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  <name><![CDATA[Jacques Rancière]]></name>
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  <id type="integer">251128</id>
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  <title>
    <![CDATA[The Politics of Aesthetics]]>
  </title>
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  <link>http://www.goodreads.com/book/show/251128.The_Politics_of_Aesthetics</link>
  <average_rating>3.69</average_rating>
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    <![CDATA[The Politics of Aesthetics rethinks the relation between art and politics, reclaiming 'aesthetics' from its current narrow confines to reveal its significance for contemporary experience. Presented as a set of inter-linked interviews, The Politics of Aesthetics ranges across art and politics, the uses and abuses of modernity, the role of visual technologies, the relationship between history and fiction, utopias, the avant-garde and the three aesthetic regimes which constitute the 'partitions of the sensible.' Already translated into five languages, this English edition of The Politics of Aesthetics includes a new afterword by Slavoj Zizek and a new interview with Ranciere.]]>
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    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
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        <book>
  <id type="integer">445408</id>
  <isbn>0804719691</isbn>
  <isbn13>9780804719698</isbn13>
  <text_reviews_count type="integer">13</text_reviews_count>
  <title>
    <![CDATA[The Ignorant Schoolmaster: Five Lessons in Intellectual Emancipation]]>
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  <link>http://www.goodreads.com/book/show/445408.The_Ignorant_Schoolmaster_Five_Lessons_in_Intellectual_Emancipation</link>
  <average_rating>4.00</average_rating>
  <ratings_count>50</ratings_count>
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    <![CDATA[This extraordinary book can be read on several levels. Primarily, it is the story of Joseph Jacotot, an exiled French schoolteacher who discovered in 1818 an unconventional teaching method that spread panic throughout the learned community of Europe. <p>Knowing no Flemish, Jacotot found himself able to teach in French to Flemish students who know no French; knowledge, Jacotot concluded, was not necessary to teach, nor explication necessary to learn. The results of this unusual experiment in pedagogy led him to announce that all people were equally intelligent. From this postulate, Jacotot devised a philosophy and a method for what he called &quot;intellectual emancipation&quot;--a method that would allow, for instance, illiterate parents to themselves teach their children how to read. The greater part of the book is devoted to a description and analysis of Jacotot's method, its premises, and (perhaps most important) its implications for understanding both the learning process and the emancipation that results when that most subtle of hierarchies, intelligence, is overturned. <p>The book, as Kristin Ross argues in her introduction, has profound implications for the ongoing debate about education and class in France that has raged since the student riots of 1968, and it affords Ranciere an opportunity (albeit indirectly) to attack the influential educational and sociological theories of Pierre Bourdieu (and others) that Ranciere sees as perpetuating inequality.</p></p>]]>
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    <average_rating>3.83</average_rating>
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        <book>
  <id type="integer">483100</id>
  <isbn>1844671070</isbn>
  <isbn13>9781844671076</isbn13>
  <text_reviews_count type="integer">6</text_reviews_count>
  <title>
    <![CDATA[The Future of the Image]]>
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  <link>http://www.goodreads.com/book/show/483100.The_Future_of_the_Image</link>
  <average_rating>3.62</average_rating>
  <ratings_count>42</ratings_count>
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    <![CDATA[<strong>A leading philosopher presents a radical manifesto for the future of art and film.</strong><br/><br/>In <em>The Future of the Image</em>, Jacques Ranci&232;re develops a fascinating new concept of the image in contemporary art, showing how art and politics have always been intrinsically intertwined. Covering a range of art movements, and thinkers such as Foucault, Deleuze, Adorno, Barthes, Lyotard and Greenberg, Ranci&232;re argues that contemporary theorists of the image are suffering from religious tendencies. He suggests that there is a stark political choice in art: it can either reinforce a radical democracy, or create a new reactionary mysticism. For Ranci&232;re there is never a pure art: the aesthetic revolution will always embrace egalitarian ideals.]]>
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    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
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        <book>
  <id type="integer">337946</id>
  <isbn>1844675777</isbn>
  <isbn13>9781844675777</isbn13>
  <text_reviews_count type="integer">2</text_reviews_count>
  <title>
    <![CDATA[On the Shores of Politics]]>
  </title>
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  <link>http://www.goodreads.com/book/show/337946.On_the_Shores_of_Politics</link>
  <average_rating>3.82</average_rating>
  <ratings_count>22</ratings_count>
  <description>
    <![CDATA[This major French thinker gives politics back its original and necessary meaning: the organization of dissent.]]>
  </description>
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        <name><![CDATA[Jacques Rancière]]></name>
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    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
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        <book>
  <id type="integer">809331</id>
  <isbn>0816628440</isbn>
  <isbn13>9780816628445</isbn13>
  <text_reviews_count type="integer">5</text_reviews_count>
  <title>
    <![CDATA[Disagreement: Politics and Philosophy]]>
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  <link>http://www.goodreads.com/book/show/809331.Disagreement_Politics_and_Philosophy</link>
  <average_rating>4.33</average_rating>
  <ratings_count>15</ratings_count>
  <description>
    <![CDATA[]]>
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        <name><![CDATA[Jacques Rancière]]></name>
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    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
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        <book>
  <id type="integer">387896</id>
  <isbn>1844670988</isbn>
  <isbn13>9781844670987</isbn13>
  <text_reviews_count type="integer">6</text_reviews_count>
  <title>
    <![CDATA[Hatred of Democracy]]>
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  <link>http://www.goodreads.com/book/show/387896.Hatred_of_Democracy</link>
  <average_rating>3.67</average_rating>
  <ratings_count>18</ratings_count>
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    <![CDATA[<strong>A vehement defense of the principle of democracy against neo-conservative repression.</strong><br/><br/>Jacques Rancière was a student of Althusser before he famously turned against his mentor; now, he's regarded as one of the major thinkers of our age. In his new book, he examines how the West can no longer simply extol the virtues of democracy by contrasting it with the horrors of totalitarianism. As certain governments are exporting democracy by brute force, and a reactionary strand in mainstream political opinion is willing to abandon civil liberties and destroy collective values of equality, Rancière explains how democracy—government by all—is the principle that de-legitimates any form of power based on the superiority of those who govern. Hence the fear, and consequently the hatred, of democracy amongst the new ruling class. <em>Hatred of Democracy</em> rediscovers the ever-new and subversive power of the democratic idea.]]>
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    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
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        <book>
  <id type="integer">582135</id>
  <isbn>0822332744</isbn>
  <isbn13>9780822332749</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[The Philosopher and His Poor]]>
  </title>
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  <link>http://www.goodreads.com/book/show/582135.The_Philosopher_and_His_Poor</link>
  <average_rating>3.67</average_rating>
  <ratings_count>9</ratings_count>
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    <![CDATA[What has philosophy to do with the poor? If, as has often been supposed, the poor have no time for philosophy, then why have philosophers always made time for them? Why is the history of philosophyâfrom Plato to Karl Marx to Jean-Paul Sartre to Pierre Bourdieuâthe history of so many figures of the poor: plebes, men of iron, the demos, artisans, common people, proletarians, the masses? Why have philosophers made the shoemaker, in particular, a remarkably ubiquitous presence in this history? Does philosophy itself depend on this thinking about the poor? If so, can it ever refrain from thinking <em>for</em> them?<br/><br/>Jacques RanciÃ¨re&rsquo;s <em>The Philosopher and His Poor</em> meditates on these questions in close readings of major texts of Western thought in which the poor have played a leading roleâsometimes as the objects of philosophical analysis, sometimes as illustrations of philosophical argument. Published in France in 1983 and made available here for the first time in English, this consummate study assesses the consequences for Marx, Sartre, and Bourdieu of Plato&rsquo;s admonition that workers should do ânothing elseâ than their own work. It offers innovative readings of these thinkers&rsquo; struggles to elaborate a philosophy of the poor. Presenting a left critique of Bourdieu, the terms of which are largely unknown to an English-language readership, <em>The Philosopher and His Poor</em> remains remarkably timely twenty years after its initial publication.]]>
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    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
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        <book>
  <id type="integer">356746</id>
  <isbn>0816624038</isbn>
  <isbn13>9780816624034</isbn13>
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  <title>
    <![CDATA[The Names of History: On the Poetics of Knowledge]]>
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  <link>http://www.goodreads.com/book/show/356746.The_Names_of_History_On_the_Poetics_of_Knowledge</link>
  <average_rating>4.14</average_rating>
  <ratings_count>7</ratings_count>
  <description>
    <![CDATA[]]>
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    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
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        <book>
  <id type="integer">6329687</id>
  <isbn>184467343X</isbn>
  <isbn13>9781844673438</isbn13>
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  <title>
    <![CDATA[The Emancipated Spectator]]>
  </title>
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  <link>http://www.goodreads.com/book/show/6329687.The_Emancipated_Spectator</link>
  <average_rating>4.33</average_rating>
  <ratings_count>3</ratings_count>
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    <![CDATA[In this title, the foremost philosopher of art argues for a new politics of seeing. The role of the viewer in art and film theory revolves around a theatrical concept of the spectacle. The masses subjected to the society of spectacle have traditionally been seen as aesthetically and politically passive - in response, both artists and thinkers have sought to transform the spectator into an active agent and the spectacle into a performance. In this follow-up to the acclaimed &quot;The Future of the Image&quot;, Ranciere takes a radically different approach to this attempted emancipation. Beginning by asking exactly what we mean by political art or the politics of art, he goes on to look at what the tradition of critical art, and the desire to insert art into life, has achieved. Has the militant critique of the consumption of images and commodities become, instead, a melancholic affirmation of their omnipotence?]]>
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    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
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        <book>
  <id type="integer">6436352</id>
  <isbn>074564631X</isbn>
  <isbn13>9780745646312</isbn13>
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  <title>
    <![CDATA[Aesthetics and Its Discontents]]>
  </title>
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  <link>http://www.goodreads.com/book/show/6436352-aesthetics-and-its-discontents</link>
  <average_rating>3.80</average_rating>
  <ratings_count>5</ratings_count>
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    <![CDATA[This book is translated by Steven Corcoran. Only yesterday aesthetics stood accused of concealing cultural games of social distinction. Now it is considered a parasitic discourse from which artistic practices must be freed. But aesthetics is not a discourse. It is an historical regime of the identification of art. This regime is paradoxical, because it founds the autonomy of art only at the price of suppressing the boundaries separating its practices and its objects from those of everyday life and of making free aesthetic play into the promise of a new revolution.  Aesthetics is not a politics by accident but in essence. But this politics operates in the unresolved tension between two opposed forms of politics: the first consists in transforming art into forms of collective life, the second in preserving from all forms of militant or commercial compromise the autonomy that makes it a promise of emancipation. This constitutive tension sheds light on the paradoxes and transformations of critical art. It also makes it possible to understand why today's calls to free art from aesthetics are misguided and lead to a smothering of both aesthetics and politics in ethics.]]>
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        <name><![CDATA[Jacques Rancière]]></name>
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    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
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        <book>
  <id type="integer">483099</id>
  <isbn>080474078X</isbn>
  <isbn13>9780804740784</isbn13>
  <text_reviews_count type="integer">2</text_reviews_count>
  <title>
    <![CDATA[The Flesh of Words: The Politics of Writing]]>
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  <link>http://www.goodreads.com/book/show/483099.The_Flesh_of_Words_The_Politics_of_Writing</link>
  <average_rating>3.60</average_rating>
  <ratings_count>5</ratings_count>
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    <![CDATA[&lt;div&gt;This new collection of challenging literary studies plays with a foundational definition of Western culture:  the word become flesh. But the <em>word become flesh</em> is not, or no longer, a theological already-given.  It is a millennial goal or telos toward which each text strives.  <br/><br/>Both witty and immensely erudite, Jacques Rancière leads the critical reader through a maze of arrivals toward the moment, perhaps always suspended, when the word finds its flesh.  That is what he, a valiant and good-humored companion to these texts, goes questing for through seven essays examining a wide variety of familiar and unfamiliar works. <br/><br/>A text is always a commencement, the word setting out on its excursions through the implausible vicissitudes of narrative and the bizarre phantasmagorias of imagery, Don Quixote&#8217;s unsent letter reaching us through generous Balzac, lovely Rimbaud,  demonic Althusser.  The word is on its way to an incarnation that always lies ahead of the writer and the reader both, in this anguished democracy of language where the word is always taking on its flesh. <br/><br/>&lt;/div&gt;]]>
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    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
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        <book>
  <id type="integer">483098</id>
  <isbn>0877228337</isbn>
  <isbn13>9780877228332</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[The Nights of Labor: The Workers' Dream in Nineteenth Century France]]>
  </title>
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  <link>http://www.goodreads.com/book/show/483098.The_Nights_of_Labor_The_Workers_Dream_in_Nineteenth_Century_France</link>
  <average_rating>4.67</average_rating>
  <ratings_count>3</ratings_count>
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    <![CDATA[Originally published in France in 1981, this first English translation of &quot;Les Nuits des Proletaires&quot; dramatically reinterprets the Revolution of 1830, contending that workers were not rebelling against specific hardships and conditions but against the unyielding predetermination of their lives. Through a study of worker-run newspapers, letters, journals, and worker-poetry, Ranciere reveals the contradictory and conflicting stories that challenge the coherence of these statements celebrating labor. Nineteenth-century workers sought out proletarian intellectuals, poets, and artists who were able to articulate their longings. At night, these worker-intellectuals gathered to write journals, poems, music, letters, and to discuss issues. The worker diatribes they composed served the purpose of escape from their daily worker lives. Unwilling to give in to sleep at night to repair the body for more manual labor, these &quot;migrants who moved at the borders between classes&quot; regarded the night as their real life. They sought to appropriate for themselves the night of those who could stay awake and the language of those who did not have to beg.  Once these workers and those whom they represented had glimpsed other lives, they fought for the possibility of living other lives. Thus, Ranciere disregards &quot;the majestic masses&quot; and concentrates instead on the words and fantasies of a few dozen &quot;nonrepresentative&quot; individuals those who performed the radical act of breaking down the time-honored barrier separating those who carried out useful labor from those who pondered aesthetics. &quot;The Nights of Labor&quot; incorporates the post-structuralist insistence on the production of meaning as a dynamic, conflictual process. Ranciere's method shares a common strategy with the deconstructionist technique of locating points in the text that reveal contradictions engendered by the suppression of &quot;writing.&quot; In choosing to deconstruct the proletariat, Ranciere exposes its conflicts and strategies of containment. Author note: Jacques Ranciere, known as an early disciple of Marxist philosopher Louis Althusser, teaches philosophy at the Universite de Paris VIII. He co-authored &quot;Lire le Capital&quot; and founded the journal, &quot;Les Revoltes Logiques&quot;.]]>
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    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
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        <book>
  <id type="integer">483101</id>
  <isbn>184520168X</isbn>
  <isbn13>9781845201685</isbn13>
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  <title>
    <![CDATA[Film Fables]]>
  </title>
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  <link>http://www.goodreads.com/book/show/483101.Film_Fables</link>
  <average_rating>3.40</average_rating>
  <ratings_count>5</ratings_count>
  <description>
    <![CDATA[Film Fables traces the history of modern cinema, moving effortlessly from Eisenstein's and Murnau's transition from theatre to film to Fritz Lang's confrontation with television, from the classical poetics of Mann's Westerns to Ray's romantic poetics of the image, from Rossellini's neo-realism to Deleuze's philosophy of the cinema and Marker's documentaries.]]>
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        <name><![CDATA[Jacques Rancière]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
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        <book>
  <id type="integer">1359377</id>
  <isbn>9872195404</isbn>
  <isbn13>9789872195403</isbn13>
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  <title>
    <![CDATA[El Inconsciente Estetico]]>
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    <![CDATA[]]>
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        <name><![CDATA[Jacques Rancière]]></name>
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        <book>
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    <![CDATA[&lt;div&gt;This book analyzes a range of texts that seek, in different ways, to represent &#8220;the people.&#8221;  Rancière approaches these texts as travel narratives or ethnographies whose authors have traveled not to distant or exotic lands but across class lines.  In this truly comparative study, he examines Wordsworth&#8217;s poetry, the utopian discourse of the Saint-Simoniens, the correspondence and theater of Büchner, Claude Genoux&#8217;s <em>Mémoires d&#8217;un enfant de la Savoie</em>, Michelet&#8217;s theories of history, the prose and poetry of Rilke, and the performance of Ingrid Bergman in Rossellini&#8217;s postwar film <em>Europe 51</em>.  <br/><br/>Rancière examines the various forms of displacement that affect his subjects, enabling each to become foreign to the sites and trajectories commonly known as reality.  <br/><br/>He argues convincingly that &#8220;the people&#8221; have no proper signification in the texts under consideration, instead, they function as points of reality upon which the voyager can drape a conceptual framework shaped by the circumstances not of the other, but of the self.  <br/><br/>&lt;/div&gt;]]>
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    <![CDATA[Moments politiques - Interventions 1977-2009]]>
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  <title>
    <![CDATA[La Fabula Cinematografica]]>
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    <![CDATA[]]>
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        <book>
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    <![CDATA[Et tant pis pour les gens fatigués]]>
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    <![CDATA[]]>
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        <name><![CDATA[Jacques Rancière]]></name>
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        <book>
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    <![CDATA[Démocratie, dans quel état ?]]>
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    <![CDATA[]]>
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        <name><![CDATA[Alain Badiou]]></name>
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        <name><![CDATA[Jean-Luc Nancy]]></name>
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    <author>
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        <name><![CDATA[Jacques Rancière]]></name>
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        <name><![CDATA[Kristin Ross]]></name>
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        <name><![CDATA[Slavoj Žižek]]></name>
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        <book>
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    <![CDATA[Les mots de l'histoire: Essai de poetique du savoir]]>
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    <![CDATA[]]>
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        <name><![CDATA[Jacques Rancière]]></name>
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    <average_rating>3.83</average_rating>
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        <book>
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  <isbn>2020115441</isbn>
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  <title>
    <![CDATA[Courts voyages au pays du peuple]]>
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  <link>http://www.goodreads.com/book/show/1359379.Courts_voyages_au_pays_du_peuple</link>
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    <![CDATA[]]>
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        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
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        <book>
  <id type="integer">1359380</id>
  <isbn>2020510537</isbn>
  <isbn13>9782020510530</isbn13>
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  <title>
    <![CDATA[La fable cinematographique]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1182976394m/1359380.jpg</image_url>
  <link>http://www.goodreads.com/book/show/1359380.La_fable_cinematographique</link>
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  <description>
    <![CDATA[]]>
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    <author>
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        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
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        <book>
  <id type="integer">4898461</id>
  <isbn>2718606622</isbn>
  <isbn13>9782718606620</isbn13>
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  <title>
    <![CDATA[Malaise dans l'esthétique]]>
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  <link>http://www.goodreads.com/book/show/4898461.Malaise_dans_l_esth_tique</link>
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    <![CDATA[]]>
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        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
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        <book>
  <id type="integer">2098280</id>
  <isbn>285850900X</isbn>
  <isbn13>9782858509003</isbn13>
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  <title>
    <![CDATA[Arret Sur Histoire]]>
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  <link>http://www.goodreads.com/book/show/2098280.Arret_Sur_Histoire</link>
  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
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  </authors></book>

        <book>
  <id type="integer">1091054</id>
  <isbn>9506022879</isbn>
  <isbn13>9789506022877</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Los Nombres de la Historia: Una Poetica del Saber]]>
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  <link>http://www.goodreads.com/book/show/1091054.Los_Nombres_de_la_Historia_Una_Poetica_del_Saber</link>
  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
  </authors></book>

        <book>
  <id type="integer">1091055</id>
  <isbn>2718604999</isbn>
  <isbn13>9782718604992</isbn13>
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  <title>
    <![CDATA[La chair des mots: Politiques de l'écriture]]>
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  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <link>http://www.goodreads.com/book/show/1091055.La_chair_des_mots_Politiques_de_l_criture</link>
  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
  </authors></book>

        <book>
  <id type="integer">4682219</id>
  <isbn>2718607351</isbn>
  <isbn13>9782718607351</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[POLITIQUE DE LA LITTRATURE]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <link>http://www.goodreads.com/book/show/4682219.POLITIQUE_DE_LA_LITT_RATURE</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
  </authors></book>

        <book>
  <id type="integer">5359305</id>
  <isbn>2070301745</isbn>
  <isbn13>9782070301744</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[AUX BORDS DU POLITIQUE]]>
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  <link>http://www.goodreads.com/book/show/5359305.AUX_BORDS_DU_POLITIQUE</link>
  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
  </authors></book>

        <book>
  <id type="integer">6329686</id>
  <isbn>2718604506</isbn>
  <isbn13>9782718604503</isbn13>
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  <title>
    <![CDATA[La mesentente: Politique et philosophie]]>
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  <link>http://www.goodreads.com/book/show/6329686.La_mesentente_Politique_et_philosophie</link>
  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
  </authors></book>

        <book>
  <id type="integer">6329694</id>
  <isbn>3886634019</isbn>
  <isbn13>9783886634019</isbn13>
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  <title>
    <![CDATA[Archiv für die Geschichte des Widerstandes und der Arbeit.  1]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <link>http://www.goodreads.com/book/show/6329694.Archiv_f_r_die_Geschichte_des_Widerstandes_und_der_Arbeit_1</link>
  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
  </authors></book>

        <book>
  <id type="integer">6772372</id>
  <isbn>0745646441</isbn>
  <isbn13>9780745646442</isbn13>
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  <title>
    <![CDATA[The Aesthetic Unconscious]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <link>http://www.goodreads.com/book/show/6772372-the-aesthetic-unconscious</link>
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    <![CDATA[This book is not concerned with the use of Freudian concepts for the interpretation of literary and artistic works. Rather, it is concerned with why this interpretation plays such an important role in demonstrating the contemporary relevance of psychoanalytic concepts.    <p>    In order for Freud to use the Oedipus complex as a means for the interpretation of texts, it was necessary first of all for a particular notion of Oedipus, belonging to the Romantic reinvention of Greek antiquity, to have produced a certain idea of the power of that thought which does not think, and the power of that speech which remains silent.</p>    <p>    From this it does not follow that the Freudian unconscious was already prefigured by the aesthetic unconscious. Freud's 'aesthetic' analyses reveal instead a tension between the two forms of unconscious. In this concise and brilliant text Rancière brings out this tension and shows us what is at stake in this confrontation.</p>]]>
  </description>
<authors>
    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
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  </authors></book>

        <book>
  <id type="integer">6329695</id>
  <isbn>3920986725</isbn>
  <isbn13>9783920986722</isbn13>
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  <title>
    <![CDATA[Wider den akademischen Marxismus]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <link>http://www.goodreads.com/book/show/6329695.Wider_den_akademischen_Marxismus</link>
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    <![CDATA[]]>
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    <author>
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        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
  </authors></book>

        <book>
  <id type="integer">6436355</id>
  <isbn>9506023476</isbn>
  <isbn13>9789506023478</isbn13>
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  <title>
    <![CDATA[El Desacuerdo]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <link>http://www.goodreads.com/book/show/6436355-el-desacuerdo</link>
  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[]]>
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    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
  </authors></book>

        <book>
  <id type="integer">6329696</id>
  <isbn>843706158X</isbn>
  <isbn13>9788437061580</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Els noms de la història : una poètica del saber]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <link>http://www.goodreads.com/book/show/6329696.Els_noms_de_la_hist_ria_una_po_tica_del_saber</link>
  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
  </authors></book>

        <book>
  <id type="integer">6436356</id>
  <isbn>9506022437</isbn>
  <isbn13>9789506022433</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Breves Viajes Al Pais del Pueblo]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <link>http://www.goodreads.com/book/show/6436356-breves-viajes-al-pais-del-pueblo</link>
  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[]]>
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    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
  </authors></book>

        <book>
  <id type="integer">6436357</id>
  <isbn>1847064450</isbn>
  <isbn13>9781847064455</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Dissensus: On Politics and Aesthetics]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <link>http://www.goodreads.com/book/show/6436357-dissensus</link>
  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[Product Description<br/>This is a brand new collection of Jacques Ranciere's writings on art and politics. &quot;Dissensus: On Politics and Aesthetics&quot; brings together some of Jacques Ranciere's most recent writings on art and politics to show the critical potential of two of his most important concepts: the aesthetics of politics and the politics of aesthetics. In this fascinating collection, Ranciere engages in a radical critique of some of his major contemporaries on questions of art and politics: Gilles Deleuze, Antonio Negri, Giorgio Agamben, Alain Badiou and Jacques Derrida. The essays show how Ranciere's ideas can be used to analyse contemporary trends in both art and politics, including the events surrounding 9/11, war in the contemporary consensual age, and the ethical turn of aesthetics and politics. Ranciere elaborates new directions for the concepts of politics and communism, as well as the notion of what a 'politics of art' might be. This important collection includes several essays that have never previously been published in English, as well as a brand new afterword. Together these essays serve as a superb introduction to the work of one of the world's most influential contemporary thinkers. <br/><br/>]]>
  </description>
<authors>
    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
  </authors></book>

        <book>
  <id type="integer">6329698</id>
  <isbn>3518291882</isbn>
  <isbn13>9783518291887</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Das Unvernehmen.]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <link>http://www.goodreads.com/book/show/6329698.Das_Unvernehmen_</link>
  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
  </authors></book>

        <book>
  <id type="integer">6436359</id>
  <isbn>0745646301</isbn>
  <isbn13>9780745646305</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Aesthetics and Its Discontents]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <link>http://www.goodreads.com/book/show/6436359-aesthetics-and-its-discontents</link>
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    <![CDATA[Only yesterday aesthetics stood accused of concealing cultural games of social distinction. Now it is considered a parasitic discourse from which artistic practices must be freed. But aesthetics is not a discourse. It is an historical regime of the identification of art. This regime is paradoxical, because it founds the autonomy of art only at the price of suppressing the boundaries separating its practices and its objects from those of everyday life and of making free aesthetic play into the promise of a new revolution.  Aesthetics is not a politics by accident but in essence. But this politics operates in the unresolved tension between two opposed forms of politics: the first consists in transforming art into forms of collective life, the second in preserving from all forms of militant or commercial compromise the autonomy that makes it a promise of emancipation. This constitutive tension sheds light on the paradoxes and transformations of critical art. It also makes it possible to understand why today's calls to free art from aesthetics are misguided and lead to a smothering of both aesthetics and politics in ethics.]]>
  </description>
<authors>
    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
  </authors></book>

        <book>
  <id type="integer">6329703</id>
  <isbn>2906211427</isbn>
  <isbn13>9782906211421</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[L'espace des mots : De Mallarmé à Broodthaers]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <link>http://www.goodreads.com/book/show/6329703.L_espace_des_mots_De_Mallarm_Broodthaers</link>
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  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
  </authors></book>

        <book>
  <id type="integer">4339146</id>
  <isbn>2012353878</isbn>
  <isbn13>9782012353879</isbn13>
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  <title>
    <![CDATA[La parole muette: Essai sur les contradictions de la littérature]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <link>http://www.goodreads.com/book/show/4339146.La_parole_muette_Essai_sur_les_contradictions_de_la_litt_rature</link>
  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[]]>
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<authors>
    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
  </authors></book>

        <book>
  <id type="integer">6329704</id>
  <isbn>2915048029</isbn>
  <isbn13>9782915048025</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Les scènes du peuple : Les Révoltes logiques, 1975-1985]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <link>http://www.goodreads.com/book/show/6329704.Les_sc_nes_du_peuple_Les_R_voltes_logiques_1975_1985</link>
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  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
  </authors></book>

        <book>
  <id type="integer">6329710</id>
  <isbn>2020820730</isbn>
  <isbn13>9782020820738</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Chroniques des temps consensuels]]>
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  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <link>http://www.goodreads.com/book/show/6329710.Chroniques_des_temps_consensuels</link>
  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
  </authors></book>

        <book>
  <id type="integer">6329711</id>
  <isbn>2226057498</isbn>
  <isbn13>9782226057495</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[La Politique des poètes : Pourquoi des poètes en temps de détresse ?]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <link>http://www.goodreads.com/book/show/6329711.La_Politique_des_po_tes_Pourquoi_des_po_tes_en_temps_de_d_tresse_</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
  </authors></book>

        <book>
  <id type="integer">6329714</id>
  <isbn>2913372686</isbn>
  <isbn13>9782913372689</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[La parole ouvrière]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <link>http://www.goodreads.com/book/show/6329714.La_parole_ouvri_re</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
    <author>
    <id>954980</id>
        <name><![CDATA[Alain Faure]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/954980.Alain_Faure]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
  </authors></book>

        <book>
  <id type="integer">7171116</id>
  <isbn>3037340312</isbn>
  <isbn13>9783037340318</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Zehn Thesen zur Politik]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <link>http://www.goodreads.com/book/show/7171116-zehn-thesen-zur-politik</link>
  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
    <author>
    <id>3179788</id>
        <name><![CDATA[Marc Blankenburg]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/3179788.Marc_Blankenburg]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
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        <book>
  <id type="integer">1359378</id>
  <isbn>2913372058</isbn>
  <isbn13>9782913372054</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Le Partage du sensible : Esthétique et politique]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <link>http://www.goodreads.com/book/show/1359378.Le_Partage_du_sensible_Esth_tique_et_politique</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
  </authors></book>

        <book>
  <id type="integer">1951949</id>
  <isbn>201279341X</isbn>
  <isbn13>9782012793415</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Mallarmé : La politique de la sirène]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1190782346m/1951949.jpg</image_url>
  <link>http://www.goodreads.com/book/show/1951949.Mallarm_La_politique_de_la_sir_ne</link>
  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
  </authors></book>

        <book>
  <id type="integer">1359381</id>
  <isbn>2130468756</isbn>
  <isbn13>9782130468752</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Lire le Capital]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <link>http://www.goodreads.com/book/show/1359381.Lire_le_Capital</link>
  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[]]>
  </description>
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    <author>
    <id>333204</id>
        <name><![CDATA[Pierre Macherey]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/333204.Pierre_Macherey]]></link>
    <average_rating>4.00</average_rating>
    <ratings_count>9</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
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  </authors></book>

        <book>
  <id type="integer">1930566</id>
  <isbn>3905770482</isbn>
  <isbn13>9783905770483</isbn13>
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  <title>
    <![CDATA[Alfredo Jaar: The Politics of Images]]>
  </title>
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  <link>http://www.goodreads.com/book/show/1930566.Alfredo_Jaar_The_Politics_of_Images</link>
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    <![CDATA[Spanning from the 1970s until today, this compelling new monograph traces the development of the respected Chilean-born, New York-based conceptualist--from his earliest public interventions to his latest installations. Some of the highly political subjects range from the plight of Amazonian gold miners to the 1994 genocide in Rwanda, and there are several previously unpublished works that the artist created in his hometown of Santiago during Pinochet's repressive military dictatorship, as well as numerous works made by collating and rethinking press cuttings. Working with public interventions, installations, photography and video, Jaar examines the nature of images and their viewers' relationships to them. His work tackles the very possibility of producing art based on events that we would prefer to ignore, and of creating images in a context characterized both by their over-abundance and, paradoxically, by their invisibility. Texts by art historians Georges Didi Huberman, Griselda Pollock and Nicole Schweizer and philosopher Jacques Ranciere.]]>
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<authors>
    <author>
    <id>136054</id>
        <name><![CDATA[Georges Didi-Huberman]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/136054.Georges_Didi_Huberman]]></link>
    <average_rating>4.14</average_rating>
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    <text_reviews_count>7</text_reviews_count>
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    <author>
    <id>150452</id>
        <name><![CDATA[Griselda Pollock]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/150452.Griselda_Pollock]]></link>
    <average_rating>4.04</average_rating>
    <ratings_count>47</ratings_count>
    <text_reviews_count>3</text_reviews_count>
  </author>
    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
  </authors></book>

        <book>
  <id type="integer">4333842</id>
  <isbn>2264000538</isbn>
  <isbn13>9782264000538</isbn13>
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  <title>
    <![CDATA[La Parole ouvrière]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <link>http://www.goodreads.com/book/show/4333842.La_Parole_ouvri_re</link>
  <average_rating>0.0</average_rating>
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    <![CDATA[]]>
  </description>
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    <author>
    <id>954980</id>
        <name><![CDATA[Alain Faure]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/954980.Alain_Faure]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
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    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
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  </authors></book>

        <book>
  <id type="integer">6329697</id>
  <isbn>2910814823</isbn>
  <isbn13>9782910814823</isbn13>
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  <title>
    <![CDATA[Europe, le romantisme révolutionnaire, numéro 900 - Avril 2004]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <link>http://www.goodreads.com/book/show/6329697.Europe_le_romantisme_r_volutionnaire_num_ro_900_Avril_2004</link>
  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[]]>
  </description>
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    <author>
    <id>95211</id>
        <name><![CDATA[Michael Löwy]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/95211.Michael_L_wy]]></link>
    <average_rating>3.86</average_rating>
    <ratings_count>29</ratings_count>
    <text_reviews_count>4</text_reviews_count>
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    <author>
    <id>27913</id>
        <name><![CDATA[Max Blechman]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/27913.Max_Blechman]]></link>
    <average_rating>3.75</average_rating>
    <ratings_count>4</ratings_count>
    <text_reviews_count>1</text_reviews_count>
  </author>
    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
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    <author>
    <id>1630543</id>
        <name><![CDATA[Rita Bischof]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/1630543.Rita_Bischof]]></link>
    <average_rating>0.0</average_rating>
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    <author>
    <id>499</id>
        <name><![CDATA[Unknown]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/499.Unknown]]></link>
    <average_rating>3.74</average_rating>
    <ratings_count>923</ratings_count>
    <text_reviews_count>191</text_reviews_count>
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        <book>
  <id type="integer">6329699</id>
  <isbn>2842785096</isbn>
  <isbn13>9782842785093</isbn13>
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  <title>
    <![CDATA[Beaux Arts Magazine, Hors-série N° 12 : Chaplin]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <link>http://www.goodreads.com/book/show/6329699.Beaux_Arts_Magazine_Hors_s_rie_N_12_Chaplin</link>
  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>344272</id>
        <name><![CDATA[Bernard Rémy]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/344272.Bernard_R_my]]></link>
    <average_rating>0.0</average_rating>
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    <author>
    <id>266852</id>
        <name><![CDATA[Christian Delage]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/266852.Christian_Delage]]></link>
    <average_rating>0.0</average_rating>
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    <text_reviews_count>0</text_reviews_count>
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    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
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    <author>
    <id>151478</id>
        <name><![CDATA[Giovanni Lista]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/151478.Giovanni_Lista]]></link>
    <average_rating>3.33</average_rating>
    <ratings_count>3</ratings_count>
    <text_reviews_count>0</text_reviews_count>
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    <author>
    <id>499</id>
        <name><![CDATA[Unknown]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/499.Unknown]]></link>
    <average_rating>3.74</average_rating>
    <ratings_count>923</ratings_count>
    <text_reviews_count>191</text_reviews_count>
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        <book>
  <id type="integer">6329705</id>
  <isbn>2296024718</isbn>
  <isbn13>9782296024717</isbn13>
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  <title>
    <![CDATA[France - Amérique latine : Croisements de lettres et de voies]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <link>http://www.goodreads.com/book/show/6329705.France_Am_rique_latine_Croisements_de_lettres_et_de_voies</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>1022187</id>
        <name><![CDATA[Walter Bruno Berg]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/1022187.Walter_Bruno_Berg]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
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    <author>
    <id>53741</id>
        <name><![CDATA[Lisa Block De Behar]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/53741.Lisa_Block_De_Behar]]></link>
    <average_rating>5.00</average_rating>
    <ratings_count>1</ratings_count>
    <text_reviews_count>0</text_reviews_count>
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    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
    <author>
    <id>40434</id>
        <name><![CDATA[Julio Ortega]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/40434.Julio_Ortega]]></link>
    <average_rating>3.89</average_rating>
    <ratings_count>27</ratings_count>
    <text_reviews_count>3</text_reviews_count>
  </author>
    <author>
    <id>499</id>
        <name><![CDATA[Unknown]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/499.Unknown]]></link>
    <average_rating>3.74</average_rating>
    <ratings_count>923</ratings_count>
    <text_reviews_count>191</text_reviews_count>
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  </authors></book>

        <book>
  <id type="integer">6329709</id>
  <isbn>2841621693</isbn>
  <isbn13>9782841621699</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Peaux blanches, masques noirs : Performances du Blackface de Jim Crow à Michael Jackson]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <link>http://www.goodreads.com/book/show/6329709.Peaux_blanches_masques_noirs_Performances_du_Blackface_de_Jim_Crow_Michael_Jackson</link>
  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>2873308</id>
        <name><![CDATA[William-T Jr Lhamon]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/2873308.William_T_Jr_Lhamon]]></link>
    <average_rating>0.0</average_rating>
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    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
  </authors></book>

        <book>
  <id type="integer">6329712</id>
  <isbn>213056853X</isbn>
  <isbn13>9782130568537</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Lire Le Capital]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <link>http://www.goodreads.com/book/show/6329712.Lire_Le_Capital</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>49146</id>
        <name><![CDATA[Louis Althusser]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1238170083p5/49146.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/49146.Louis_Althusser]]></link>
    <average_rating>3.96</average_rating>
    <ratings_count>424</ratings_count>
    <text_reviews_count>27</text_reviews_count>
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    <author>
    <id>49148</id>
        <name><![CDATA[Etienne Balibar]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/49148.Etienne_Balibar]]></link>
    <average_rating>3.99</average_rating>
    <ratings_count>131</ratings_count>
    <text_reviews_count>15</text_reviews_count>
  </author>
    <author>
    <id>283226</id>
        <name><![CDATA[Roger Establet]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/283226.Roger_Establet]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
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    <author>
    <id>333204</id>
        <name><![CDATA[Pierre Macherey]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/333204.Pierre_Macherey]]></link>
    <average_rating>4.00</average_rating>
    <ratings_count>9</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
  </authors></book>

        <book>
  <id type="integer">6329713</id>
  <isbn>2707157007</isbn>
  <isbn13>9782707157003</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Pensées critiques : dix itinéraires de la revue Mouvements : 1998-2008]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <link>http://www.goodreads.com/book/show/6329713.Pens_es_critiques_dix_itin_raires_de_la_revue_Mouvements_1998_2008</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>49148</id>
        <name><![CDATA[Etienne Balibar]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/49148.Etienne_Balibar]]></link>
    <average_rating>3.99</average_rating>
    <ratings_count>131</ratings_count>
    <text_reviews_count>15</text_reviews_count>
  </author>
    <author>
    <id>2873309</id>
        <name><![CDATA[Joan-W Scott]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/2873309.Joan_W_Scott]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
    <author>
    <id>265536</id>
        <name><![CDATA[Nancy Fraser]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/265536.Nancy_Fraser]]></link>
    <average_rating>4.27</average_rating>
    <ratings_count>37</ratings_count>
    <text_reviews_count>4</text_reviews_count>
  </author>
    <author>
    <id>499</id>
        <name><![CDATA[Unknown]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/499.Unknown]]></link>
    <average_rating>3.74</average_rating>
    <ratings_count>923</ratings_count>
    <text_reviews_count>191</text_reviews_count>
  </author>
  </authors></book>

        <book>
  <id type="integer">6329715</id>
  <isbn>2296018920</isbn>
  <isbn13>9782296018921</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Deleuze et une philosophie de l'immanence]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <link>http://www.goodreads.com/book/show/6329715.Deleuze_et_une_philosophie_de_l_immanence</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>2873310</id>
        <name><![CDATA[Takashi Shirani]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/2873310.Takashi_Shirani]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
  </authors></book>

        <book>
  <id type="integer">6581051</id>
  <isbn>3865605435</isbn>
  <isbn13>9783865605436</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Un Coup de Des: Writing Turned Image, an Alphabet of Pensive Language]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <link>http://www.goodreads.com/book/show/6581051-un-coup-de-des</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[In her essay &quot;Writing Turned Image: An Alphabet of Pensive Language,&quot; Sabine Folie writes, &quot;An idea...explored in Stephane Mallarme's <em>Un coup de des</em> (<em>A roll of the dice</em>) of 1897 has in the twentieth century become an integral part of the poetological and, more generally, the avant-gardist vocabulary: the idea of unmasking language as a convention whose purpose it is to discipline the individual and to subject it to a regulated system of capitalist exploitation as well as to guarantee orientation in the world... Writing was released from the textual ensemble of the book and integrated into the flow of its media--as a disturbance, a deconstruction of meaning.&quot; The ideas of Symbolist poet and galvanizing nineteenth-century intellectual Stephane Mallarme are discussed in this text-heavy volume in relation to works by Robert Barry, Lothar Baumgarten, Marcel Broodthaers, Theresa Hak Kyung Cha and Rodney Graham, among others. Scholarly essays by Sabine Folie, Anna Sigridur Arnar, Jacques Ranciere, Gabriele Mackert and Michael Newman accompany a generous selection of images by each of the artists.]]>
  </description>
<authors>
    <author>
    <id>398840</id>
        <name><![CDATA[Gabriele Mackert]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/398840.Gabriele_Mackert]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
    <author>
    <id>63940</id>
        <name><![CDATA[Michael Newman]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/63940.Michael_Newman]]></link>
    <average_rating>4.00</average_rating>
    <ratings_count>45</ratings_count>
    <text_reviews_count>6</text_reviews_count>
  </author>
    <author>
    <id>39889</id>
        <name><![CDATA[Sabine Folie]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/39889.Sabine_Folie]]></link>
    <average_rating>5.00</average_rating>
    <ratings_count>2</ratings_count>
    <text_reviews_count>1</text_reviews_count>
  </author>
    <author>
    <id>450735</id>
        <name><![CDATA[Dietrich Karner]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/450735.Dietrich_Karner]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
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  </authors></book>

        <book>
  <id type="integer">6878674</id>
  <isbn>1933128518</isbn>
  <isbn13>9781933128511</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Ian Wallace: A Literature of Images]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <link>http://www.goodreads.com/book/show/6878674-ian-wallace</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[This is the first extensive survey catalogue on the work of Vancouver-based artist Ian Wallace - a seminal figure in Vancouver's fertile 1970s art scene, a teacher who taught the first generation of the Vancouver School of photo-conceptualism. He inspired superstars such as Jeff Wall, Rodney Graham, and Stan Douglas. Wallace, a pioneer and theorist of photo-conceptualism, was energized by the dialectic tensions between monochrome painting and documentary or staged photography, exploring the emblematic sites of street, studio, and nature. A beautifully designed, over-sized book on this vanguard artist, including excellent interpretive texts, extensive color reproductions, catalogue of exhibited works, a chronology, thorough bibliographic information, and an informative interview with Wallace by Renske Janssen.]]>
  </description>
<authors>
    <author>
    <id>3080367</id>
        <name><![CDATA[Renske Janssen]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/3080367.Renske_Janssen]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
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    <author>
    <id>3080368</id>
        <name><![CDATA[Vanessa Joan Mueller]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/3080368.Vanessa_Joan_Mueller]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
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    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
    <author>
    <id>28481</id>
        <name><![CDATA[Dieter Roelstraete]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/28481.Dieter_Roelstraete]]></link>
    <average_rating>0.0</average_rating>
    <ratings_count>0</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
    <author>
    <id>119700</id>
        <name><![CDATA[Ian Wallace]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/119700.Ian_Wallace]]></link>
    <average_rating>3.70</average_rating>
    <ratings_count>207</ratings_count>
    <text_reviews_count>8</text_reviews_count>
  </author>
  </authors></book>

        <book>
  <id type="integer">7176663</id>
  <isbn>2923165586</isbn>
  <isbn13>9782923165585</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Démocratie, dans quel état?]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <link>http://www.goodreads.com/book/show/7176663-d-mocratie-dans-quel-tat</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
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    <author>
    <id>40922</id>
        <name><![CDATA[Jean-Luc Nancy]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/40922.Jean_Luc_Nancy]]></link>
    <average_rating>3.94</average_rating>
    <ratings_count>181</ratings_count>
    <text_reviews_count>24</text_reviews_count>
  </author>
    <author>
    <id>827914</id>
        <name><![CDATA[Daniel Bensaïd]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/827914.Daniel_Bensa_d]]></link>
    <average_rating>3.50</average_rating>
    <ratings_count>2</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
    <author>
    <id>317427</id>
        <name><![CDATA[Jacques Rancière]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1218794945p5/317427.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/317427.Jacques_Ranci_re]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>276</ratings_count>
    <text_reviews_count>51</text_reviews_count>
  </author>
    <author>
    <id>118587</id>
        <name><![CDATA[Alain Badiou]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/118587.Alain_Badiou]]></link>
    <average_rating>3.87</average_rating>
    <ratings_count>600</ratings_count>
    <text_reviews_count>77</text_reviews_count>
  </author>
    <author>
    <id>49083</id>
        <name><![CDATA[Giorgio Agamben]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1220004755p5/49083.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/49083.Giorgio_Agamben]]></link>
    <average_rating>4.22</average_rating>
    <ratings_count>988</ratings_count>
    <text_reviews_count>90</text_reviews_count>
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    <author>
    <id>179637</id>
        <name><![CDATA[Wendy Brown]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/179637.Wendy_Brown]]></link>
    <average_rating>4.14</average_rating>
    <ratings_count>113</ratings_count>
    <text_reviews_count>17</text_reviews_count>
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    <author>
    <id>144612</id>
        <name><![CDATA[Kristin Ross]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/144612.Kristin_Ross]]></link>
    <average_rating>3.93</average_rating>
    <ratings_count>55</ratings_count>
    <text_reviews_count>5</text_reviews_count>
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    <author>
    <id>3114226</id>
        <name><![CDATA[Slavoj Zizek]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/3114226.Slavoj_Zizek]]></link>
    <average_rating>3.80</average_rating>
    <ratings_count>5</ratings_count>
    <text_reviews_count>0</text_reviews_count>
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