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  <id>7519</id>
  <name><![CDATA[Jonathan Harr]]></name>
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        <book>
  <id type="integer">27397</id>
  <isbn>0679772677</isbn>
  <isbn13>9780679772675</isbn13>
  <text_reviews_count type="integer">245</text_reviews_count>
  <title>
    <![CDATA[A Civil Action]]>
  </title>
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  <link>http://www.goodreads.com/book/show/27397.A_Civil_Action</link>
  <average_rating>3.69</average_rating>
  <ratings_count>2279</ratings_count>
  <description>
    <![CDATA[&quot;The legal thriller of the decade.&quot; --Cleveland Plain Dealer<br/><br/>Now a Major Motion Picture!<br/><br/>In this true story of an epic courtroom showdown, two of the nation's largest corporations stand accused of causing the deaths of children. Representing the bereaved parents, the unlikeliest of heroes emerges: a young, flamboyant Porsche-driving lawyer who hopes to win millions of dollars and ends up nearly losing everything, including his sanity. A searing, compelling tale of a legal system gone awry--one in which greed and power fight an unending struggle against justice--<strong>A Civil Action</strong> is also the story of how one determined man can ultimately make a difference. With an unstoppable narrative power, it is an unforgettable reading experience.]]>
  </description>
<authors>
    <author>
    <id>7519</id>
        <name><![CDATA[Jonathan Harr]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/7519.Jonathan_Harr]]></link>
    <average_rating>3.68</average_rating>
    <ratings_count>3390</ratings_count>
    <text_reviews_count>508</text_reviews_count>
  </author>
  </authors>  <published>1995</published>
</book>

        <book>
  <id type="integer">27398</id>
  <isbn>0375759867</isbn>
  <isbn13>9780375759864</isbn13>
  <text_reviews_count type="integer">221</text_reviews_count>
  <title>
    <![CDATA[The Lost Painting]]>
  </title>
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  <link>http://www.goodreads.com/book/show/27398.The_Lost_Painting</link>
  <average_rating>3.63</average_rating>
  <ratings_count>898</ratings_count>
  <description>
    <![CDATA[An Italian village on a hilltop near the Adriatic coast, a decaying palazzo facing the sea, and in the basement, cobwebbed and dusty, lit by a single bulb, an archive unknown to scholars. Here, a young graduate student from Rome, Francesca Cappelletti, makes a discovery that inspires a search for a work of art of incalculable value, a painting lost for almost two centuries. <br/><br/>The artist was Caravaggio, a master of the Italian Baroque. He was a genius, a revolutionary painter, and a man beset by personal demons. Four hundred years ago, he drank and brawled in the taverns and streets of Rome, moving from one rooming house to another, constantly in and out of jail, all the while painting works of transcendent emotional and visual power. He rose from obscurity to fame and wealth, but success didn’t alter his violent temperament. His rage finally led him to commit murder, forcing him to flee Rome a hunted man. He died young, alone, and under strange circumstances.<br/><br/>Caravaggio scholars estimate that between sixty and eighty of his works are in existence today. Many others–no one knows the precise number–have been lost to time. Somewhere, surely, a masterpiece lies forgotten in a storeroom, or in a small parish church, or hanging above a fireplace, mistaken for a mere copy.<br/><br/>Prizewinning author Jonathan Harr embarks on an spellbinding journey to discover the long-lost painting known as The Taking of Christ–its mysterious fate and the circumstances of its disappearance have captivated Caravaggio devotees for years. After Francesca Cappelletti stumbles across a clue in that dusty archive, she tracks the painting across a continent and hundreds of years of history. But it is not until she meets Sergio Benedetti, an art restorer working in Ireland, that she finally manages to assemble all the pieces of the puzzle.<br/><br/>Told with consummate skill by the writer of the bestselling, award-winning <em>A Civil Action</em>, <strong>The Lost Painting</strong> is a remarkable synthesis of history and detective story. The fascinating details of Caravaggio’s strange, turbulent career and the astonishing beauty of his work come to life in these pages. Harr’s account is not unlike a Caravaggio painting: vivid, deftly wrought, and enthralling.<br/>&quot;. . . Jonathan Harr has gone to the trouble of writing what will probably be a bestseller . . . rich and wonderful. . .in truth, the book reads better than a thriller because, unlike a lot of best-selling nonfiction authors who write in a more or less novelistic vein (Harr's previous book, <em>A Civil Action</em>, was made into a John Travolta movie), Harr doesn't plump up hi tale. He almost never foreshadows, doesn't implausibly reconstruct entire conversations and rarely throws in litanies of clearly conjectured or imagined details just for color's sake. . .if you're a sucker for Rome, and for dusk. . .[you'll] enjoy Harr's more clearly reported details about life in the city, as when--one of my favorite moments in the whole book--Francesca and another young colleague try to calm their nerves before a crucial meeting with a forbidding professor by eating gelato. And who wouldn't in Italy? The pleasures of travelogue here are incidental but not inconsiderable.&quot; --<em>The New York Times Book Review</em><br/><br/><br/>&quot;Jonathan Harr has taken the story of the lost painting, and woven from it a deeply moving narrative about history, art and taste--and about the greed, envy, covetousness and professional jealousy of people who fall prey to obsession. It is as perfect a work of narrative nonfiction as you could ever hope to read.&quot; --<em>The Economist</em><br/><br/><br/><em>From the Hardcover edition.</em>]]>
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    <author>
    <id>7519</id>
        <name><![CDATA[Jonathan Harr]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/7519.Jonathan_Harr]]></link>
    <average_rating>3.68</average_rating>
    <ratings_count>3390</ratings_count>
    <text_reviews_count>508</text_reviews_count>
  </author>
  </authors>  <published>2005</published>
</book>

        <book>
  <id type="integer">11806</id>
  <isbn>158778422X</isbn>
  <isbn13>9781587784224</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[A Documentary Companion to A Civil Action (Revised Edition) (University Casebook)]]>
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  <link>http://www.goodreads.com/book/show/11806.A_Documentary_Companion_to_A_Civil_Action</link>
  <average_rating>2.17</average_rating>
  <ratings_count>6</ratings_count>
  <description>
    <![CDATA[This documentary supplement contains official documents from Anderson v. Cryovac, the toxic tort case portrayed in Jonathan Harr's bestseller, A Civil Action. Use the supplement in conjunction with Harr's book and any first-year civil procedure casebook or as the text for an advanced litigation class. Content is arranged topically to take students through an actual litigation process from start to finish, from setting the litigation to pretrial process and trial and post-trial motions. The authors, who extensively interviewed the lawyers involved, provide notes, commentary, and analysis of, as well as thought-provoking questions about, the legal, tactical, and ethical issues.]]>
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<authors>
    <author>
    <id>7521</id>
        <name><![CDATA[Lewis A. Grossman]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/7521.Lewis_A_Grossman]]></link>
    <average_rating>2.23</average_rating>
    <ratings_count>13</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
    <author>
    <id>7519</id>
        <name><![CDATA[Jonathan Harr]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/7519.Jonathan_Harr]]></link>
    <average_rating>3.68</average_rating>
    <ratings_count>3390</ratings_count>
    <text_reviews_count>508</text_reviews_count>
  </author>
  </authors>  <published>1999</published>
</book>

        <book>
  <id type="integer">7430536</id>
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  <title>
    <![CDATA[A Civil Action]]>
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  <link>http://www.goodreads.com/book/show/7430536-a-civil-action</link>
  <average_rating>5.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>7519</id>
        <name><![CDATA[Jonathan Harr]]></name>
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    <average_rating>3.68</average_rating>
    <ratings_count>3390</ratings_count>
    <text_reviews_count>508</text_reviews_count>
  </author>
  </authors>  <published></published>
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        <book>
  <id type="integer">2289101</id>
  <isbn>0571208509</isbn>
  <isbn13>9780571208500</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Funeral Wars: How Lawyer Willie Gary Turned a Petty Dispute About Coffins into a Multi-million Dollar Morality Play]]>
  </title>
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  <link>http://www.goodreads.com/book/show/2289101.Funeral_Wars_How_Lawyer_Willie_Gary_Turned_a_Petty_Dispute_About_Coffins_into_a_Multi_million_Dollar_Morality_Play</link>
  <average_rating>3.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[Jonathan Harr's <em>Funeral Wars</em> delivers a spry rendering of O'Keeffe versus the Loewen Group, a Mississippi court case that cast the American death industry and a prominent personal injury lawyer as its leading characters. Willie Gary came from a poor Southern family, but by endeavour and enterprise transcended racial barriers to progress from High School in Indiantown, where he was known as &quot;little boss man&quot;, to Law School and then the High Court. &quot;Lawye r Gary&quot;, used to addressing church congregations, achieved his first $1m jury verdict in 1984; prone to asking juries to pardon the &quot;plain, ordinary talk&quot; of a country boy, he was soon travelling between cases in his own executive jet. <p> In 1995, he became involved with a claim by local funeral director Jerry O'Keeffe that he had been duped by Ray Loewen, who owned a chain of funeral homes across Canada and had started to penetrate the US market. According to Gary, the case was a morality tale, about &quot;lying, cheating and stealing&quot;; to Harr, it concerned changing times and attitudes, and an utterly compelling collision of characters. Gary is aided by lawyer Michael Allred, with a Klan background, who admits t o him his prejudices, but declares &quot;I'm trying to work on it--like when an alcoholic goes to Alcoholics Anonymous&quot;. Between them, they assembled an almost seamless continuity of facts that only lacked the singular matter of contract violation, the legal basis for the case. Gary's unashamed manipulation of the jury won a staggering 260m award for his client, only just failing to secure $1bn in punitive damages, though O'Keeffe elected to accept a lesser sum that still ultimately crippled the Loewen Group. Jonathan Harr, for his part, presents the evidence with admirable poise, building a disciplined, understated narrative in skilful contrast to Gary's grandiloquence. The core subject has been covered before (see Jessica Mitford 's <em>The American Way of Death</em>, or Thomas Lynch's <em>The Undertaking</em> and <em>Bodies in Motion and at Rest</em>), but <em>Funeral Wars</em> deftly demonstrates the rigours of life after death, American Dream fulfilment and the fruitful rewards a lick of oratory gloss can return. --<em>David Vincent</em> </p>]]>
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    <author>
    <id>7519</id>
        <name><![CDATA[Jonathan Harr]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/7519.Jonathan_Harr]]></link>
    <average_rating>3.68</average_rating>
    <ratings_count>3390</ratings_count>
    <text_reviews_count>508</text_reviews_count>
  </author>
  </authors>  <published>2001</published>
</book>

        <book>
  <id type="integer">27402</id>
  <isbn>9722336762</isbn>
  <isbn13>9789722336765</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[A OBRA-PRIMA DESAPARECIDA (Colecção: Grandes Narrativas, 338)]]>
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  <link>http://www.goodreads.com/book/show/27402.A_OBRA_PRIMA_DESAPARECIDA</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[Sinopse: Como é que um Caravaggio perdido por mais de duzentos anos reapareceu finalmente numa residência de jesuítas, em Dublin, no ano de 1990? Essa é a extraordinária história que lhe conta Jonathan Harr, num relato verídico narrado como um romance, que muitos leitores confessam ter lido com mais prazer do que um thriller. Os protagonistas deste «caso» vivem nestas páginas com toda a sua gama de emoções, na busca pelo tesouro artístico que é A Deposição de Cristo. Os lugares visitados surgem aos nossos olhos com a sua vida própria: a Roma de Seiscentos e a Roma moderna, a costa do Adriático e a longínqua Irlanda. Em termos acessíveis, o autor reconstituiu ao pormenor o trabalho de detective que esta descoberta implicou, incluindo a descrição das mais inovadoras técnicas forenses que permitem distinguir os originais das cópias. Entretanto, a vida do genial mestre do barroco italiano vai sendo reconstituída, e as suas telas evocadas, em todo o seu esplendor, para deslumbramento de quem lê.<br/>Nº de Páginas: 248]]>
  </description>
<authors>
    <author>
    <id>7519</id>
        <name><![CDATA[Jonathan Harr]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/7519.Jonathan_Harr]]></link>
    <average_rating>3.68</average_rating>
    <ratings_count>3390</ratings_count>
    <text_reviews_count>508</text_reviews_count>
  </author>
  </authors>  <published>2006</published>
</book>

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