"Maupin has always been a humane storyteller, and an accessible one. His life-is-good-but-sloppy soap operas are marked by solid craft, superb dialogue, and what used to be called heart."
--Entertainment Weekly

"Maupin writes with warmth, acuity and tremendous wit about ordinary people learning to live with themselves and one another. Read him."
--Harpers & Queen

"Sparkling entertainments...lit by a glowing humanity that brings each character to vivid, poignant life."
--Publishers Weekly

Don't miss the much anticipated continuation of the classic miniseries "Armistead Maupin's Tales of the City" premiering June 1998 and airing all summer on SHOWTIME. Check your local listings for times.

Visit the Tales of the City website at www.talesofthecity.com

The calamity-prone residents of 28 Barbary Lane are at it again in this deliciously dark novel of romance and betrayal. While Anna Madrigal imprisons an anchorwoman in her basement, Michael Tolliver looks for love at the National Gay Rodeo, DeDe Halcyon Day and Mary Ann Singleton track a charismatic psychopath across Alaska, and society columnist Prue Giroux loses her heart to a derelict living in San Francisco park.

When an ordinary househusband and his ambitious wife decide to start a family, they discover there's more to making a baby then meets the eye. Help arrives in the form of a grieving gay neighbor, a visiting monarch, and the dashing young lieutenant who defects from her yacht. Bittersweet and profoundly affecting, Babycakes was the first work of fiction to acknowledge the arrival of AIDS.

"Armistead is a true original. His tales are bang up-to-date. They will surprise and maybe even shock you, but, I promise, they will make you laugh."
--Ian McKellen

"Maupin has a genius for observation. His characters have the timing of vaudeville comics, flawed by human frailty and fueled by blind hop."
--Denver Post

"Armistead Maupin's San Francisco saga careens beautifully on."
-- New York Times Book Review

Tranquillity reigns in the ancient redwood forest until a women-only music festival sets up camp downriver from an all-male retreat for the ruling class. Among those entangled in the ensuing mayhem are a lovesick nurseryman, a panic-stricken philanderer and the world's most beautiful fat woman. Significant Others is Armistead Maupin's cunningly observed meditation on marriage, friendship, and sexual nostalgia.

"Comedy in its most classical form...some of the sharpest and most speakable dialogue you are ever likely to read."
--The Guardian

"The color is wonderful, the line bold and flowing. It is also wise, witty, loving and caring about the foibles and frailties we all seem to have."
--David Hockney

When yet another book manuscript drops onto Gabriel Noone's doormat craving his approval, the beloved late-night radio storyteller is skeptical--but this one is different. It's The Blacking Factory, the autobiographical tale of Pete Lomax, a child abused and sold for sex by his parents, who has survived, thanks to his adoptive mother, psychologist Donna. Flattered that this young boy is an inveterate night listener of his shows, Gabriel contacts Pete, and in time their telephone relationship blooms into something approaching father and son--until Gabriel begins to have doubts about who Pete is. At the same time, Gabriel's father falls ill and his life truly becomes "a loose confederation of uncertainties".

Perhaps this new emotional pull isn't altogether unsurprising because like many others of his generation of gay writers--Edmund White, Andrew Holleran, Felice Picano--Maupin is now trading more explicitly in the raw materials of his own life. Gabriel Noone shares much with Armistead Maupin--a writer, whose fame is based on a popular form, raised in South Carolina, based in San Francisco, with a lover who leaves him when it becomes clear he's not about to die, and a same-named and difficult father. But Maupin has always been more cagey than his peers about revealing too much of himself--Noone, like his creator, is "a fabulist by trade", overly given to embroidering his stories, or "jewelling the elephant" as he puts it. And for all it reveals about Maupin the man, in its final pages The Night Listener protects its author's privacy--refusing to distinguish between fact and fiction, and refusing to allow that distinction to become important. --Alan Stewart

All of 31 inches tall, Cady is a true survivor in a town where -- as she says -- "you can die of encouragement." Her early starring role as a lovable elf in an immensely popular American film proved a major disappointment, since moviegoers never saw the face behind the stifling rubber suit she was required to wear. Now, after a decade of hollow promises from the Industry, she is reduced to performing at birthday parties and bat mitzvahs as she waits for the miracle that will finally make her a star.

In a series of mordantly funny journal entries, Maupin tracks his spunky heroine across the saffron-hazed wasteland of Los Angeles -- from her all-too-infrequent meetings with agents and studio moguls to her regular harrowing encounters with small children, large dogs and human ignorance. Then one day a lanky piano player saunters into Cady's life, unleashing heady new emotions, and she finds herself going for broke, shooting the moon with a scheme so harebrained and daring that it just might succeed. Her accomplice in the venture is her best friend, Jeff, a gay waiter who sees Cady's struggle for visibility as a natural extension of his own war against the Hollywood Closet.

As clear-eyed as it is charming, Maybe the Moon is a modern parable about the mythology of the movies and the toll it exacts from it participants on both sides of the screen. It is a work that speaks to the resilience of the human spirit from a perspective rarely found in literature.

Armistead Maupin's uproarious and moving Tales of the City novels--the first three of which are collected in the is omnibus edition--have earned a unique niche in American literature, not only as matchless entertainment, but as indelible documents of cultural change in the seventies and eighties.

When originally serialized in the San Francisco Chronicle, Tales of the City (1978), More Tales of the City (1980) and Futher Tales of the City (1982) afforded a mainstream audience of millions its first exposure to straight and gay characters experiencing on equal terms the follies of urban life.

Among the cast of this groundbreaking saga are the lovelorn residents of 28 Barbary Lane: the bewildered but aspiring Mary Ann Singleton, the libidinous Brain Hawkins; Mona Ramsey, still in a sixties trance, Michael "Mouse" Tolliver, forever in bright-eyed pursuit of Mr. Right; and their marijuana-growing landlady, the indefatigable Mrs. Madrigal.

Hurdling barriers both social and sexual, Maupin leads them through heartbreak and triumph, through mail-biting terrors and gleeful coincidences. The result is a glittering and addictive comedy of manners that continues to beguile new generations of readers.

With a foreword by the author.

By turns hilarious and heartbreaking, Armistead Maupin's bestselling Tales of the City series stands as an incomparable blend of great storytelling and incisive social commentary. These six classic comedies, some of which originally appeared as serials in San Francisco newspapers, have won Maupin critical acclaim around the world and enthralled legions of devoted fans.

Back to Barbary Lane comprises the second trilogy of the series--Babycakes (1984), Significant Others (1987), and Sure of You (1989) -- concluding the saga of the tenants, past and present, of Mrs. Madrigal's beloved apartment house on Russian Hill. While the first trilogy celebrated the carefree excesses of the seventies, this volume tracks its hapless, all-to-human cast across a decade troubled by plague, deceit and overweening ambition.

Like its companion volume, 28 Barbary Lane, Back to Barbary Lane is distinguished by what The Guardian of London has called "some of the sharpest and most speakable dialogue you are ever likely to read." It promises hours of literate entertainment for readers old and new.

With a foreword by the author.

His life changed history. His courage changed lives. In 1977, Harvey Milk was elected to the San Francisco Board of Supervisors, becoming the first openly gay man to be voted into major public office in America. His victory was not just a victory for gay rights; he forged coalitions across the political spectrum. From senior citizens to union workers, Harvey Milk changed the very nature of what it means to be a fighter for human rights and became, before his untimely death in 1978, a hero for all Americans.

Part I, "The History," covering Milk's life in New York pre-1973 through his death in San Francisco in 1978, features: * a brief history of Harvey Milk * 90 historical photos * and recollections from Milk's many activist friends in his Castro Street neighborhood, campaigns and eventual victory, Prop 6 protests, the Gay Freedom Day Parade, and Harvey Milk's enduring legacy.

Part II, "The Movie," details the making of the film, and includes: * commentary by screenwriter Dustin Lance Black, who was on the set every day * movie stills, side-by-side with the historical photos they re-create * and behind-the-scene shots of the real historical characters who consulted on or appeared in the film.