― Rebecca Solnit, Wanderlust: A History of Walking

“I think one of the primary goals of a feminist landscape architecture would be to work toward a public landscape in which we can roam the streets at midnight, in which every square is available for Virginia Woolf to make up her novels ”
― Rebecca Solnit, Storming the Gates of Paradise: Landscapes for Politics

“I love going out of my way, beyond what I know, and finding my way back a few extra miles, by another trail, with a compass that argues with the map…nights alone in motels in remote western towns where I know no one and no one I know knows where I am, nights with strange paintings and floral spreads and cable television that furnish a reprieve from my own biography, when in Benjamin’s terms, I have lost myself though I know where I am. Moments when I say to myself as feet or car clear a crest or round a bend, I have never seen this place before. Times when some architectural detail on vista that has escaped me these many years says to me that I never did know where I was, even when I was home.”
― Rebecca Solnit, A Field Guide to Getting Lost

“Leave the door open for the unknown, the door into the dark. That’s where the most important things come from, where you yourself came from, and where you will go.”
― Rebecca Solnit, A Field Guide to Getting Lost

“A lone walker is both present and detached, more than an audience but less than a participant. Walking assuages or legitimizes this alienation.”
― Rebecca Solnit, Wanderlust: A History of Walking

“They are all beasts of burden in a sense, ' Thoreau once remarked of animals, 'made to carry some portion of our thoughts.' Animals are the old language of the imagination; one of the ten thousand tragedies of their disappearance would be a silencing of this speech.”
― Rebecca Solnit, A Field Guide to Getting Lost

“Italian cities have long been held up as ideals, not least by New Yorkers and Londoners enthralled by the ways their architecture gives beauty and meaning to everyday acts.”
― Rebecca Solnit, Wanderlust: A History of Walking

“You get lost out of a desire to be lost. But in the place called lost strange things are found...”
― Rebecca Solnit

“The magic of the street is the mingling of the errand and the epiphany.”
― Rebecca Solnit, Wanderlust: A History of Walking

“Language is like a road, it cannot be perceived all at once because it unfolds in time, whether heard or read. This narrative or temporal element has made writing and walking resemble each other.”
― Rebecca Solnit, Wanderlust: A History of Walking

“Perfection is a stick with which to beat the possible.”
― Rebecca Solnit, Hope in the Dark

“A path is a prior interpretation of the best way to traverse a landscape.”
― Rebecca Solnit, Wanderlust: A History of Walking

“For me, childhood roaming was what developed self-reliance, a sense of direction and adventure, imagination, a will to explore, to be able to get a little lost and then figure out the way back.”
― Rebecca Solnit, A Field Guide to Getting Lost

“To lose yourself: a voluptuous surrender, lost in your arms, lost to the world, utterly immersed in what is present so that its surroundings fade away. In Benjamin’s terms, to be lost is to be fully present, and to be fully present is to be capable of being in uncertainty and mystery.”
― Rebecca Solnit, A Field Guide to Getting Lost

“Walking . . . is how the body measures itself against the earth.”
― Rebecca Solnit, Wanderlust: A History of Walking

“Many people nowadays live in a series of interiors...disconnected from each other. On foot everything stays connected, for while walking one occupies the spaces between those interiors in the same way one occupies those interiors. One lives in the whole world rather than in interiors built up against it.”
― Rebecca Solnit, Wanderlust: A History of Walking

“The new architecture and urban design of segregation could be called Calvinist: they reflect a desire to live in a world of predestination rather than chance, to strip the world of its wide-open possibilities and replace them with freedom of choice in the marketplace.”
― Rebecca Solnit, Wanderlust: A History of Walking

“Roads are a record of those who have gone before.”
― Rebecca Solnit, Wanderlust: A History of Walking

“Getting lost was not a matter of geography so much as identity, a passionate desire, even an urgent need, to become no one and anyone, to shake off the shackles that remind you who you are, who others think you are.”
― Rebecca Solnit, A Field Guide to Getting Lost

“Places matter. Their rules, their scale, their design include or exclude civil society, pedestrianism, equality, diversity (economic and otherwise), understanding of where water comes from and garbage goes, consumption or conservation. They map our lives.”
― Rebecca Solnit, Storming the Gates of Paradise: Landscapes for Politics

“Eduardo Galeano notes that America was conquered, but not discovered, that the men who arrived with a religion to impose and dreams of gold never really knew where they were, and that this discovery is still taking place in our time.”
― Rebecca Solnit, A Field Guide to Getting Lost

“Lost really has two disparate meanings. Losing things is about the familiar falling away, getting lost is about the unfamiliar appearing. There are objects and people that disappear from your sight or knowledge or possession; you lose a bracelet, a friend, the key. You still know where you are. Everything is familiar except that there is one item less, one missing element. Or you get lost, in which case the world has become larger than your knowledge of it. Either way, there is a loss of control. Imagine yourself streaming through time shedding gloves, umbrellas, wrenches, books, friends, homes, names. This is what the view looks like if you take a rear-facing seat on the train. Looking forward you constantly acquire moments of arrival, moments of realization, moments of discovery. The wind blows your hair back and you are greeted by what you have never seen before. The material falls away in onrushing experience. It peels off like skin from a molting snake. Of course to forget the past is to lose the sense of loss that is also memory of an absent richness and a set of clues to navigate the present by; the art is not one of forgetting but letting go. And when everything else is gone, you can be rich in loss.”
― Rebecca Solnit, A Field Guide to Getting Lost

“Worry is a way to pretend that you have knowledge or control over what you don't--and it surprises me, even in myself, how much we prefer ugly scenarios to the pure unknown.”
― Rebecca Solnit, A Field Guide to Getting Lost

“The famous Zen parable about the master for whom, before his studies, mountains were only mountains, but during his studies mountains were no longer mountains, and afterward mountains were again mountains could be interpreted as an alleory about [the perpetual paradox that when one is closest to a destination one is also the farthest).”
― Rebecca Solnit, Wanderlust: A History of Walking