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  <id>614</id>
  <name><![CDATA[Arthur Golden]]></name>
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  <id type="integer">930</id>
  <isbn>0739326228</isbn>
  <isbn13>9780739326220</isbn13>
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  <title>
    <![CDATA[Memoirs of a Geisha]]>
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    <![CDATA[In this literary tour de force, novelist Arthur Golden enters a remote and shimmeringly exotic world. For the protagonist of this peerlessly observant first novel is Sayuri, one of Japan's most celebrated geisha, a woman who is both performer and courtesan, slave and goddess.<br/><br/>We follow Sayuri from her childhood in an impoverished fishing village, where in 1929, she is sold to a representative of a geisha house, who is drawn by the child's unusual blue-grey eyes. From there she is taken to Gion, the pleasure district of Kyoto. She is nine years old. In the years that follow, as she works to pay back the price of her purchase, Sayuri will be schooled in music and dance, learn to apply the geisha's elaborate makeup, wear elaborate kimono, and care for a coiffure so fragile that it requires a special pillow. She will also acquire a magnanimous tutor and a venomous rival. Surviving the intrigues of her trade and the upheavals of war, the resourceful Sayuri is a romantic heroine on the order of Jane Eyre and Scarlett O'Hara. And <em>Memoirs of a Geisha</em> is a triumphant work - suspenseful, and utterly persuasive.<br/><br/><br/><em>From the Trade Paperback edition.</em>]]>
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  </authors>  <published>1997</published>
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  <isbn>0007635192</isbn>
  <isbn13>9780007635191</isbn13>
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  <title>
    <![CDATA[Oriental Collection: Empire of the Sun/Memoirs of a Geisha/Seven Years in Tibet]]>
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    <![CDATA[]]>
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        <name><![CDATA[J.G. Ballard]]></name>
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        <name><![CDATA[Heinrich Harrer]]></name>
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        <name><![CDATA[Samuel West]]></name>
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    <average_rating>3.42</average_rating>
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    <id>2739979</id>
        <name><![CDATA[Noriko Aida]]></name>
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    <average_rating>4.00</average_rating>
    <ratings_count>3</ratings_count>
    <text_reviews_count>0</text_reviews_count>
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    <author>
    <id>213546</id>
        <name><![CDATA[Tim Pigott-Smith]]></name>
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  </authors>  <published>2001</published>
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        <book>
  <id type="integer">354743</id>
  <isbn>0070236569</isbn>
  <isbn13>9780070236561</isbn13>
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  <title>
    <![CDATA[Walt Whitman]]>
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  <average_rating>4.50</average_rating>
  <ratings_count>2</ratings_count>
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    <![CDATA[]]>
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    <id>614</id>
        <name><![CDATA[Arthur Golden]]></name>
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    <average_rating>3.94</average_rating>
    <ratings_count>185155</ratings_count>
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  </authors>  <published>1973</published>
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  <id type="integer">6612704</id>
  <isbn>4167661845</isbn>
  <isbn13>9784167661847</isbn13>
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  <title>
    <![CDATA[さゆり〈上〉]]>
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  <link>http://www.goodreads.com/book/show/6612704</link>
  <average_rating>5.00</average_rating>
  <ratings_count>1</ratings_count>
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    <![CDATA[]]>
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    <id>2985034</id>
        <name><![CDATA[アーサー ゴールデン]]></name>
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    <average_rating>3.94</average_rating>
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    <author>
    <id>880565</id>
        <name><![CDATA[小川 高義]]></name>
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    <average_rating>5.00</average_rating>
    <ratings_count>3</ratings_count>
    <text_reviews_count>0</text_reviews_count>
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  </authors>  <published>2004</published>
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        <book>
  <id type="integer">7156535</id>
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  <isbn13>3277450109592</isbn13>
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  <title>
    <![CDATA[COL.SABOT 12LP GEISHA]]>
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  <average_rating>0.0</average_rating>
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    <average_rating>3.94</average_rating>
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  </authors>  <published></published>
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        <book>
  <id type="integer">1882604</id>
  <isbn>0814710247</isbn>
  <isbn13>9780814710241</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Leaves of Grass: A Textual Variorum of the Printed Poems (Volumes 1-3)]]>
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  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[Whitman is today regarded as America's Homer or Dante, and his work the touchstone for literary originality in the New World. In Leaves of Grass, he abandoned the rules of traditional poetry - breaking the standard metred line, discarding the obligatory rhyming scheme, and using the vernacular. Emily Dickinson condemned his sexual and physiological allusions as `disgraceful', but Emerson saw the book as the `most extraordinary piece of wit and wisdom that America has yet contributed'. A century later it is his judgement of this autobiographical vision of the vigour of the American nation that has proved the more enduring. This is the most up-to-date edition for student use, with full critical apparatus.]]>
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    <id>330063</id>
        <name><![CDATA[Sculley Bradley]]></name>
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    <average_rating>4.33</average_rating>
    <ratings_count>3</ratings_count>
    <text_reviews_count>1</text_reviews_count>
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    <author>
    <id>614</id>
        <name><![CDATA[Arthur Golden]]></name>
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    <average_rating>3.94</average_rating>
    <ratings_count>185155</ratings_count>
    <text_reviews_count>10948</text_reviews_count>
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    <author>
    <id>584251</id>
        <name><![CDATA[Harold W. Blodgett]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/584251.Harold_W_Blodgett]]></link>
    <average_rating>5.00</average_rating>
    <ratings_count>1</ratings_count>
    <text_reviews_count>1</text_reviews_count>
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  </authors>  <published>1980</published>
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