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  <name><![CDATA[Susanna Kaysen]]></name>
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  <id type="integer">68783</id>
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    <![CDATA[Girl, Interrupted]]>
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    <![CDATA[In the late 1960s, the author spent nearly two years on the ward for teenage girls at McLean Hospital, a renowned psychiatric facility. Her memoir encompasses horror and razor-edged perceptions, while providing vivid portraits of her fellow patients and their keepers. &quot;Searing . . . captures an exquisite range of self-awareness between madness and insight.&quot;--Boston Globe.]]>
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  <id type="integer">28092</id>
  <isbn>0679763430</isbn>
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  <text_reviews_count type="integer">43</text_reviews_count>
  <title>
    <![CDATA[The Camera My Mother Gave Me]]>
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  <link>http://www.goodreads.com/book/show/28092.The_Camera_My_Mother_Gave_Me</link>
  <average_rating>3.26</average_rating>
  <ratings_count>232</ratings_count>
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    <![CDATA[This isn't a book you'll want to pull out on a crowded train, with clinical terms like <em>clitoris</em> and <em>vulvologist</em>, not to mention earthier ones like the <em>F</em> word, on virtually every page to attract the startled attention of the passenger in the next seat. Bluntly describing her yearlong effort to deal with a searing pain in her vagina, Susanna Kaysen doesn't stint on the details of what this malady did to her relationship with her boyfriend (nothing good), nor is she forgiving of the callousness and stupidity displayed by some of her doctors and various alternative health practitioners. Yet her appalling saga is compulsively readable, thanks to Kaysen's propulsive prose and sharp dialogue. She's particularly good at capturing the way people talk about their ailments over dinner and in the middle of other activities. Conversations with friends ramble from her medical problem to tiger maple furniture in an utterly convincing way, and one darkly funny scene shows a pal urging Kaysen to buy a coral necklace following a particularly horrid visit to the doctor because, &quot;You have to get a nice thing after that appointment.&quot; Kaysen's laconic humor keeps the book from seeming self-pitying, though her terseness tends to muffle its emotional impact; she expresses her emotions without really conveying them to the reader in any depth. Nonetheless, the pared-down candor that made her portrait of mental illness so gripping in <em>Girl, Interrupted</em> also distinguishes this account of a decidedly physical affliction. <em>--Wendy Smith</em> ]]>
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  <id type="integer">28093</id>
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    <![CDATA[Far Afield]]>
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  <average_rating>3.71</average_rating>
  <ratings_count>63</ratings_count>
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    <![CDATA[Jonathan Brand, a graduate student in anthropology, has decided to do his fieldwork in the remote Faroe Islands in the North Atlantic.  But, despite his Harvard training, he can barely understand, let alone &quot;study,&quot; the culture he encounters.  From his struggles with the local cuisine to his affair with the Danish woman the locals want him to marry, Jonathan is both repelled by and drawn into the Faroese way of life. Wry and insightful, <strong>Far Afield</strong> reveals reveals Susanna Kaysen's gifts of imagination, satire, and compassion.]]>
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  <id type="integer">28091</id>
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    <![CDATA[Asa, as I Knew Him]]>
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  <average_rating>3.41</average_rating>
  <ratings_count>51</ratings_count>
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    <![CDATA[Dinah Sachs and Asa Thayer have had a love affair, conducted in afternoons stolen from the office of the magazine where they work. But now that the affair is over, Dinah, in an act of lingering passion, invents a narrative of Asa's youth, imagining the events that shaped the &quot;happy, handsome man&quot; who, in her words, &quot;was born to stomp on my heart.&quot;<br/><br/>Witty and sexy, funny and immediate, <strong>Asa, As I Knew Him</strong> is a a seductive dialogue between love and memory, obsession and illusion.]]>
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  <id type="integer">6511</id>
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    <![CDATA[Girl, Interrupted (Faber and Faber Screenplays) Screenplay based on the book]]>
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    <![CDATA[This version is the screenplay adaptation of the memoir 'Girl, Interrupted'.  It is not the memoir itself.  <br/><br/>When reality got &quot;too dense&quot; for 18-year-old Susanna Kaysen, she was hospitalized. It was 1967, and reality was too dense for many people.  But few who are labeled mad and locked up for refusing to stick to an agreed-upon reality possess Kaysen's lucidity in sorting out a maelstrom of contrary perceptions. Her observations about hospital life are deftly rendered; often darkly funny. Her clarity about the complex province of brain and mind, of neuro-chemical activity and something more, make this book of brief essays an exquisite challenge to conventional thinking about what is normal and what is deviant.]]>
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    <id>4377</id>
        <name><![CDATA[James Mangold]]></name>
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    <average_rating>3.53</average_rating>
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    <id>4374</id>
        <name><![CDATA[Lisa Loomer]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/4374.Lisa_Loomer]]></link>
    <average_rating>3.51</average_rating>
    <ratings_count>68</ratings_count>
    <text_reviews_count>5</text_reviews_count>
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    <average_rating>3.55</average_rating>
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