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  <name><![CDATA[Keith Gessen]]></name>
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  <title>
    <![CDATA[All the Sad Young Literary Men]]>
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    <![CDATA[A charming yet scathing portrait of young adulthood at the opening of the twenty-first century, <em>All the Sad Young Literary Men</em> charts the lives of Sam, Mark, and Seth, as they overthink their college years, underthink their love lives, and struggle through the encouragement of the women who love and despise them to find a semblance of maturity, responsibility, and even literary fame. <br/><br/> Heartbroken in his university town, Mark tries to focus his attention on his graduate work concerning Russian revolt, only to be lured again and again to the free pornography on the library computers. Sam binds himself to the task of crafting the first great Zionist epic even though he speaks no Hebrew, has never visited Israel, and is not a practicing Jew. Seth, thwarted by inherited notions of greatness and memories of his broken family, finds solace in the arms of the selfless woman who most reminds him of his past. <br/><br/> At every turn, at each characters misstep, <em>All the Sad Young Literary Men</em> radiates with comedic warmth and biting honesty and signals the arrival of a brave and trenchant new writer.]]>
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  </authors>  <published>2008</published>
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    <![CDATA[All Art Is Propaganda: Critical Essays]]>
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    <![CDATA[Although largely known for his classic works of fiction, few have ever been as versed a critic as George Orwell. From providing commentary on such mediums as the theater, film, and literature, and on through the disciplines of politics and linguistics; Orwell understood not only how to communicate his ideas, but also how to articulate them in a manner that left an unmistakable impression. In &quot;All Art is Propaganda&quot; reporter and editor George Packer has compilled a masterful collection of Orwell's most distinguished critical essays for the purpose of providing modern readers with the unflinching observations of a timeless cultural figure whose words still ring true.]]>
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        <name><![CDATA[Keith Gessen]]></name>
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    <average_rating>3.04</average_rating>
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    <text_reviews_count>185</text_reviews_count>
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  </authors>  <published>2008</published>
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        <book>
  <id type="integer">6490566</id>
  <isbn>0143114662</isbn>
  <isbn13>9780143114666</isbn13>
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  <title>
    <![CDATA[There Once Lived a Woman Who Tried to Kill Her Neighbor's Baby: Fairy Tales]]>
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  <average_rating>3.64</average_rating>
  <ratings_count>45</ratings_count>
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    <![CDATA[<strong>The literary event of Halloween: a book of otherworldly power from Russia's preeminent contemporary fiction writer</strong><br/><br/>Vanishings and aparitions, nightmares and twists of fate, mysterious ailments and supernatural interventions haunt these stories by the Russian master Ludmilla Petrushevskaya, heir to the spellbinding tradition of Gogol and Poe. Blending the miraculous with the macabre, and leavened by a mischievous gallows humor, these bewitching tales are like nothing being written in Russia-or anywhere else in the world-today.]]>
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        <name><![CDATA[Ludmilla Petrushevskaya]]></name>
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        <name><![CDATA[Keith Gessen]]></name>
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    <average_rating>3.04</average_rating>
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    <id>2939598</id>
        <name><![CDATA[Anna Summers]]></name>
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    <average_rating>3.64</average_rating>
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  </authors>  <published>2009</published>
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    <![CDATA[n+1; What We Should Have Known: Two Discussions (Research Branch Pamphlet No.2)]]>
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  <average_rating>3.23</average_rating>
  <ratings_count>13</ratings_count>
  <description>
    <![CDATA[Winner of the Utne Reader Independent Press Award for Best Writing 2006]]>
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    <id>62248</id>
        <name><![CDATA[Andrew S. Jacobs]]></name>
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  </authors>  <published>2007</published>
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    <![CDATA[Ein Schritt weiter. Die n+1-Anthologie]]>
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    <![CDATA[]]>
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        <name><![CDATA[Benjamin Kunkel]]></name>
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    <average_rating>2.85</average_rating>
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    <id>39840</id>
        <name><![CDATA[Keith Gessen]]></name>
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    <average_rating>3.04</average_rating>
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    <text_reviews_count>185</text_reviews_count>
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  </authors>  <published>2008</published>
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  <isbn13>9780979757518</isbn13>
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    <![CDATA[Paper Monument #2]]>
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  <average_rating>5.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[Paper Monument is a twice-yearly print journal of contemporary arts, published in collaboration with n+1. It is edited by Dushko Petrovich and Roger White, and designed by Project Projects.]]>
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    <id>2156532</id>
        <name><![CDATA[Andrew Berardini]]></name>
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        <name><![CDATA[James Howard]]></name>
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    <average_rating>3.73</average_rating>
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        <name><![CDATA[Naomi Fry]]></name>
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    <id>201356</id>
        <name><![CDATA[Noah Sheldon]]></name>
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        <name><![CDATA[Roger White]]></name>
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    <id>39842</id>
        <name><![CDATA[Dushko Petrovich]]></name>
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    <id>39841</id>
        <name><![CDATA[Mark Greif]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/39841.Mark_Greif]]></link>
    <average_rating>4.33</average_rating>
    <ratings_count>6</ratings_count>
    <text_reviews_count>1</text_reviews_count>
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    <author>
    <id>39840</id>
        <name><![CDATA[Keith Gessen]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/39840.Keith_Gessen]]></link>
    <average_rating>3.04</average_rating>
    <ratings_count>579</ratings_count>
    <text_reviews_count>185</text_reviews_count>
  </author>
    <author>
    <id>1792933</id>
        <name><![CDATA[Gregory Warner]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/1792933.Gregory_Warner]]></link>
    <average_rating>5.00</average_rating>
    <ratings_count>1</ratings_count>
    <text_reviews_count>0</text_reviews_count>
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  </authors>  <published>2008</published>
</book>

        <book>
  <id type="integer">7077820</id>
  <isbn>1433212412</isbn>
  <isbn13>9781433212413</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[All the Sad Young Literary Men]]>
  </title>
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  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
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  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>39840</id>
        <name><![CDATA[Keith Gessen]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/39840.Keith_Gessen]]></link>
    <average_rating>3.04</average_rating>
    <ratings_count>579</ratings_count>
    <text_reviews_count>185</text_reviews_count>
  </author>
    <author>
    <id>44554</id>
        <name><![CDATA[Scott Brick]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/44554.Scott_Brick]]></link>
    <average_rating>3.92</average_rating>
    <ratings_count>3020</ratings_count>
    <text_reviews_count>430</text_reviews_count>
  </author>
  </authors>  <published>2008</published>
</book>

        <book>
  <id type="integer">6941208</id>
  <isbn>1608123715</isbn>
  <isbn13>9781608123711</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[All the Sad Young Literary Men - on Playaway]]>
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    <![CDATA[Playaway is the easiest way to listen to a book on the go. An all-in-one format, the player and content are combined in one 2 ounce unit and it comes with everything you need to start listening immediately. No separate player needed, no CDs, no downloads ... just press play!<br/><br/><br/>This charming yet scathing portrait of young adulthood at the opening of the twenty-first century charts the lives of Sam, Mark, and Keith on their circuitous paths through sex, love, betrayal, and the writing of books.]]>
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    <![CDATA[All the Sad Young Literary Men]]>
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    <![CDATA[All the Sad Young Literary Men]]>
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    <![CDATA[]]>
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    <![CDATA[Voices From Chernobyl: Chronicle Of The Future]]>
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        <book>
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    <![CDATA[Diary of a Very Bad Year: Interviews with an Anonymous Hedge Fund Manager]]>
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