<?xml version="1.0" encoding="UTF-8"?>
<GoodreadsResponse>
	<Request>
		<authentication>false</authentication>
		    <method><![CDATA[]]></method>
	</Request>
	<author>
  <id>109289</id>
  <name><![CDATA[David Bayles]]></name>
  <link><![CDATA[http://www.goodreads.com/author/show/109289.David_Bayles]]></link>
    
  <books start="1" end="4" total="4">
        <book>
  <id type="integer">187633</id>
  <isbn>0961454733</isbn>
  <isbn13>9780961454739</isbn13>
  <text_reviews_count type="integer">137</text_reviews_count>
  <title>
    <![CDATA[Art &amp; Fear: Observations on the Perils (and Rewards) of Artmaking]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1172541628m/187633.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1172541628s/187633.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/187633.Art_Fear_Observations_on_the_Perils_and_Rewards_of_Artmaking</link>
  <average_rating>4.03</average_rating>
  <ratings_count>664</ratings_count>
  <description>
    <![CDATA[An artist's survival guide, written by and for working artists. The authors explore the way art gets made, the reasons it doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way.]]>
  </description>
<authors>
    <author>
    <id>109289</id>
        <name><![CDATA[David Bayles]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/109289.David_Bayles]]></link>
    <average_rating>4.04</average_rating>
    <ratings_count>685</ratings_count>
    <text_reviews_count>142</text_reviews_count>
  </author>
    <author>
    <id>109288</id>
        <name><![CDATA[Ted Orland]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/109288.Ted_Orland]]></link>
    <average_rating>4.02</average_rating>
    <ratings_count>699</ratings_count>
    <text_reviews_count>149</text_reviews_count>
  </author>
  </authors>  <published>1993</published>
</book>

        <book>
  <id type="integer">546311</id>
  <isbn>1578050960</isbn>
  <isbn13>9781578050963</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Urban Forest: Images of Trees in the Human Landscape (Sierra Club Books Publication)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1175695667m/546311.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1175695667s/546311.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/546311.Urban_Forest_Images_of_Trees_in_the_Human_Landscape</link>
  <average_rating>3.67</average_rating>
  <ratings_count>3</ratings_count>
  <description>
    <![CDATA[Beyond their esthetic and utilitarian importance, urban trees seem to fill a deeper human need. Perhaps they are reminders of the inexorable cycles of the natural world. Perhaps they serve as eddies and rills of slowness and sureness within the frantic rush of our urban environment. <br/>For more than two decades, photographer David Paul Bayles has been making images of trees in cities and suburbs--places of tension, as he puts it, between &quot;what we build and what we grow.&quot; This beautifully designed and produced volume showcases his extraordinary vision of urban trees and their often precarious, sometimes triumphant place in the human landscape. <br/>Initially drawn to his subject by &quot;the balance and harmony and beauty between the manmade structure and the tree,&quot; Bayles has also found and photographed plenty of imbalance and human folly along the way. His images are laconic, almost deadpan, yet at the same time infused with irony, humor, and compassion. They avoid the easy trap of politicization, allowing and encouraging each of us to see the relationship between humankind and trees--in all of its complexity--for ourselves. <br/>This much is certain: Those who delve into the pages of this remarkable book will never again look at the trees around them in quite the same way.]]>
  </description>
<authors>
    <author>
    <id>109289</id>
        <name><![CDATA[David Bayles]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/109289.David_Bayles]]></link>
    <average_rating>4.04</average_rating>
    <ratings_count>685</ratings_count>
    <text_reviews_count>142</text_reviews_count>
  </author>
  </authors>  <published>2003</published>
</book>

        <book>
  <id type="integer">764028</id>
  <isbn>155595278X</isbn>
  <isbn13>9781555952785</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Martha Casanave: Explorations Along an Imaginary Coastline]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1178144731m/764028.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1178144731s/764028.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/764028.Martha_Casanave_Explorations_Along_an_Imaginary_Coastline</link>
  <average_rating>4.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[The stunning and dramatic beauty of California's Central Coast has long been a magnet for artists and photographers, and is emblematic of the school of West Coast photography.]]>
  </description>
<authors>
    <author>
    <id>109289</id>
        <name><![CDATA[David Bayles]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/109289.David_Bayles]]></link>
    <average_rating>4.04</average_rating>
    <ratings_count>685</ratings_count>
    <text_reviews_count>142</text_reviews_count>
  </author>
  </authors>  <published>2006</published>
</book>

        <book>
  <id type="integer">764026</id>
  <isbn>0961454741</isbn>
  <isbn13>9780961454746</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Notes on a Shared Landscape: Making Sense of the American West]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1178144730m/764026.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1178144730s/764026.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/764026.Notes_on_a_Shared_Landscape_Making_Sense_of_the_American_West</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[<p>In his best-selling <em>Art and Fear</em>, David Bayles (with Ted Orland) closely examined personal and autobiographical episodes in search of general truths about artmaking. Bayles now turns that same attention to his native West.</p>   <p>When European Americans &quot;discovered&quot; the American West, they fell in love with the resplendent landscape. The love affair and its congenital flaws persists to this day.</p> 	 <p>Bayles writes: &quot;. . . the question is why my people bungled our occupation of the West so badly when no one really wanted to, when there was every chance to get it right, when voices of caution were constantly raised, when what needed to be done was frequently obvious, and when, occasionally, we did get it right (think: National Parks).&quot;</p>   <p><em>Notes on a Shared Landscape</em> engages the issues that make the West the West-widely ranging over the autobiographical and the cultural, the ecological and the epistemological, the cow and the potato. This is an intensely personal book, and though the Western library is huge, there is not another book like it. Much of the text unfolds in Yellowstone, where Bayles writes:</p>   <p><em>In the Lamar valley of the Yellowstone, beaver gnaw the trunks of cottonwoods, elk browse their leaves. The shadows are long, even in summer. Even so, it is just another place. In it, just as elsewhere, we see the marks of our own hands faintly because we don't have to know very much about the land we live in, because we are equally a part of and apart from nature, and because there is hardly any moment when humans are more delusional than when self recognition is required.</em></p>]]>
  </description>
<authors>
    <author>
    <id>109289</id>
        <name><![CDATA[David Bayles]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/109289.David_Bayles]]></link>
    <average_rating>4.04</average_rating>
    <ratings_count>685</ratings_count>
    <text_reviews_count>142</text_reviews_count>
  </author>
  </authors>  <published>2005</published>
</book>

      </books>
</author>
</GoodreadsResponse>