One of the most humane, graceful and imaginatively inexhaustible artists in American popular culture, Jaime Hernandez has created in Locas one of the great American novels of the last 25 years, graphic or otherwise. Spanning a quarter-century, Locas tells the story of Maggie Chascarrillo, a bisexual, Mexican-American woman attempting to define herself in a community rife with class, race and gender issues.

Maggie's story begins in the early-1980s Southern California rock scene, when it was shifting from the excesses of glitter rock to the gritty basics of punk and new wave. "Hardcore" punk rock came to the fore, and the teenaged Maggie finds herself drawn to the anarchy, energy and diversity of the scene, which in the hands becomes a very real, habitable place populated with authentic human beings rather than stereotypes. She quickly befriends Hopey Glass, a feisty anti-authoritarian punkette who quickly becomes Maggie's on-again, off-again lover and a constant presence in her life throughout the book.

Maggie comes of age in this tumultuous environment, with class and racial tension fueling the rising violence between punks and the already antagonistic LAPD. Hernandez's naturalistic storytelling and mastery of body language and facial expressions, and his pitch-perfect depiction of barrio life all makes for an exhilarating read. His characters are infused with strength, intelligence, independence, imperfection, bitchiness, frailty, obsessiveness, and so much more.

Maggie evolves from an angry young punk into a mature woman. She encounters cruelties large and small and resigns herself to dashed hopes, shattered illusions, and even death with ironic acceptance. Locas presents an incomparable body of work in comics form, created over 20 years (which not coincidentally mirrors Maggie's arc), and told with an uncompromising beauty and grace. As the New York Times Book Review has described it, "These stories have all the visual smarts of film and the narrative smarts of literature....Hernandez specializes in psychological detail; we see both text and subtext immediately ....What better than to open a book that shows there is more going on than we dream of in our workaday philosophies?"

Reviewers have compared GilbertHernandez's work--set in the fictional Latin American town of Palomar-- with that of Gabriel Garcia Marquez and Robert Altman. Reading his brother Jaime's work--most of which focuses on a group of Southern California Mexican American women--is like reading Tolstoy, if only Tolstoy had written about twenty-something punk girls. Love and Rockets has certainly earned its legendary reputation among the comic-book cognoscenti, and deserves to be read by an even wider audience. Welcome to the world of Los Bros Hernandez.

Reviewers have compared Gilbert Hernandez's work--set in the fictional Latin American town of Palomar--with that of Gabriel Garcia Marquez and Robert Altman. Reading his brother Jaime's work--most of which focuses on a group of Southern California Mexican American women--is like reading Tolstoy, if only Tolstoy had written about twenty-something punk girls. Love and Rockets has certainly earned its legendary reputation among the comic-book cognoscenti, and deserves to be read by an even wider audience. Welcome to the world of Los Bros Hernandez.

Reviewers have compared Gilbert Hernandez's work--set in the fictional Latin American town of Palomar--with that of Gabriel Garcia Marquez and Robert Altman. Reading his brother Jaime's work--most of which focuses on a group of Southern California Mexican American women--is like reading Tolstoy, if only Tolstoy had written about twenty-something punk girls. Love and Rockets has certainly earned its legendary reputation among the comic-book cognoscenti, and deserves to be read by an even wider audience. Welcome to the world of Los Bros Hernandez.

Reviewers have compared Gilbert Hernandez's work--set in the fictional Latin American town of Palomar--with that of Gabriel Garcia Marquez and Robert Altman. Reading his brother Jaime's work--most of which focuses on a group of Southern California Mexican American women--is like reading Tolstoy, if only Tolstoy had written about twenty-something punk girls. Love and Rockets has certainly earned its legendary reputation among the comic-book cognoscenti, and deserves to be read by an even wider audience. Welcome to the world of Los Bros Hernandez.

Reviewers have compared Gilbert Hernandez's work--set in the fictional Latin American town of Palomar--with that of Gabriel Garcia Marquez and Robert Altman. Reading his brother Jaime's work--most of which focuses on a group of Southern California Mexican American women--is like reading Tolstoy, if only Tolstoy had written about twenty-something punk girls. Love and Rockets has certainly earned its legendary reputation among the comic-book cognoscenti, and deserves to be read by an even wider audience. Welcome to the world of Los Bros Hernandez.

Reviewers have compared Gilbert Hernandez's work--set in the fictional Latin American town of Palomar--with that of Gabriel Garcia Marquez and Robert Altman. Reading his brother Jaime's work--most of which focuses on a group of Southern California Mexican American women--is like reading Tolstoy, if only Tolstoy had written about twenty-something punk girls. Love and Rockets has certainly earned its legendary reputation among the comic-book cognoscenti, and deserves to be read by an even wider audience. Welcome to the world of Los Bros Hernandez.

Reviewers have compared Gilbert Hernandez's work--set in the fictional Latin American town of Palomar--with that of Gabriel Garcia Marquez and Robert Altman. Reading his brother Jaime's work--most of which focuses on a group of Southern California Mexican American women--is like reading Tolstoy, if only Tolstoy had written about twenty-something punk girls. Love and Rockets has certainly earned its legendary reputation among the comic-book cognoscenti, and deserves to be read by an even wider audience. Welcome to the world of Los Bros Hernandez.

Reviewers have compared Gilbert Hernandez's work--set in the fictional Latin American town of Palomar--with that of Gabriel Garcia Marquez and Robert Altman. Reading his brother Jaime's work--most of which focuses on a group of Southern California Mexican American women--is like reading Tolstoy, if only Tolstoy had written about twenty-something punk girls. Love and Rockets has certainly earned its legendary reputation among the comic-book cognoscenti, and deserves to be read by an even wider audience. Welcome to the world of Los Bros Hernandez.

Reviewers have compared Gilbert Hernandez's work--set in the fictional Latin American town of Palomar--with that of Gabriel Garcia Marquez and Robert Altman. Reading his brother Jaime's work--most of which focuses on a group of Southern California Mexican American women--is like reading Tolstoy, if only Tolstoy had written about twenty-something punk girls. Love and Rockets has certainly earned its legendary reputation among the comic-book cognoscenti, and deserves to be read by an even wider audience. Welcome to the world of Los Bros Hernandez.

Reviewers have compared Gilbert Hernandez's work--set in the fictional Latin American town of Palomar--with that of Gabriel Garcia Marquez and Robert Altman. Reading his brother Jaime's work--most of which focuses on a group of Southern California Mexican American women--is like reading Tolstoy, if only Tolstoy had written about twenty-something punk girls. Love and Rockets has certainly earned its legendary reputation among the comic-book cognoscenti, and deserves to be read by an even wider audience. Welcome to the world of Los Bros Hernandez.

Armed with a passion for pop culture and punk rock, Jaime Hernandez (along with his brothers, Gilbert and Mario) was one of the first comic book artists to give a voice to minorities and women in the medium's 70-year history. His character-driven stories primarily explore the life of a three-dimensional Mexican-American woman from a fictional barrio of Los Angeles, Maggie Chascarillo, one of the most complex and recognizable characters in the history of Mexican-American fiction. Hernandez is the co-creator of Love & Rockets, which along with RAW magazine defined the modern literary comics movement of the post-underground generation and celebrated its 20th anniversary this year. This first new Jaime Hernandez book since the splashy return of Love and Rockets in 2001 spotlights a wide-ranging and funky group of stories from L&R and Hernandez's comic Penny Century. The continuing trials and tribulations of Maggie and Hopey are featured in "Election Day," "Everybody Loves Me, Baby" (featuring extensive flashbacks to their early punk days, a reader's favorite) and the surreal dream story "The Race." We also check up with Maggie's ex-boyfriend Ray D., who is the recipient of a series of increasingly rude surprises when his old buddy Doyle shows up, somewhat the worse for wear, in "The Frog Mouth." Plus "Bay of Threes," which chronicles the romance of Penny Century and H.R. Costigan from (virtually) cradle to grave. 96 pages b/w illustrations.

Reviewers have compared Gilbert Hernandez's work--set in the fictional Latin American town of Palomar-- with that of Gabriel Garcia Marquez and Robert Altman. Reading his brother Jaime's work--most of which focuses on a group of Southern California Mexican American women--is like reading Tolstoy, if only Tolstoy had written about twenty-something punk girls. Love and Rockets has certainly earned its legendary reputation among the comic-book cognoscenti, and deserves to be read by an even wider audience. Welcome to the world of Los Bros Hernandez.