Dialogues with Silence invites the reader to enter into that sacred realm of contemplation where we listen in silence and await the divine presence in our lives, where emptiness becomes the juncture for the interchange between the outer and inner worlds, where darkness is transformed into light -- the place where the voice of God is revealed.

Recounting Merton's earliest days in the monastery to his journey east to meet the Dalai Lama, The Intimate Merton captures the essence of what makes Thomas Merton's life journey so perennially relevant.

The first of seven volumes, Run to the Mountain offers an intimate glimpse at the inner life of a young, pre-monastic Merton. Here readers will witness the insatiably curious graduate student in New York's Greenwich Village give way to the tentative spiritual seeker and brilliant writer. Merton playfully lists everything from his favorite lines of poetry and songs to the things he most loves and hates.

Thomas Merton was an inveterate diarist; his journals offer a complete and candid look at the rich transformations of his adult life. As Brother Patrick Hart, general editor of the series notes, "Perhaps his best writing can be found in the journals, where he was expressing what was deepest in his heart with no thought of censorship. With their publication we will have as complete a picture of Thomas Merton as we can hope to have."

Inevitably, the affair is discovered, and Merton is forced to acknowledge the consequences of his situation. Bewildered and desperate, he reassesses his need for love and his commitment to celibacy and the monastic vocation and discovers, painfully, that the only possibile solitude is "the solitude of the frail, mortal, limited, distressed, rebellious human person, made of his love and fears, facing his own true present." Revealing Merton to be "very human" in his chronicles of the ectasy and torment of being in love, Learning to Lovecomes full circle as he recommits himself completely and more deeply to his vocation the very "root-fact of my existence" with a new and deeper understanding of the nature of both wordly and spiritual love.

When The Trees Say Nothing gathers for the first time over 300 of Merton's nature writings, grouping them thematically into sections on the seasons, elements, creatures and other topics. Edited by Merton scholar Kathleen Deignan, the collection is cohesive and accessible, drawing from both Merton's public writings and his recently published private journals. The lyrical writings are enhanced with Deignan's own informative Introduction, along with a Foreword by Thomas Berry, renowned spiritual mentor for the environmental movement.

Unique and powerful on its own, When the Trees Say Nothing is enhanced with the art of John B. Giuliani, known for his stunning iconography. Giuliani's drawings harmonize exquisitely with Merton's meditations on nature, making When the Trees Say Nothing a spiritual and aesthetic prize.

This volume of daily inspiration from Thomas Merton draws from Merton's journals and papers to present, each day, a seasonally appropriate and thought-provoking insight or observation.
Each month will begin with one of Merton's delightful pen-and-ink drawings or one of his elegant black-and-white photographs.

Poet, Trappist monk, religious philosopher, translator, social critic—the late Thomas Merton was all these things. Until now, no selection from his great body of poetry has afforded a comprehensive view of his varied and largely innovative work. In the Dark Before Dawn: New Selected Poems of Thomas Merton is not only double the size of Merton's earlier Selected Poems (1967), it also arranges his poetry thematically and chronologically, so that readers can follow the poet's multifarious interrelated lines of thought as well as his poetic development over the decades, from his college days in the 1930s to his untimely accidental death in Bangkok in 1968 during his personal Eastern pilgrimage.

The selections are grouped under eight thematic headings—"Geography's Landscapes," "Poems from the Monastery," "Poems of the Sacred," "Songs of Contemplation," "History's Voices: Past and Present," "Engaging the World," "On Being Human," "Merton and Other Languages."

The correspondence is supplemented by a selection of Merton's photographs of the Shaker Village of Pleasant Hill in Kentucky, newly identified with captions supplied by Pleasant Hill Curator Larrie S. Currie. A review of the Andrews' Shaker Furniture by Ananda K. Coomaraswamy concludes the volume. Merton once observed, "The particular grace of a Shaker chair is due to the fact that it was made by someone capable of believing that an angel might come and sit on it." To read these letters is to experience a meeting of angels, coming to rest for a moment in the contemplation of the simple, but to this day challenging, gifts of the Shakers.