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  <id>245840</id>
  <name><![CDATA[Mark Scroggins]]></name>
  <link><![CDATA[http://www.goodreads.com/author/show/245840.Mark_Scroggins]]></link>
    
  <books start="1" end="4" total="4">
        <book>
  <id type="integer">1430302</id>
  <isbn>1593761589</isbn>
  <isbn13>9781593761585</isbn13>
  <text_reviews_count type="integer">10</text_reviews_count>
  <title>
    <![CDATA[The Poem of a Life: A Biography of Louis Zukofsky]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1183521178m/1430302.jpg</image_url>
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  <link>http://www.goodreads.com/book/show/1430302.The_Poem_of_a_Life_A_Biography_of_Louis_Zukofsky</link>
  <average_rating>4.63</average_rating>
  <ratings_count>27</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;<em>The Poem of a Life</em> is the first critical biography of Louis Zukofsky, a fascinating and crucially important American modernist poet. It details the curve of his career, from the early <em>Waste Land</em>-parody &#8220;Poem beginning 'The'&#8221; (1926) to the dense and tantalizing beauties of his last poems, <em>80 Flowers</em>(1978), paying special attention to the monumental, complex, and formally various epic poem <em>&#8220;A&#8221;</em>, on which Zukofsky labored for almost fifty years, and which he called &#8220;a poem of a life.&#8221;<br/>	Zukofsky was a protégé of Ezra Pound's, an artistic collaborator and close friend of William Carlos Williams's, and the leader of a whole school of 1930s avant-garde poets, the Objectivists. Later in life he was close friends with such younger writers as Robert Creeley, Paul Metcalf, Robert Duncan, Jonathan Williams, and Guy Davenport. His work spans the divide from modernism to postmodernism, and his later writings have proved an inspiration to whole new generations of innovative poets. Zukofsky's poetry is oblique, condensed, and as fantastically detailed as the late writings of James Joyce, yet it bears at every point the marks of the poet's life and times.&lt;/div&gt;]]>
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    <author>
    <id>245840</id>
        <name><![CDATA[Mark Scroggins]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/245840.Mark_Scroggins]]></link>
    <average_rating>4.67</average_rating>
    <ratings_count>51</ratings_count>
    <text_reviews_count>11</text_reviews_count>
  </author>
  </authors>  <published>2007</published>
</book>

        <book>
  <id type="integer">436370</id>
  <isbn>0817309071</isbn>
  <isbn13>9780817309077</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Louis Zukofsky and the Poetry of Knowledge]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1237305172m/436370.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1237305172s/436370.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/436370.Louis_Zukofsky_and_the_Poetry_of_Knowledge</link>
  <average_rating>4.67</average_rating>
  <ratings_count>6</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>245840</id>
        <name><![CDATA[Mark Scroggins]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1202092430p5/245840.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/authors/1202092430p2/245840.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/245840.Mark_Scroggins]]></link>
    <average_rating>4.67</average_rating>
    <ratings_count>51</ratings_count>
    <text_reviews_count>11</text_reviews_count>
  </author>
  </authors>  <published>1998</published>
</book>

        <book>
  <id type="integer">436379</id>
  <isbn>0817308261</isbn>
  <isbn13>9780817308261</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Upper Limit Music: The Writing of Louis Zukofsky]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174761547m/436379.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174761547s/436379.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/436379.Upper_Limit_Music_The_Writing_of_Louis_Zukofsky</link>
  <average_rating>4.62</average_rating>
  <ratings_count>8</ratings_count>
  <description>
    <![CDATA[Since his death in 1978, Louis Zukofsky has become widely recognized as a major American modernist poet of importance comparable to that of his friends Ezra Pound and William Carlos Williams. Unfortunately, of the little criticism of Zukofsky's work, much fails to take into account large stretches of his writings. The essays collected in Upper Limit Music examine all aspects of Zukofsky's work and all periods of his career. There are interpretations of his short poetry, of his epic-length &quot;A,&quot; of his unconventional and groundbreaking fiction, and of his writings for the 1930s WPA project, the Index of American Design. This collection is an essential contribution to readings of 20th-century poetry and will prove an important resource for readers and critics of Zukofsky.]]>
  </description>
<authors>
    <author>
    <id>245840</id>
        <name><![CDATA[Mark Scroggins]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1202092430p5/245840.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/245840.Mark_Scroggins]]></link>
    <average_rating>4.67</average_rating>
    <ratings_count>51</ratings_count>
    <text_reviews_count>11</text_reviews_count>
  </author>
  </authors>  <published>1997</published>
</book>

        <book>
  <id type="integer">631043</id>
  <isbn>1881471748</isbn>
  <isbn13>9781881471745</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Anarchy]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1176498314m/631043.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1176498314s/631043.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/631043.Anarchy</link>
  <average_rating>4.83</average_rating>
  <ratings_count>6</ratings_count>
  <description>
    <![CDATA[What does the London punk rock scene of the 1970s have to do with the bloody religious turmoil of seventeenth-century England? And why do the occult connections between Munster antinomianism / and Johnny Rotten so concern a young American poet and cittern player (originally from Tennessee) who also happens to be one of the world's leading authorities on Louis Zukofsky?   In Mark Scroggins' Anarchy (cf. Paradise Lost II. 959-967 and the Sex Pistols), Baalim / and Peorim smash a thousand / Telecasters and Marshall amps. Scroggins ransacks British history to give us words for a t-shirt / traced white / on black...and so much more.]]>
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<authors>
    <author>
    <id>245840</id>
        <name><![CDATA[Mark Scroggins]]></name>
    <image_url><![CDATA[http://photo.goodreads.com/authors/1202092430p5/245840.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/authors/1202092430p2/245840.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/245840.Mark_Scroggins]]></link>
    <average_rating>4.67</average_rating>
    <ratings_count>51</ratings_count>
    <text_reviews_count>11</text_reviews_count>
  </author>
  </authors>  <published>2003</published>
</book>

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