Yes, this is an epic poem, but don't let that put you off. An excellent introduction provides context for the work, while detailed notes on each canto are a virtual who's who of 13th-century Italian politics, culture, and literature. Best of all, Pinsky's brilliant translation communicates the horror, despair, and terror of hell with such immediacy, you can almost smell the sulfur and feel the heat from the rain of fire as Dante--led by his faithful guide Virgil--descends lower and lower into the pit. Dante's journey through Satan's kingdom must rate as one of the great fictional travel tales of all time, and Pinsky does it great justice.

For a reader unaccustomed to reading poetry, or who has fallen away from the custom, this collection offers an inviting way into the art, or back into it. For readers devoted to poetry, it offers illuminating examples of the infinitely various ways a poem reaches a reader.

In both the book and the videos on the accompanying DVD, poems by Sappho, Shakespeare, Keats, Whitman, and Dickinson as well as contemporary poets are introduced by people from across the United States—a construction worker, a Supreme Court justice, a glassblower, a marine—each of whom speaks about his or her connection to the poem. Their comments are variously poignant, funny, heartening, tart, penetrating, and eccentric, showing some of the ways poetry is alive for American readers. An Invitation to Poetry will inspire a fresh experience of poetry's pleasure and insight.

There is no one in America better to write on this topic. One of the country's most accomplished poets, Robert Pinsky served an unprecedented two terms as America's Poet Laureate (1997-2000) and led the immensely popular multimedia Favorite Poem Project, which invited Americans to submit and read aloud their favorite poems. Pinsky draws on his experiences and on characteristically sharp and elegant observations of individual poems to argue that expecting poetry to compete with show business is to mistake its greatest democratic strength--its intimate, human scale--as a weakness.

As an expression of individual voice, a poem implicitly allies itself with ideas about individual dignity that are democracy's bedrock, far more than is mass participation. Yet poems also summon up communal life.. Even the most inward-looking work imagines a reader. And in their rhythms and cadences poems carry in their very bones the illusion and dynamic of call and response. Poetry, Pinsky writes, cannot help but mediate between the inner consciousness of the individual reader and the outer world of other people. As part of the entertainment industry, he concludes, poetry will always be small and overlooked. As an art--and one that is inescapably democratic--it is massive and fundamental.

In these new poems the humble objects of everyday life-door, photograph, newspaper, pen, book-become artifacts pointing to the very center of human difference.

Robert Pinsky's books include The Want Bone, The Figured Wheel: Collected Poems 1966-1996, and Jersey Rain. Among his awards are the William Carlos Williams Prize, the Shelley Memorial Award, and the Lenore Marshall Poetry Prize. From 1997 to 2000 he was the US Poet Laureate. He currently teaches at Boston University.

The citizens of quintessential small towns know one another extensively and even intimately, but fail to recognize the geniuses and criminal minds in their midst. Bringing the works of such figures as Mark Twain, William Faulkner, Alfred Hitchcock, Thornton Wilder, Willa Cather, and Preston Sturges to bear on this paradox, as well as reflections on his own time growing up in a small town, Pinsky explores how such imperfect knowledge shields communities from the anonymity and alienation of modern life. Along the way, he also considers how small towns can be small minded—in some cases viciously judgmental and oppressively provincial. Ultimately, Pinsky examines the uneasy regard that creative talents like him often have toward the small towns that either nurtured or thwarted their artistic impulses.

Of living in a small town, Sherwood Anderson once wrote that "the sensation is one never to be forgotten. On all sides are ghosts, not of the dead, but of living people." Passionate, lyrical, and intensely moving, Thousands of Broadways is a rich exploration of this crucial theme in American literature by one of its most distinguished figures.

A unique collection that revisits Dante's classic with translations by former Poet Laureate Robert Pinsky and full-color artwork by internationally renowned artist Michael Mazur. This rare and stunning collaboration is sure to be sought by both collectors and readers alike.

This revised bilingual edition of Collected Poems offers the reader the original Greek texts facing what are now recognized as the standard English translations of Cavafy's poetry. It is this translation that best captures the poet's mixture of formal and idiomatic language and that preserves the immediacy of his increasingly frank treatment of homosexual eroticism, his brilliant re-creation of history, and his astute political ironies. This new bilingual edition also features the notes of editor George Savidis and a new foreword by Robert Pinsky.

This large format, opulently designed book features hundreds of images, exploring the dialogue between photographs and cities. How does photography reflect the transformation of the urban environment over time? What does it tell us about the lives of city dwellers, the ravages of war? These and other issues are compellingly examined through works both classical and unmistakably modern; images that have been digitally altered or staged; and through critical essays and archival photographs. Together they offer viewers an opportunity to immerse themselves in cities: their past and present, the energy of their architecture, and the lives of inhabitants whose identities are lost and found in them.