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  <id>242461</id>
  <name><![CDATA[Brad Prager]]></name>
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  <id type="integer">430248</id>
  <isbn>1905674171</isbn>
  <isbn13>9781905674176</isbn13>
  <text_reviews_count type="integer">5</text_reviews_count>
  <title>
    <![CDATA[The Cinema of Werner Herzog: Aesthetic Ecstasy and Truth]]>
  </title>
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  <link>http://www.goodreads.com/book/show/430248.The_Cinema_of_Werner_Herzog_Aesthetic_Ecstasy_and_Truth</link>
  <average_rating>4.19</average_rating>
  <ratings_count>16</ratings_count>
  <description>
    <![CDATA[<p>Werner Herzog is renowned for pushing the boundaries of conventional cinema, especially those between the fictional and the factual, the fantastic and the real.  <em>The Cinema of Werner Herzog: Aesthetic Ecstasy and Truth</em> is the first study in twenty years devoted entirely to an analysis of Herzog's work. It explores the director's continuing search for what he has described as 'ecstatic truth,' drawing on over thirty-five films, from the epics  <em>Aguirre: Wrath of God</em> (1972) and  <em>Fitzcarraldo</em> (1982) to innovative documentaries like  <em>Fata Morgana</em> (1971),  <em>Lessons of Darkness</em> (1992), and  <em>Grizzly Man</em> (2005). Special attention is paid to Herzog's signature style of cinematic composition, his &quot;romantic&quot; influences, and his fascination with madmen, colonialism, and war.</p>]]>
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    <author>
    <id>242461</id>
        <name><![CDATA[Brad Prager]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/242461.Brad_Prager]]></link>
    <average_rating>4.19</average_rating>
    <ratings_count>16</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
  </authors>  <published>2007</published>
</book>

        <book>
  <id type="integer">574985</id>
  <isbn>1571133410</isbn>
  <isbn13>9781571133410</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Aesthetic Vision and German Romanticism: Writing Images]]>
  </title>
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  <small_image_url>http://photo.goodreads.com/books/1175925077s/574985.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/574985.Aesthetic_Vision_and_German_Romanticism_Writing_Images</link>
  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[The work of the groundbreaking writers and artists of German Romanticism - including the writers Tieck, Brentano, and Eichendorff and the artists Caspar David Friedrich and Philipp Otto Runge - followed from the philosophical arguments of the German Idealists, who placed emphasis on exploring the subjective space of the imagination. The Romantic perspective was a form of engagement with Idealist discourses, especially Kant's Critique of Pure Reason and Fichte's Science of Knowledge. Through an aggressive, speculative reading of Kant, the Romantics abandoned the binary distinction between the palpable outer world and the ungraspable space of the mind's eye and were therefore compelled to develop new terms for understanding the distinction between &quot;internal&quot; and &quot;external.&quot; In this light, Brad Prager urges a reassessment of some of Romanticism's major oppositional tropes, contending that binaries such as &quot;self and other,&quot; &quot;symbol and allegory,&quot; and &quot;light and dark,&quot; should be understood as alternatives to Lessing's distinction between interior and exterior worlds. Prager thus crosses the boundaries between philosophy, literature, and art history to explore German Romantic writing about visual experience, examining the interplay of text and image in the formulation of Romantic epistemology.  Brad Prager is associate professor of German at the University of Missouri, Columbia.]]>
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<authors>
    <author>
    <id>242461</id>
        <name><![CDATA[Brad Prager]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/242461.Brad_Prager]]></link>
    <average_rating>4.19</average_rating>
    <ratings_count>16</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
  </authors>  <published>2007</published>
</book>

        <book>
  <id type="integer">7281972</id>
  <isbn>081354775X</isbn>
  <isbn13>9780813547756</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[The Jewish Graphic Novel: Critical Approaches]]>
  </title>
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  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/7281972-the-jewish-graphic-novel</link>
  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[In the 1970s and 1980s Jewish cartoonists such as Will Eisner were some of the first artists to use the graphic novel as a way to explore their ethnicity. Although similar to their pop culture counterpart, the comic book, graphic novels presented weightier subject matter in more expensive packaging, which appealed to an adult audience and gained them credibility as a genre.<br/><br/><em>The Jewish Graphic Novel</em> is a lively, interdisciplinary collection of essays that addresses critically acclaimed works in this subgenre of Jewish literary and artistic culture. Featuring insightful discussions of notable figures in the industry-such as Will Eisner, Art Spiegelman, and Joann Sfar-the essays focus on the how graphic novels are increasingly being used in Holocaust memoir and fiction, and to portray Jewish identity in America and abroad.<br/>Featuring more than 85 illustrations, this collection is a compelling representation of a major postmodern ethnic and artistic achievement.]]>
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        <name><![CDATA[Samantha Baskind]]></name>
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        <name><![CDATA[Ranen Omer-Sherman]]></name>
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        <name><![CDATA[Jeremy Dauber]]></name>
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        <name><![CDATA[Paul Eisenstein]]></name>
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        <name><![CDATA[Roxanne Harde]]></name>
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        <name><![CDATA[Marla Harris]]></name>
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        <name><![CDATA[Miriam Harris]]></name>
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        <name><![CDATA[Ariel Kahn]]></name>
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        <name><![CDATA[Josh Lambert]]></name>
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        <name><![CDATA[Miriam Libicki]]></name>
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    <average_rating>3.75</average_rating>
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        <name><![CDATA[Cheryl Alexander Malcolm]]></name>
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    <average_rating>3.50</average_rating>
    <ratings_count>2</ratings_count>
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        <name><![CDATA[Erin McGlothlin]]></name>
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        <name><![CDATA[Lisa Naomi Mulman]]></name>
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        <name><![CDATA[Brad Prager]]></name>
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    <id>3218944</id>
        <name><![CDATA[Alon Raab]]></name>
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    <id>1530811</id>
        <name><![CDATA[Laurence Roth]]></name>
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  </authors>  <published>2010</published>
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