Conflict is inevitable, but O'Connor is more interested in the complexity of history and relationships and how each makes reinvention and resolution impossible. O'Connor presents the story as a work of journalism written by Dixon, composed in the era's tabloid style, even including passages from the captain's register and crew interviews. These devices lend the work a sense of authenticity, reinforced by the author's intimate knowledge of the period and his evocative, realistic prose: "At night one sensed the ship as absurdly out of its element, a creaking, leaking, incompetent concoction of oak and pitch and nails and faith, bobbing on a wilderness of viciously black water which could explode at the slightest provocation." O'Connor conveys a sense of immediacy and dimension in his ambitious story, providing this uncertain voyage with an ultimate sense of direction. --Ross Doll

Each chapter is written by a different writer, and each writer seems eager to outdo the last by killing off as many characters as possible. This can be good, bloody fun. It can also lead to some creaky exposition along the lines of this passage from Cronin's chapter: "The guard that got shot. What did he think he was up to? And what was his connection, if any, with the Tommy Reynolds murder?" More successful are the writers who altogether give up the ghost of creating a cohesive mystery, and instead wallow around in literary references and ridiculously purple prose. Here novelist Joseph O'Connor tries his hand at an action scene: "Gravity and Mrs. Roberts had entered into conflict, and, as devotees of the late Sir Isaac will confirm, out of such a negotiation may emerge one victor." Not exactly Tom Clancy, and a good thing, too.

The Irish must be a genial race, for they keep turning out these collaborative efforts, the most recent being Finbar's Hotel and Ladies' Night at Finbar's Hotel. (By the way, all royalties from the sale of this particular round robin will go to Amnesty International.) In any case, the format can be tough on the writer who must bundle it all up in the final chapter. Here the task falls to honorary Irishman Frank McCourt, and let it be said, he does his salty, saucy best. --Claire Dederer

Each chapter is written by a different writer, and each writer seems eager to outdo the last by killing off as many characters as possible. This can be good, bloody fun. It can also lead to some creaky exposition along the lines of this passage from Cronin's chapter: "The guard that got shot. What did he think he was up to? And what was his connection, if any, with the Tommy Reynolds murder?" More successful are the writers who altogether give up the ghost of creating a cohesive mystery, and instead wallow around in literary references and ridiculously purple prose. Here novelist Joseph O'Connor tries his hand at an action scene: "Gravity and Mrs. Roberts had entered into conflict, and, as devotees of the late Sir Isaac will confirm, out of such a negotiation may emerge one victor." Not exactly Tom Clancy, and a good thing, too.

The Irish must be a genial race, for they keep turning out these collaborative efforts, the most recent being Finbar's Hotel and Ladies' Night at Finbar's Hotel. (By the way, all royalties from the sale of this particular round robin will go to Amnesty International.) In any case, the format can be tough on the writer who must bundle it all up in the final chapter. Here the task falls to honorary Irishman Frank McCourt, and let it be said, he does his salty, saucy best. --Claire Dederer

At once an edge-of-your-seat thriller, a powerful portrait of a desperate man, and a powerful meditation on loss and evil, The Salesman is an irresistible read, from one of the leading talents in contemporary Irish fiction.

Coaching is very big business. Over the last decade it has become one of the most popular approaches to personal and business development. However, coaching books tend to focus on just one method, and just one of five main areas: executive coaching (for senior business people), business coaching (for companies to improve results), life coaching (for people who want a better sense of fulfillment and well-being), sports coaching (for individual athletes), and team coaching (for teams in sport or business).

Pragmatic and informative, How Coaching Works is the first book to explain the key concepts that underpin all of these different areas. It also explores how different ideas have blended to give rise to what we know as coaching today, and singles out what works.

The book is written by two of the world's leading experts in this field. Joseph O'Connor and Andrea Lages are co-founders of the International Coaching Community, a community of over one thousand coaches from thirty-one countries. They are experienced coaches and have worked in life, business, and executive coaching. O'Connor is a leading consultant on coaching, training, and neuro-linguistic programming (NLP). He has published twelve best-selling titles, including Introducing NLP and Coaching with NLP. His work has been translated into eighteen languages.