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  <id>1887</id>
  <name><![CDATA[Lev Manovich]]></name>
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  <id type="integer">2753</id>
  <isbn>0262632551</isbn>
  <isbn13>9780262632553</isbn13>
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  <title>
    <![CDATA[The Language of New Media (Leonardo Books)]]>
  </title>
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  <average_rating>3.91</average_rating>
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    <![CDATA[In this book Lev Manovich offers the first systematic and rigorous theory of new media. He places new media within the histories of visual and media cultures of the last few centuries. He discusses new media's reliance on conventions of old media, such as the rectangular frame and mobile camera, and shows how new media works create the illusion of reality, address the viewer, and represent space. He also analyzes categories and forms unique to new media, such as interface and database.<br/> <br/> Manovich uses concepts from film theory, art history, literary theory, and computer science and also develops new theoretical constructs, such as cultural interface, spatial montage, and cinegratography. The theory and history of cinema play a particularly important role in the book. Among other topics, Manovich discusses parallels between the histories of cinema and of new media, digital cinema, screen and montage in cinema and in new media, and historical ties between avant-garde film and new media.]]>
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    <id>1887</id>
        <name><![CDATA[Lev Manovich]]></name>
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    <average_rating>3.95</average_rating>
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    <text_reviews_count>10</text_reviews_count>
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        <book>
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  <isbn>8574194565</isbn>
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  <title>
    <![CDATA[Derivas: cartografias do ciberespaço]]>
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  <average_rating>4.83</average_rating>
  <ratings_count>6</ratings_count>
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    <![CDATA[]]>
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    <id>1994382</id>
        <name><![CDATA[Lucia Leão]]></name>
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    <average_rating>4.84</average_rating>
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        <name><![CDATA[Roger Tavares]]></name>
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    <id>1887</id>
        <name><![CDATA[Lev Manovich]]></name>
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    <id>2125438</id>
        <name><![CDATA[André Lemos]]></name>
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    <average_rating>4.50</average_rating>
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  <title>
    <![CDATA[Chip e o Caleidoscópio: Reflexões Sobre as Novas Mídias]]>
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    <![CDATA[]]>
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    <id>1994382</id>
        <name><![CDATA[Lucia Leão]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/1994382.Lucia_Le_o]]></link>
    <average_rating>4.84</average_rating>
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    <id>1889660</id>
        <name><![CDATA[Roger Tavares]]></name>
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    <average_rating>4.81</average_rating>
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    <id>1887</id>
        <name><![CDATA[Lev Manovich]]></name>
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        <name><![CDATA[Siegfried Zielinsky]]></name>
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    <id>124510</id>
        <name><![CDATA[Friedrich Kittler]]></name>
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    <average_rating>4.07</average_rating>
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        <name><![CDATA[Randal Packer]]></name>
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    <id>134382</id>
        <name><![CDATA[Stephen Wilson]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/134382.Stephen_Wilson]]></link>
    <average_rating>4.03</average_rating>
    <ratings_count>30</ratings_count>
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    <id>1384880</id>
        <name><![CDATA[Lucia Santaella]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/1384880.Lucia_Santaella]]></link>
    <average_rating>4.27</average_rating>
    <ratings_count>11</ratings_count>
    <text_reviews_count>2</text_reviews_count>
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    <id>2135023</id>
        <name><![CDATA[Edmond Couchot]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/2135023.Edmond_Couchot]]></link>
    <average_rating>4.75</average_rating>
    <ratings_count>4</ratings_count>
    <text_reviews_count>0</text_reviews_count>
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    <id>3003494</id>
        <name><![CDATA[Mark America]]></name>
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    <average_rating>4.75</average_rating>
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        <book>
  <id type="integer">2755</id>
  <isbn>844931769X</isbn>
  <isbn13>9788449317699</isbn13>
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  <title>
    <![CDATA[El Lenguaje De Los Nuevos Medios De Comunicacion/ The Language of New Media]]>
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  <link>http://www.goodreads.com/book/show/2755.El_Lenguaje_De_Los_Nuevos_Medios_De_Comunicacion_The_Language_of_New_Media</link>
  <average_rating>4.50</average_rating>
  <ratings_count>2</ratings_count>
  <description>
    <![CDATA[]]>
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    <author>
    <id>1887</id>
        <name><![CDATA[Lev Manovich]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/1887.Lev_Manovich]]></link>
    <average_rating>3.95</average_rating>
    <ratings_count>118</ratings_count>
    <text_reviews_count>10</text_reviews_count>
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        <book>
  <id type="integer">3302691</id>
  <isbn>026213456X</isbn>
  <isbn13>9780262134569</isbn13>
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  <title>
    <![CDATA[Soft Cinema: Navigating the Database]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <link>http://www.goodreads.com/book/show/3302691.Soft_Cinema_Navigating_the_Database</link>
  <average_rating>4.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[What kind of cinema is appropriate for the age of Palm Pilot and Google? Automatic surveillance and self-guided missiles? Consumer profiling and CNN? To investigate this question, Lev Manovich, one of today's most influential thinkers in the fields of media arts and digital culture, paired with award-winning new media artist and designer Andreas Kratky. They have also invited contributions from leaders in other cultural fields: DJ Spooky, Scanner, George Lewis, and Johann Johannsson (music), servo (architecture), Schoenerwissen/OfCD (information visualization), and Ross Cooper Studios (media design).<br/> <br/> The results of their three-year explorations are the three &quot;films&quot; presented on this DVD. Although the films resemble the familiar genres of cinema, the process by which they were created demonstrates the possibilities of soft(ware) cinema. A &quot;cinema,&quot; that is, in which human subjectivity and the variable choices made by custom software combine to create films that can run infinitely without ever exactly repeating the same image sequences, screen layouts and narratives.<br/> <br/> <em>Mission to Earth</em>, a science fiction allegory of the immigrant experience, adopts the variable choices and multi-frame layout of the Soft Cinema system to represent &quot;variable identity.&quot; <em>Absences</em> is a lyrical black and white narrative that relies on algorithms normally deployed in military and civilian surveillance applications to determine the editing of video and audio. <em>Texas</em>, a &quot;database narrative,&quot; assembles its visuals, sounds, narratives, and even the identities of its characters, from multiple databases. The DVD was designed so that every viewing of each film generates a different version.]]>
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    <id>1887</id>
        <name><![CDATA[Lev Manovich]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/1887.Lev_Manovich]]></link>
    <average_rating>3.95</average_rating>
    <ratings_count>118</ratings_count>
    <text_reviews_count>10</text_reviews_count>
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    <author>
    <id>372813</id>
        <name><![CDATA[Andreas Kratky]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/372813.Andreas_Kratky]]></link>
    <average_rating>4.00</average_rating>
    <ratings_count>1</ratings_count>
    <text_reviews_count>0</text_reviews_count>
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        <book>
  <id type="integer">869773</id>
  <isbn>0937108375</isbn>
  <isbn13>9780937108376</isbn13>
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  <title>
    <![CDATA[Animated Painting]]>
  </title>
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  <average_rating>3.00</average_rating>
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    <![CDATA[Illustrated with approximately 235 color images and packaged with a DVD of selected videos, Animated Painting brings together some of the most compelling recent contemporary art to combine traditional conceptions of painting and drawing with the techniques and time-based elements of animation. As the moving image continues to overwhelm our visual field, artists are using the playful possibilities of time and movement to extend the languages of painting and drawing to literally &quot;animate&quot; them without completely releasing the work of art from the visual codes and conventions of the traditional two-dimensional art object. These artists often wrap their doubts and concerns about society into an aesthetically delightful package, claiming animation techniques for contemporary art, either wholly or as part of a hybrid artistic practice. Animated Painting features 14 international artists, including Sadie Benning, Jeremy Blake, William Kentridge and Julian Opie.]]>
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    <id>448677</id>
        <name><![CDATA[Suzanne Buchan]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/448677.Suzanne_Buchan]]></link>
    <average_rating>3.00</average_rating>
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    <author>
    <id>1887</id>
        <name><![CDATA[Lev Manovich]]></name>
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    <average_rating>3.95</average_rating>
    <ratings_count>118</ratings_count>
    <text_reviews_count>10</text_reviews_count>
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    <id>216943</id>
        <name><![CDATA[Sadie Benning]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/216943.Sadie_Benning]]></link>
    <average_rating>4.14</average_rating>
    <ratings_count>7</ratings_count>
    <text_reviews_count>2</text_reviews_count>
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        <book>
  <id type="integer">493439</id>
  <isbn>0226951243</isbn>
  <isbn13>9780226951249</isbn13>
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  <title>
    <![CDATA[Tekstura: Russian Essays on Visual Culture]]>
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  <average_rating>3.00</average_rating>
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    <![CDATA[&lt;div&gt;Fascinated by the myth of the Russian avant-garde and scornful of official art, the West has been selective in its engagement with Russian visual culture. Yet how do contemporary Russian scholars and critics themselves approach the history of visual culture in the former Soviet Union? <br/><br/>Taking its title from a Russian word that can refer to the 'texture&quot; of life, painting, or writing, this anthology assembles thirteen key essays in art history and cultural theory by Russian-language writers. The essays erase boundaries between high and low, official and dissident, avant-garde and socialist realism, art and everyday life. Everything visual is deemed worthy of analysis, whether painting or propaganda banners, architecture or candy wrappers, mass celebrations or urban refuse. <br/><br/>Most of the essays appear here in English for the first time. The editors have selected works of the past twenty years by philosophers, literary critics, film scholars, and art historians. Also included are influential earlier essays by Mikhail Bakhtin, V. N. Voloshinov, and Sergei Eisenstein. Compiled for general readers and specialists alike, <em>Tekstura</em> is a valuable resource for anyone interested in Russian and Soviet cultural history or in new theoretical approaches to the visual. <br/>&lt;/div&gt;]]>
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    <id>1887</id>
        <name><![CDATA[Lev Manovich]]></name>
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    <ratings_count>118</ratings_count>
    <text_reviews_count>10</text_reviews_count>
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        <book>
  <id type="integer">3419016</id>
  <isbn>0947912738</isbn>
  <isbn13>9780947912734</isbn13>
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  <title>
    <![CDATA[Remote: Exploring the Geography of New Media Culture]]>
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  <link>http://www.goodreads.com/book/show/3419016.Remote_Exploring_the_Geography_of_New_Media_Culture</link>
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    <![CDATA[]]>
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    <id>1887</id>
        <name><![CDATA[Lev Manovich]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/1887.Lev_Manovich]]></link>
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        <book>
  <id type="integer">6322039</id>
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  <title>
    <![CDATA[Software Takes Command]]>
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  <link>http://www.goodreads.com/book/show/6322039.Software_Takes_Command</link>
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    <![CDATA[A text on software studies, attempting to define Cultural Software.  From the book:<br/>&quot;My aim is not provide a comprehensive history of cultural software in general, or media authoring software in particular. Nor do I aim to discuss all new creative techniques it enables across different cultural fields. Instead, I will trace a particular path through this history that will take us from 1960 to today and which will pass through some of its most crucial points.&quot;]]>
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    <id>1887</id>
        <name><![CDATA[Lev Manovich]]></name>
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        <book>
  <id type="integer">1486521</id>
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    <![CDATA[Black Box - White Cube]]>
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    <![CDATA[]]>
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    <id>1887</id>
        <name><![CDATA[Lev Manovich]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/1887.Lev_Manovich]]></link>
    <average_rating>3.95</average_rating>
    <ratings_count>118</ratings_count>
    <text_reviews_count>10</text_reviews_count>
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        <book>
  <id type="integer">6972169</id>
  <isbn>1849660107</isbn>
  <isbn13>9781849660105</isbn13>
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  <title>
    <![CDATA[Info-Aesthetics]]>
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  <link>http://www.goodreads.com/book/show/6972169-info-aesthetics</link>
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