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  <name><![CDATA[Anne Elizabeth Moore]]></name>
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  <id type="integer">43555</id>
  <isbn>0618718745</isbn>
  <isbn13>9780618718740</isbn13>
  <text_reviews_count type="integer">69</text_reviews_count>
  <title>
    <![CDATA[The Best American Comics 2006]]>
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  <average_rating>3.77</average_rating>
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  <description>
    <![CDATA[The popularity of the graphic genre continues to rage, and The Best American<br/>Comics is a diverse, exciting annual selection for fans and newcomers<br/>alike. The inaugural volume includes stories culled from graphic novels,<br/>pamphlet comics, newspapers, magazines, mini-comics, and the Web.<br/><br/>Contributors include Robert Crumb, Chris Ware, Kim Deitch, Jaime Hernandez, Alison Bechdel, Joe Sacco, and Lynda Barry—and unique discoveries such as Justin Hall, Esther Pearl Watson, and Lilli Carré.]]>
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    <author>
    <id>24477</id>
        <name><![CDATA[Anne Elizabeth Moore]]></name>
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    <average_rating>3.60</average_rating>
    <ratings_count>824</ratings_count>
    <text_reviews_count>206</text_reviews_count>
  </author>
  </authors>  <published>2006</published>
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        <book>
  <id type="integer">772122</id>
  <isbn>0618718761</isbn>
  <isbn13>9780618718764</isbn13>
  <text_reviews_count type="integer">80</text_reviews_count>
  <title>
    <![CDATA[The Best American Comics 2007]]>
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  <average_rating>3.50</average_rating>
  <ratings_count>326</ratings_count>
  <description>
    <![CDATA[Guest editor Chris Ware and series editor Anne Elizabeth Moore have sought out the best stories to create this cutting-edge collection. Contributors include Lynda Barry, R. and Aline Crumb, Kim Deitch, Gilbert Hernandez, Seth, and Art Spiegelman.]]>
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    <author>
    <id>24477</id>
        <name><![CDATA[Anne Elizabeth Moore]]></name>
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  </authors>  <published>2007</published>
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        <book>
  <id type="integer">65239</id>
  <isbn>1595581685</isbn>
  <isbn13>9781595581686</isbn13>
  <text_reviews_count type="integer">52</text_reviews_count>
  <title>
    <![CDATA[Unmarketable: Brandalism, Copyfighting, Mocketing, and the Erosion of Integrity]]>
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  <link>http://www.goodreads.com/book/show/65239.Unmarketable_Brandalism_Copyfighting_Mocketing_and_the_Erosion_of_Integrity</link>
  <average_rating>3.38</average_rating>
  <ratings_count>138</ratings_count>
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    <![CDATA[<strong>A writer and activist investigates corporate America's inroads into&#151;and alliances with&#151;the cultural underground.</strong><br/><br/><em>&quot;There's an industry around you that works, whether you agree with it or not.&quot;</em>&#151;Alec Bourgeois, Dischord Records label manager<br/><br/>For years the do-it-yourself (DIY)/punk underground has worked against the logic of mass production and creative uniformity, disseminating radical ideas and directly making and trading goods and services. But what happens when the underground becomes just another market? What happens when the very tools that the artists and activists have used to build word of mouth are coopted by corporate America? What happens to cultural resistance when it becomes just another marketing platform?<br/><br/><em>Unmarketable</em> examines the corrosive effects of corporate infiltration of the underground. Activist and author Anne Elizabeth Moore takes a critical look at the savvy advertising agencies, corporate marketing teams, and branding experts who use DIY techniques to reach a youth market&#151;and at members of the underground who have helped forward corporate agendas through their own artistic, and occasionally activist, projects.<br/><br/>Covering everything from <em>Adbusters</em> to Tylenol's indie-star-studded Ouch! campaign, <em>Unmarketable</em> is a lively, funny, and much-needed look at what's happening to the underground and what it means for activism, commerce, and integrity in a world dominated by corporations.]]>
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    <author>
    <id>24477</id>
        <name><![CDATA[Anne Elizabeth Moore]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/24477.Anne_Elizabeth_Moore]]></link>
    <average_rating>3.60</average_rating>
    <ratings_count>824</ratings_count>
    <text_reviews_count>206</text_reviews_count>
  </author>
  </authors>  <published>2007</published>
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        <book>
  <id type="integer">47093</id>
  <isbn>1932360352</isbn>
  <isbn13>9781932360356</isbn13>
  <text_reviews_count type="integer">4</text_reviews_count>
  <title>
    <![CDATA[Hey, Kidz! Buy This Book: A Radical Primer on Corporate and Governmental Propaganda and Artistic Activism for Short People]]>
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  <link>http://www.goodreads.com/book/show/47093.Hey_Kidz_Buy_This_Book_A_Radical_Primer_on_Corporate_and_Governmental_Propaganda_and_Artistic_Activism_for_Short_People</link>
  <average_rating>3.60</average_rating>
  <ratings_count>10</ratings_count>
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    <![CDATA[Hey Kidz! Buy This Book provides a solid grounding in the current media strategies that target youth as the most sought-after demographic target, and leads readers to the understanding that advertising drives most of everything they experience. The author goes on to explain how youth can tap into an unrealized power through creating their own messaging content and use it to change the world. With an emphasis on community building, teamwork, historical research, and self-expression, this empowering book is a primer on media activism for young people, their teachers, parents, youth organization leaders, librarians, and activists. It serves as a guide for youth who have a problem with the way the world works but don't yet know how to articulate their demands or how to achieve their goals for world change. Chapters explore topics including how the same six companies own the majority of media outlets and that real politics consist of the actions of people. The book also provides easy-to-follow directions for performing basic activist tasks, such as holding meetings, designing flyers and posters, and hooking up a PA system.]]>
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    <author>
    <id>24477</id>
        <name><![CDATA[Anne Elizabeth Moore]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/24477.Anne_Elizabeth_Moore]]></link>
    <average_rating>3.60</average_rating>
    <ratings_count>824</ratings_count>
    <text_reviews_count>206</text_reviews_count>
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  </authors>  <published>2004</published>
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        <book>
  <id type="integer">2821789</id>
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  <title>
    <![CDATA[The Manifesti of Radical Literature]]>
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  <link>http://www.goodreads.com/book/show/2821789.The_Manifesti_of_Radical_Literature</link>
  <average_rating>4.33</average_rating>
  <ratings_count>6</ratings_count>
  <description>
    <![CDATA[This pocket-sized zine is a great introduction to the work of Anne Elizabeth Moore. The Manifesti of Radical Literaure condenses many ideas Moore has previously explored in other works--her critique of culture jamming, copyright laws, advertising, and why everyone should seriously consider self-publishing their own work. What saves this new 50-paged effort from feeling redundant is Moore's charming sense of humor. Grab a copy for yourself and another one to leave at your local library.]]>
  </description>
<authors>
    <author>
    <id>24477</id>
        <name><![CDATA[Anne Elizabeth Moore]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/24477.Anne_Elizabeth_Moore]]></link>
    <average_rating>3.60</average_rating>
    <ratings_count>824</ratings_count>
    <text_reviews_count>206</text_reviews_count>
  </author>
  </authors>  <published>2006</published>
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