In their power to evoke the physical pleasures of poetry, the scenes in which Falin and Malone work together evoke A.S. Byatt's Possession, another gripping novel about language and the life of the mind. Improbably, Crowley even makes the act of translation sexy:
She thought, long after, that she had not then ever explored a lover's body, learned its folds and articulations, muscle under skin, bone under muscle, but that this was really most like that: this slow probing and working in his language, taking it in or taking hold of it; his words, his life, in her heart, in her mouth too.The novel's principal shortcoming is that it can't quite make up its mind whether it's a cloak-and-dagger cold war novel or a less realistic fable about love, loss, and the power of art. Nonetheless, as the depiction of an era, a passion, and one woman's helplessness in the face of history, The Translator succeeds. Much can be forgiven of a book that makes us feel that words are important--that they can in fact change the world. --Mary Park]]>
In Love & Sleep, the second volume of the series, the professor Pierce Moffett finds himself at a great turning point in the history of the world. As a child, Pierce was no stranger to magic, but those revelations faded with time. Now Pierce's search for a secret history of the world--one in which magic works and angels speak to humankind--has begun again. Love & Sleep is a modern masterpiece, both extraordinary and literary.
Love & Sleep will be followed in Summer 2008 by the third volume in the Ægypt cycle, Dæmonomania, and in Fall 2008 by the paperback release of book four, Endless Things.
]]>Historian Pierce Moffett finds his key to understanding in New York state's Faraway Hills, as do his lover, Rose Ryder, and single mom Rosie Rasmussen, whose daughter seems to suffer from dæmonomania--spiritual possession by Renaissance magician John Dee. Each character must pick a careful path between the colliding juggernauts of past and present, magic and mundane. The wind of apocalypse is blowing:
"Scary wind.... What if it's the one?" she said.]]>"What one?" he said.... He in fact knew what one, for it was from him that she had heard mythologies of wind, how it bloweth where it listeth, one part of Nature not under God's thumb and therefore perhaps at the disposal of our Enemy; she had heard his stories about changer winds, how one had once blown away the Spanish Armada and thus saved England from Catholic conquest, a famous wind which if you went to look for it in the records of the time wasn't there. In typical Crowley style, magic is seamlessly woven into the narrative. Pierce is writing the story of the end of the world while it happens, Rose joins a cult that promises salvation, and Rosie inherits a spooky legacy that might hold the secret to saving her daughter. All are involved in deep exchanges of power, and all must yield to what Crowley calls the "queasy pressure of Fate."
Crowley describes Dæmonomania best when he writes about Pierce's book: "The book... was about magic, secret histories, and the End of the World, an event that Pierce would suggest was under way undetectably even as he wrote, as the reader read." This is a complex, disturbing, and beautiful book, one that will bear rereading. Crowley's writing is gorgeous in places, frustrating in others, but always irresistible. --Therese Littleton
"A dizzying experience, achieved with unerring security of technique."-The New York Times Book Review
"A master of language, plot, and characterization."-Harold Bloom
"The further in you go, the bigger it gets."-James Hynes
"The writing here is intricate and thoughtful, allusive and ironic. . . . Aegypt bears many resemblances, incidental and substantive, to Thomas Pynchon's wonderful 1966 novel The Crying of Lot 49."-USA Today
"An original moralist of the same giddy heights occupied by Thomas Mann and Robertson Davies."-San Francisco Chronicle
This is the fourth novel-and much-anticipated conclusion-of John Crowley's astonishing and lauded Aegypt sequence: a dense, lyrical meditation on history, alchemy, and memory. Spanning three centuries, and weaving together the stories of Renaissance magician John Dee, philosopher Giordano Bruno, and present-day itinerant historian and writer Pierce Moffitt, the Aegypt sequence is as richly significant as Lawrence Durrell's Alexandria Quartet or Anthony Powell's Dance to the Music of Time. Crowley, a master prose stylist, explores transformations physical, magical, alchemical, and personal in this epic, distinctly American novel where the past, present, and future reflect each other.
John Crowley was born in the appropriately liminal town of Presque Isle, Maine. His most recent novel is Lord Byron's Novel: The Evening Land. He teaches creative writing at Yale University. In 1992 he received the Award in Literature from the American Academy and Institute of Arts and Letters. He finds it more gratifying that almost all of his work is still in print.
]]>In the early years of the 1940s, as the nation's young men ship off to war, the call goes out for builders of the machinery necessary to defeat the enemy. To this purpose, a city has sprung up seemingly overnight in the windswept fields of Oklahoma: the Van Damme airplane factory, a gargantuan complex dedicated to the construction of the B-30 Pax, the largest bomber ever built. Laborers—some men, but mostly women, many of whom have never operated a rivet gun or held a screwdriver—flock to this place, eager to earn, to grow, to do their part. Many are away from home for the very first time, enticed by the opportunity to be something more than wife and homemaker. In the middle of nowhere they will live, work, and earn their own money, fearing for the safety of their absent fighting men as the world around them changes forever.
Vi, with her gun of a pitching arm, finds Van Damme after fleeing a dying ranch and a stubborn, broken father to chase a future built on something stronger than poison earth. Connie, once fragile and helpless, follows an unfaithful husband here with their little boy in tow—and inadvertently discovers who she is and what she's capable of achieving. Before Diane can enter the factory's gates, the restless young woman must leave behind the hot music and soldier boys she followed, taking a sudden, bold, and dangerous step in pursuit of something different, adult, and real.
Their journeys will be liberating in ways they couldn't imagine, and will lead each of them to Prosper Olander. Disabled, an artist, a forger, a friend—a surprising lover and compassionate listener—Prosper has followed unlikely opportunity down a painfully twisting path to take his place as the true heart and soul of a temporary city. And before the B-30 Pax takes flight, he will change the lives of four women in profound and unexpected ways.
Destined to stand tall among his previous acclaimed fiction—including Little, Big; The Ægypt Cycle; The Translator; and Lord Byron's Novel—John Crowley's Four Freedoms is perhaps his most heartfelt and compelling novel to date. It is a moving, evocative, and unforgettable saga of wives, mothers, and lovers—of strangers, outcasts, and damaged Quixotes—who, unmoored by conflict's unpredictable tides, find community, purpose, identity, independence . . . and one remarkable man who will touch them all.
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