Chronologically arranged and meticulously edited by Thomas P. Riggio, these letters reveal how wide and deep Dreiser’s needs were. Dreiser often discussed his writing in his letters to women friends, telling them what he wanted to do, where he thought he succeeded and failed, and seeking approval or criticism. By turns seductive, candid, coy, and informative, these letters provide an intimate view of a master writer who knew exactly what he was after.

Features

Table of Contents

The Financier
Sister Carrie
The Titan
Twelve Men

Appendix:
Theodore Dreiser Biography

His second novel, Jennie Gerhardt, was published the following year. Many of Dreiser's subsequent novels dealt with social inequality.

Sherwood Anderson writes:
Heavy, heavy, the feet of Theodore. How easy to pick some of his books to pieces, to laugh at him for so much of his heavy prose ... The fellows of the ink-pots, the prose writers in America who follow Dreiser, will have much to do that he has never done. Their road is long but, because of him, those who follow will never have to face the road through the wilderness of Puritan denial, the road that Dreiser faced alone.

Humorist Corey Ford (writing as "John Riddell") quipped that Dreiser had only one plot: Boy meets Girl = Tragedy.F. R. Leavis remarked that Dreiser wrote as if he did not have a native language.

Renowned mid-century literary critic Irving Howe spoke of Dreiser as "among the American giants, one of the very few American giants we have had."

Politically, Dreiser was involved in several campaigns against social injustice. This included the lynching of Frank Little, one of the leaders of the Industrial Workers of the World, the Sacco and Vanzetti case, the deportation of Emma Goldman, and the conviction of the trade union leader Tom Mooney.