Dai Sijie > Quotes

“I was carried away, swept along by the mighty stream of words pouring from the hundreds of pages. To me it was the ultimate book: once you had read it, neither your own life nor the world you lived in would ever look the same.”
― Dai Sijie, Balzac and the Little Chinese Seamstress

“In Chinese love stories the one who loves always starts by borrowing a book from the beloved.”
― Dai Sijie, Once on a Moonless Night

“In the end we had changed the position of the hands so many times that we had no idea what the time really was.”
― Dai Sijie, Balzac and the Little Chinese Seamstress

“At various points in our lives, or on a quest, for reasons that often remain obscure , we are driven to make decisions which prove with hindsight to be loaded with meaning.”
― Dai Sijie, Once on a Moonless Night

“The only thing Luo was really good at was telling stories. A pleasing talent to be sure, but a marginal one, with little future in it. Modern man has moved beyond the age of the Thousand-and-One-Nights, and modern societies everywhere, whether socialist or capitalist, have done away with the old storytellers — more's the pity.”
― Dai Sijie, Balzac and the Little Chinese Seamstress

“To me it was the ultimate book: once you read it, neither your own life nor the world you lived in would ever look the same.”
― Dai Sijie

“Is there just one single love in a lifetime? Are all our lovers ― from the first to the last, including the most fleeting ― part of that unique love, and is each of them merely an expression of it, a variation, a particular version? In the same way that in literature there is just one true masterpiece to which different writers give a particular form (taking the twentieth century alone: Joyce, who explores everything happening inside his character;s head with microscopic precision; Proust, for whom the present is merely a memory of the past; Kafka, who drifts on the margins between dream and reality; the blind Borges, probably the one I relate to best, etc).”
― Dai Sijie, Once on a Moonless Night

“Our imagination is dictated by who we are. (198)”
― Dai Sijie, Once on a Moonless Night

“Often, after extinguishing the oil lamp in our house on stilts, we would lie on our beds and smoke in the dark. Book titles poured from our lips, the mysterious and exotic names evoking unknown worlds. It was like Tibetan incense, where you need only say the name, Zang Xiang, to smell the subtle, refined fragrance and to see the joss sticks sweating beads of scented moisture which, in the lamplight, resemble drops of liquid gold.”
― Dai Sijie, Balzac and the Little Chinese Seamstress

“Calligraphy may well be simply an artistic version of another form, that is the ideograms which make up the poem, but then not only does it reflect the character and temperament of the artist but . . . also betrays his heart rate, his breathing.”
― Dai Sijie, Once on a Moonless Night

“a name with a gently exotic ring to it, like birdsong, like a grain of sand in the far-off Gobi Desert or the northern steppes, whipped up by the wind, carried by storms, swirling through the sky, travelling, crossing whole countries without knowing quite how, and ending up in the crook of my ear.”
― Dai Sijie, Once on a Moonless Night

“I kept my door more securely locked than ever and passed the time with foreign novels. Since Balzac was Luo's favourite I put him to one side, and with the ardour and earnestness of my eighteen years I fell in love with one author after another: Flaubert, Gogol, Melville, and even Romain Rolland.”
― Dai Sijie, Balzac and the Little Chinese Seamstress

“Mozart is thinking of Chairman Mao”
― Dai Sijie, Balzac and the Little Chinese Seamstress